Totempole

Totempole is Sanford Friedman’s radical coming-of-age novel, featuring Stephen Wolfe, a young Jewish boy growing up in New York City and its environs during the Depression and war years. In eight discrete chapters, which trace Stephen’s evolution from a two-year-old boy to a twenty-four-year-old man, Friedman describes with psychological acuity and great empathy Stephen’s intellectual, moral, and sexual maturation. Taught to abhor his body for the sake of his soul, Stephen finds salvation in the eventual unification of the two, the recognition that body and soul should not be partitioned but treated as one being, one complete man.

A Tsimshian Indian boy proudly describes how his father carved a totem pole for the Klallam tribe and the subsequent ceremonial celebration.

A well-illustrated guidebook that includes the history of totem-pole carving and its West Coast native tradition, and instructions and ideas on how to design and carve a totem-pole as either a traditional design or in a personal folk-art motif.

H Allen Smith has sometimes been referred to as "the best-selling humorist since Mark Twain". Considering that he wrote against the likes of James Thurber, Robert Benchley, and S. J. Perelman, that's quite a statement. And probably true. He sold a million copies of each of his first several books, starting with Low Man on a Totem Pole. In this book, which might be called a fraction of his memoirs (Mr. Smith claimed he could have filled twenty), he recounts the high points of his life amid the human race -- a race he appreciated and observed with a keen nose for the humor hiding in the most unexpected places. Here is a panorama of unlikely people who really existed, of inconceivable things that actually happened, of the commonplace rarities of our frenzied epoch. Among others, there is the newspaperman who suffered under the delusion that Herbert Hoover had bladders on his feet: the man who thoughtfully and perpetually bounced turtle eggs on a bar: a deaf dentist who trained his dog to act as his receptionist; a child prodigy who couldn't talk any too well, but appeared to know more about swing music than the head usher at the Paramount Theater -- all these are part of Mr. Smith's life and times.

"Writing a poem is like trying to describe a totemic column which passes right through and beyond the world. We see it, but its existence is elsewhere." --Stanley Diamond, Totems--The Northwest Coast totem pole captivates the imagination. From the first descriptions of these tall carved monuments, totem poles have become central icons of the Northwest Coast region and symbols of its Native inhabitants. Although many of those who gaze at these carvings assume that they are ancient artifacts, the so-called totem pole is a relatively recent artistic development, one that has become immensely important to Northwest Coast people and has simultaneously gained a common place in popular culture from fashion to the funny pages.--The Totem Pole reconstructs the intercultural history of the art form in its myriad manifestations from the eighteenth century to the present. Aldona Jonaitis and Aaron Glass analyze the totem pole's continual transformation since Europeans first arrived on the scene, investigate its various functions in different contexts, and address the significant influence of colonialism on the proliferation and distribution of carved poles. The authors also describe their theories on the development of the art form: its spread from the Northwest Coast to world's fairs and global theme parks; its integration with the history of tourism and its transformation into a signifier of place; the role of governments, museums, and anthropologists in collecting and restoring poles; and the part that these carvings have continuously played in Native struggles for control of their cultures and their lands.--Short essays by scholars and artists, including Robert Davidson, Bill Holm, Richard Hunt, Nathan Jackson, Vickie Jensen, Andrea Laforet, Susan Point, Charlotte Townsend-Gault, Lyle Wilson, and Robin Wright, provide specific case studies of many of the topics discussed, directly illustrating the various relationships that people have with the totem pole.--Aldona Jonaitis is director emerita of the University of Alaska Museum of the North and professor at the University of Alaska Fairbanks. An art historian who has published widely on Native American art, she is the author of Art of the Northwest Coast and Looking North: Art from the University of Alaska Museum, among other titles. --Aaron Glass is an assistant professor at the Bard Graduate Center in New York City, where he teaches anthropology of art, museums, and material culture. He has published on visual art, media, and performance among First Nations on the Northwest Coast and has produced the documentary film In Search of the Hamat'sa: A Tale of Headhunting.

Joseph Hillaire (Lummi, 1894–1967) is recognized as one of the great Coast Salish artists, carvers, and tradition-bearers of the twentieth century. In A Totem Pole History, his daughter Pauline Hillaire, Scälla–Of the Killer Whale, who is herself a well-known cultural historian and conservator, tells the story of her father’s life and the traditional and contemporary Lummi narratives that influenced his work. A Totem Pole History contains seventy-six photographs, including Joe’s most significant totem poles, many of which Pauline watched him carve. She conveys with great insight the stories, teachings, and history expressed by her father’s totem poles. Eight contributors provide essays on Coast Salish art and carving, adding to the author’s portrayal of Joe’s philosophy of art in Salish life, particularly in the context of twentieth century intercultural relations. This engaging volume provides an historical record to encourage Native artists and brings the work of a respected Salish carver to the attention of a broader audience.

Joseph Hillaire (Lummi, 1894-1967) is recognized as one of the great Coast Salish artists, carvers, and tradition-bearers of the twentieth century. In A Totem Pole History, his daughter Pauline Hillaire, Scälla-Of the Killer Whale, who is herself a well-known cultural historian and conservator, tells the story of her father's life and the traditional and contemporary Lummi narratives that influenced his work. A Totem Pole History contains seventy-six photographs, including Joe's most significant totem poles, many of which Pauline watched him carve. She conveys with great insight the stories, teachings, and history expressed by her father's totem poles. Eight contributors provide essays on Coast Salish art and carving, adding to the author's portrayal of Joe's philosophy of art in Salish life, particularly in the context of twentieth century intercultural relations. This engaging volume provides an historical record to encourage Native artists and brings the work of a respected Salish carver to the attention of a broader audience.

Mountain climbing defined Paul Pritchard's existence and signposted his horizons. One of the leading climbers of the 1980s and 1990s, his adventures took him from his Snowdonia base to the Himalaya, from the Karakoram to Patagonia, from Baffin Island to the Pamirs. Winning the Boardman Tasker Award for Mountain Literature in 1997 with his book Deep Play allowed him a life dedicated to climbing. Paul spent the prize money on a round-the-world climbing tour, which eventually found him in Tasmania attempting the most slender sea stack on the planet, the Totem Pole. On Friday 13 February 1998, Paul's life was changed irrevocably by a TV-sized boulder which fell from this sea stack and struck him on the head. He spent the next years fighting the hemiplegia which paralysed the right side of his body, and caused such a terrible brain injury that doctors thought he might never walk or speak again. Over the following year, Paul began to collect his experiences – from the panic of the ten-hour rescue to the triumph of regaining abilities previously thought lost – and, using only one finger, he punched them into his computer, one letter at a time. The result is The Totem Pole . The first book to win both the Boardman Tasker Award for Mountain Literature and the Banff Mountain Book Festival Grand Prize, The Totem Pole is a sobering and painful story which embodies the resilience that has characterised Paul's life, but it is also funny and ultimately uplifting – a must-read for climbers and non-climbers alike.