Tough Girls Don T Dance

TOUGH GIRLS DON'T DANCE is a raw, gutsy story tracing a young country girl's life from the innocence of a chilhood through her rude sexual awakening and finally to the realisation of the power of love. Explicitly graphic in detail, this book explores all aspects of human sexuality through Carlene, who in spite of what life throws at her, manages to pull herself up by her own efforts, though perhaps not always doing so nobly. About the Author Osmund James lives in rural Jamaica. Physically disabled, he keeps his mental powers alert by voracious reading and prolific writing. His short stories have been appearing in The Sunday gleaner since 1988.

The second volume of the definitive biography of one of the greatest modern playwrights, Arthur Miller (1915-2005). The first volume of Christopher Bigsby's award-winning biography of Arthur Miller was hailed as a masterpiece and the definitive account of Miller's early years. This is the second half of Miller's captivating story, covering his life from 1962 to his death in 2005. In 1962, Miller's legacy was incomplete. Ahead lay eighteen plays, five films, a novella and a handful of stories. On a personal level, 1962 saw the death of his second wife, the iconographic Marilyn Monroe, and his marriage to the photographer Inge Morath who was to transform him as a writer and a person. A visit to Mauthaussen concentration camp and to the Frankfurt trials of Auschwitz-Birkenau guards moved the Holocaust to the centre of his attention and he became a more directly political person. Christopher Bigsby brilliantly and elegantly maps out the journey of Miller's life and work. Shedding new light on Miller's complexities, and revealing unknown facts about his public and private life, Bigsby shares new insights and perspectives crucial to an understanding of one of the world's greatest playwrights.

"Tough Bears Don't Dance" continues Ernest's experiences in far-flung hunting vistas that include Alaska and its peninsula, Castro's Cuba, Colombia, Honduras Canada's Lac Seul Wilderness, the Eastern Shore of Maryland's Chesapeake Bay for Canada Geese, and a revisit to some of Africa where the hunting in these tales of adventure take a back seat to saving his life, as well as encounters with emerald smugglers, the Colombian Medelin Cartel bosses, prostitution, confrontation with Russian "freedom fighters "from Nicaragua's revolution, murder, and withch doctors, being attacked by a rqavenoous bear a a Cuban dog, being lost in a frozen wilderness tundra, and assorted otyher interesteing distractions, with a little humor tossed into the mix now and then.

Presenting Rich's new thoughts on the new queer cinema (NQC), this volume also brings together the best of her writing on the NQC.

“Spectacular . . . [Norman Mailer] makes every word count, like a master knife thrower zinging stilettos in a circle around your head.”—People Norman Mailer peers into the recesses and buried virtues of the modern American male in a brilliant crime novel that transcends genre. When Tim Madden, an unsuccessful writer living on Cape Cod, awakes with a gruesome hangover, a painful tattoo on his upper arm, and a severed female head in his marijuana stash, he has almost no memory of the night before. As he reconstructs the missing hours, Madden runs afoul of retired prizefighters, sex addicts, mediums, former cons, a world-weary ex-girlfriend, and his own father, old now but still a Herculean figure. Stunningly conceived and vividly composed, Tough Guys Don’t Dance represents Mailer at the peak of his powers. Praise for Tough Guys Don’t Dance “As brash, brooding and ultimately mesmerizing as the author himself . . . [Mailer strikes a] dazzling balance between humor and horror.”—New York Daily News “A first-rate page-turner of a murder mystery . . . full of great characters, littered with dead bodies and replete with plausible suspects.”—Chicago Tribune “[Tough Guys Don’t Dance] has that charming Mailer bravado.”—The New York Times

Explores the feminization, sexualization, and racialization of dance in America since the 1960s.

A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This time in the studio shapes their lives, instilling lessons about gender, power, bodies, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal captures the intense love for ballet that so many dancers feel, while also grappling with its devastating shortcomings: the power imbalance of an art form performed mostly by women, but dominated by men; the impossible standards of beauty and thinness; and the racism that keeps so many people of color out of ballet. As the rigid traditions of ballet grow increasingly out of step with the modern world, a new generation of dancers is confronting these issues head on, in the studio and on stage. For ballet to survive the twenty-first century and forge a path into a more socially just future, this reckoning is essential.

The author of The Trouble Boys returns to the gritty streets of New York City as a new generation of the Irish mob battles for control. Camille O’Brien’s father was an Irish gangster who was betrayed and murdered. Violet McCarthy has inherited control of the Irish mob. The two women were once friends, but their paths have made them enemies. Camille believes that control of the mob should be hers. Now they must fight against each other as Camille strives to gain control of the mob in any way she can while Violet struggles to keep it. Love and loyalty are tested as they push each other to the edge. No matter how brutal. No matter what the cost. But who will come out on top? Series praise “Far more than a crime novel; a wise, carefully wrought narrative informed by a tragic sense of life.” —Stefan Kanfer, national bestselling author “Captures the atmosphere and the feel of the period to absolute perfection. I can just see this being made into a film. Superb.” —Books Monthly Perfect for Fans of Martina Cole, Kimberley Chambers, and Jessie Keane