Tracey Fragments Lib

Naked under a tattered shower curtain, 15-year-old Tracey Berkowitz has been sitting on a bus for two days, telling her story and looking for her brother, Sonny, who thinks he's a dog. She confesses her hopes and fantasies, as well as the grief and horror of a hardscrabble life. As time passes, Tracey's stories begin to twist the truth and entwine it with lies, at once captivating and unsettling the reader. As an unforgettable portrait of a teenager on the verge of imploding, "The Tracey Fragments" has been compared to "The Catcher in the Rye" with a style similar to that of "Go Ask Alice." Maureen Medved's first novel is a raw, moving account full of twists and turns, fear and uncertainty, trust and betrayal.

Tracey Berkowitz rides a bus looking for her lost ten-year-old brother as she thinks about her dysfunctional parents and the schoolmates who treat her with scorn, as she escapes into a fantasy about an imaginary boyfriend who will rescue her.

A tightly organised, creative and up-to-date introduction to David Tracy's theological and cultural vision by an international cohort of experts.

David Tracy is widely considered one of the most important religious thinkers in North America, known for his pluralistic vision and disciplinary breadth. His first book in more than twenty years reflects Tracy’s range and erudition, collecting essays from the 1980s to 2018 into a two-volume work that will be greeted with joy by his admirers and praise from new readers. In the first volume, Fragments, Tracy gathers his most important essays on broad theological questions, beginning with the problem of suffering across Greek tragedy, Christianity, and Buddhism. The volume goes on to address the Infinite, and the many attempts to categorize and name it by Plato, Aristotle, Rilke, Heidegger, and others. In the remaining essays, he reflects on questions of the invisible, contemplation, hermeneutics, and public theology. Throughout, Tracy evokes the potential of fragments (understood both as concepts and events) to shatter closed systems and open us to difference and Infinity. Covering science, literature, philosophy, psychoanalysis, and non-Western religious traditions, Tracy provides in Fragments a guide for any open reader to rethink our fragmenting contemporary culture.

Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ‒ effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.