Tradition And Transformation

Since the Book of Chronicles is increasingly studied on its own, and not as a copy of 1-2 Samuel and 1-2, this study treats the various aspects and themes of this rich document. It provides an analysis of specific texts and topics uncovering the Chronicler's permanent creativity to transform Israel's tradition(s) into a new theological and ideological system of its own.

Explores the basic structures and the manifestations of Greek Byzantine identity between the 11th and 14th century and attempts to show how the elite subtly revised its political, religious and cultural outlook. It also considers the role of the Comnenian dynasty in shaping and provoking change.

Tradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.

In this volume of conference papers originally presented at the University of Oklahoma, a distinguished group of scholars examines episodes in the transmission of premodern science and provides new insights into its cultural, philosophical and historical significance.

Tradition and Transformation commemorates Chu-Tsing Li's achievements as an educator and scholar with essays by friends and former students, marking his long teaching career at the University of Kansas and, in particular, his contribution to the field of Asian studies. The topics of the essays range from early Chinese art history to contemporary Chinese art. When Chu-tsing Li arrived at the University of Kansas in 1966, it was with a mission: to establish the University as the leader in the Midwest, and eventually one of the important centers in the United States, for the study of Asian art. By the end of his teaching career in 1990, the program in Asian art had produced specialists in Chinese, Japanese, and Korean art and had trained and inspired numerous doctoral students, many of whom have gone on to become established scholars in their own right. In 1978 Dr. Li became the first Judith Harris Murphy Distinguished Professor of Art History at the University of Kansas.

In today's fast-food world, Christianity can seem outdated or archaic. The temptation becomes to pick up the pace and play the game. But Chris Smith and John Pattison invites us to leave franchise faith behind and enter the kingdom of God, where people know each other well and love one another as Christ loves the church.

Family businesses have been an important part of the economy in Hong Kong, Taiwan, Singapore, and in the Chinese diaspora, and, since the reforms, in mainland China itself. Some people have argued that the success of Chinese family businesses occurs because of the special characteristics and approach of such businesses. This book examines the nature of Chinese family business and the key issues involved by exploring in detail the case of a leading Hong Kong jewellery company which was established in the early 1960s and which has grown to become one of the biggest jewellery manufacturers, exporters, and retailers in post-war Hong Kong. The book considers the motivations of Chinese people to set up their own businesses, outlining the strategies adopted, including the strategies for raising capital, and the qualities of successful Chinese entrepreneurs. It discusses the management of the company, including relations between family members, profit sharing and succession planning, and assesses how conflict and crises are coped with and overcome. It charts the evolution of the company, looking at how it has been transformed into a listed corporation. The book concludes by arguing for the importance of studying Chinese family businesses culturally.

Taken together, these perspectives form a case study of the adaptability of a craft tradition to the modern world.