Traditional Chinese Clothing

Full color look at the history of traditional and ceremonial clothing in China.

Much has been written on the courtly dress and formal costumes of the Qing Dynasty, but this book is the first to offer a detailed account of the clothing worn by ordinary people. Valery Garrett's unique study looks at how life was lived, and the kind of clothing that was worn, in the ruralareas of south China before political disturbances and the encroachment of urbanization changed so much for ever. The result is a valuable document of a traditional style of clothing, now fast disappearing.

This illustrated introduction to Chinese clothing discusses the development and transformation of distinctive Chinese fashions through the ages.

Featuring over 450 archival photographs and line drawings, Chinese Dress traces the evolution of Chinese clothing from court and formal costumes to the fashions of modern China. A comprehensive and sumptuously illustrated book, Chinese Dress is the essential reference for costume historians, fashion designers and collectors, as well as lovers of beautiful clothes everywhere. Chapters include: Dress of the Qing Manchu Rulers 1644-1911 Dress of the Manchu Consorts 1644-1911 Attire of Mandarins and Merchants Attire of Chinese Women Republican Dress 1912-1949 Clothing of the Lower Classes Clothing for Children Dress in New China 1950-2006 From Imperial robes to foot binding to the cheongsam, Chinese Dress spotlights traditional Chinese dress against a background of historical, cultural and social change, opening a fascinating window for anyone seeking to deepen their understanding of China, Chinese culture and Chinese fashion history.

Tegninger af traditionelle kinesiske klædedragter

By using the medium of dress, Evolution & Revolution explores the dramatic cultural, social, economic and political changes which have occurred in mainland China, Hong Kong and Taiwan over th past three centuries. This history is revealed through the luxury court robes of the Qing Dynasty (1644-1911); the tight-fitting, side-slitted East-West cheungsam; the ubiquitous Mao suit, symbol of Communist ideology; and the bold new directions of contemporary designers. Written by authors from Australia, mainland China, Hong Kong and Taiwan and rich with visual material, this unique book offers an accessible, informative and inspiring treatment of Chinese history, culture and dress.

Intensively researched and lavishly illustrated, this book provides a comprehensive history of Chinese clothing design. "This beautifully designed and printed volume is one of the best".--The New York Times.