Tragedy And Triumph On The Texas Plains Curious Historic Chronicles From Murders To Movies

Out on the Texas Plains, wrangling with history resembles taking in the sunset--a stampede of splendor and shadow all at once. Roam an Ohio-sized patch of prairie and take stock of the heroic tasks and moral dilemmas facing the unforgettable characters who called West Texas home. Ben Hogan sinks a putt with the focus of the Clovis man who hunted mammoth in the same spot thousands of years before. Lubbock's largest lawsuit runs its interminable course. And a starving Roy Rogers makes a quick meal of jackrabbit on the Llano Estacado. Chuck Lanehart gathers statesmen and journalists, outlaws and entertainers, in these profiles of the Texas Plains.

Out on the Texas Plains, wrangling with history resembles taking in the sunset--a stampede of splendor and shadow all at once. Roam an Ohio-sized patch of prairie and take stock of the heroic tasks and moral dilemmas facing the unforgettable characters who called West Texas home. Ben Hogan sinks a putt with the focus of the Clovis man who hunted mammoth in the same spot thousands of years before. Lubbock's largest lawsuit runs its interminable course. And a starving Roy Rogers makes a quick meal of jackrabbit on the Llano Estacado. Chuck Lanehart gathers statesmen and journalists, outlaws and entertainers, in these profiles of the Texas Plains.

Assemble a composite portrait of the Texas plains through these historic tales. Many thousands of years ago, Clovis Man hunted huge mammoths here. More recently, Waylon Jennings drew his musical inspiration here. In the intervening time, the Texas prairie has been the backdrop for the wildest of Wild West shootouts, landmark legal battles and epic achievements in sports, music and medicine. Familiar icons like Roy Orbison and Dan Blocker, as well as forgotten characters like Charlie "Squirrel-Eye" Emory and John "the Catfish Kid" Gough all helped shape the colorful history of the Texas Plains. Who shot the sheriff? Who was the earliest American? Who invented the slam dunk? Author Chuck Lanehart answers these questions and many more in a wide-ranging collection of stories.

Assemble a composite portrait of the Texas plains through these historic tales. Many thousands of years ago, Clovis Man hunted huge mammoths here. More recently, Waylon Jennings drew his musical inspiration here. In the intervening time, the Texas prairie has been the backdrop for the wildest of Wild West shootouts, landmark legal battles and epic achievements in sports, music and medicine. Familiar icons like Roy Orbison and Dan Blocker, as well as forgotten characters like Charlie "Squirrel-Eye" Emory and John "the Catfish Kid" Gough all helped shape the colorful history of the Texas Plains. Who shot the sheriff? Who was the earliest American? Who invented the slam dunk? Author Chuck Lanehart answers these questions and many more in a wide-ranging collection of stories.

Accept an invitation to the boundary-pushing heritage of the Texas Plains, from the first American Thanksgiving feast in the 1500s to Amarillo's iconic seventy-two-ounce steak challenge five hundred years later. Even the limitless horizons of the Panhandle couldn't contain the notes of musical pioneers like Mac Davis, Bobby Keys and the Velvets. Take a dip in Lubbock's oldest swimming hole or share a sip with Pinkie Roden, the benevolent bootlegger of West Texas. Keep an eye out for longballs from Justiceburg's "Stormin' Norman" Cash and stray bats in Doodlebug Line's Clarity Tunnel. Join Chuck Lanehart as he tracks the long-standing traditions and unexpected twists of life on the Texas Plains.

In the winter of 1901, James W. Jarrott led a band of twenty-five homesteader families toward the Llano Estacado in far West Texas, newly opened for settlement by a populist Texas legislature. But frontier cattlemen who had been pasturing their herds on the unfenced prairie land were enraged by the encroachment of these “nesters.” In August 1902 a famous hired assassin, Jim Miller, ambushed and murdered J. W. Jarrott. Who hired Miller? This crime has never been solved, until now. Award-winning author Bill Neal investigates this cold case and successfully pieces together all the threads of circumstantial evidence to fit the noose snugly around the neck of Jim Miller’s employer. What emerges from these pages is the strength of intriguing characters in an engrossing narrative: Jim Jarrott, the diminutive advocate who fearlessly champions the cause of the little guy. The ruthless and slippery assassin, Deacon Jim Miller. And finally Jarrott’s young widow Mollie, who perseveres and prospers against great odds and tells the settlers to “Stay put!”

Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

Historically Canadians have considered themselves to be more or less free of racial prejudice. Although this conception has been challenged in recent years, it has not been completely dispelled. In Colour-Coded, Constance Backhouse illustrates the tenacious hold that white supremacy had on our legal system in the first half of this century, and underscores the damaging legacy of inequality that continues today. Backhouse presents detailed narratives of six court cases, each giving evidence of blatant racism created and enforced through law. The cases focus on Aboriginal, Inuit, Chinese-Canadian, and African-Canadian individuals, taking us from the criminal prosecution of traditional Aboriginal dance to the trial of members of the 'Ku Klux Klan of Kanada.' From thousands of possibilities, Backhouse has selected studies that constitute central moments in the legal history of race in Canada. Her selection also considers a wide range of legal forums, including administrative rulings by municipal councils, criminal trials before police magistrates, and criminal and civil cases heard by the highest courts in the provinces and by the Supreme Court of Canada. The extensive and detailed documentation presented here leaves no doubt that the Canadian legal system played a dominant role in creating and preserving racial discrimination. A central message of this book is that racism is deeply embedded in Canadian history despite Canada's reputation as a raceless society. Winner of the Joseph Brant Award, presented by the Ontario Historical Society