Train Go Sorry

A stunning work of journalism and memoir that explores the intimate truths of the silent but articulate world of the deaf. In American Sign Language, "train go sorry" means "missing the boat." Leah Hager Cohen uses the phrase as shorthand for the myriad missed connections between the deaf and the hearing. As she ushers readers into New York's Lexington School for the Deaf, Cohen (whose grandfather was deaf and whose father was the school's superintendent) she also forges new connections.

A “remarkable and insightful” look inside a New York City school for the deaf, blending memoir and history (The New York Times Book Review). Leah Hager Cohen is part of the hearing world, but grew up among the deaf community. Her Russian-born grandfather had been deaf—a fact hidden by his parents as they took him through Ellis Island—and her father served as superintendent at the Lexington School for the Deaf in Queens. Young Leah was in the minority, surrounded by deaf culture, and sometimes felt like she was missing the boat—or in the American Sign Language term, “train go sorry.” Here, the award-winning writer looks back on this experience and also explores a pivotal moment in deaf history, when scientific advances and cultural attitudes began to shift and collide—in a unique mix of journalistic reporting and personal memoir that is “a must-read” (Chicago Sun-Times). “The history of the Lexington School for the Deaf, the oldest school of its kind in the nation, comes alive with Cohen’s vivid descriptions of its students and administrators. The author, who grew up at the school, follows the real-life events of Sofia, a Russian immigrant, and James, a member of a poor family in the Bronx, as well as members of her own family both past and present who are intimately associated with the school. Cohen takes special pride in representing the views of the deaf community—which are sometimes strongly divided—in such issues as American Sign Language (ASL) vs. oralism, hearing aids vs. cochlear implants, and mainstreaming vs. special education. The author’s lively narrative includes numerous conversations translated from ASL . . . a one-of-a-kind book.” —Library Journal “Throughout the book, Cohen focuses on two students whose Russian and African American roots exemplify the school’s increasingly diverse population . . . beautifully written.” —Booklist

A stunning work of journalism and memoir that explores the intimate truths of the silent but articulate world of the deaf. In American Sign Language, "train go sorry" means "missing the boat." Leah Hager Cohen uses the phrase as shorthand for the myriad missed connections between the deaf and the hearing. As she ushers readers into New York's Lexington School for the Deaf, Cohen (whose grandfather was deaf and whose father was the school's superintendent) she also forges new connections.

A young boy goes missing. The accused is a loner and outsider. When Ava Manseau learns that the suspect is her brother, Fred, she is compelled to piece together what actually happened, convinced that she alone will be able to explain him and his innocence. Fred has always been different: certainly impaired, never evaluated. The siblings grew up under seemingly idyllic circumstances, free of formal education and constraint in a family that rejected labels and diagnoses. Now brother and sister have grown apart, their parents are gone - the boy is dead and Fred is in jail. Ava is forced to wonder: who is truly responsible for this turn of events? And is it her job to save him? Hager Cohen brings her trademark wisdom and grace, depth of feeling and insight to an enthralling and morally ambiguous story. Perhaps, she suggests, in our ongoing struggle to comprehend one another, our imaginations can be more useful than facts.

The parents of a child born without hearing describe their efforts to reach across the barrier of silence to teach their daughter to speak and enjoy a normal life.

ONE OF THE WASHINGTON POST'S TEN BEST BOOKS OF THE YEAR One of Christian Science Monitor's BEST FICTION OF 2019 "Funny and tender but also provocative and wise. . . One of the most hopeful and insightful novels I've read in years." - Ron Charles, The Washington Post "Serious yet joyous comedy, reminiscent of the Pultizer-winning Less" - Out Magazine A novel about what happens when an already sprawling family hosts an even larger and more chaotic wedding: an entertaining story about family, culture, memory, and community. In the seemingly idyllic town of Rundle Junction, Bennie and Walter are preparing to host the wedding of their eldest daughter Clem. A marriage ceremony at their beloved, rambling home should be the happiest of occasions, but Walter and Bennie have a secret. A new community has moved to Rundle Junction, threatening the social order and forcing Bennie and Walter to confront uncomfortable truths about the lengths they would go to to maintain harmony. Meanwhile, Aunt Glad, the oldest member of the family, arrives for the wedding plagued by long-buried memories of a scarring event that occurred when she was a girl in Rundle Junction. As she uncovers details about her role in this event, the family begins to realize that Clem's wedding may not be exactly what it seemed. Clever, passionate, artistic Clem has her own agenda. What she doesn't know is that by the end, everyone will have roles to play in this richly imagined ceremony of familial connection-a brood of quirky relatives, effervescent college friends, ghosts emerging from the past, a determined little mouse, and even the very group of new neighbors whose presence has shaken Rundle Junction to its core. With Strangers and Cousins, Leah Hager Cohen delivers a story of pageantry and performance, hopefulness and growth, and introduces a winsome, unforgettable cast of characters whose lives are forever changed by events that unfold and reverberate across generations.

“Mother father deaf” is the phrase commonly used within the Deaf community to refer to hearing children of deaf parents. These children grow up between two cultures, the Hearing and the Deaf, forever balancing the worlds of sound and silence. Paul Preston, one of these children, takes us to the place where Deaf and Hearing cultures meet, where families like his own embody the conflicts and resolutions of two often opposing world views. Based on 150 interviews with adult hearing children of deaf parents throughout the United States, Mother Father Deaf examines the process of assimilation and cultural affiliation among a population whose lives incorporate the paradox of being culturally “Deaf” yet functionally hearing. It is rich in anecdote and analysis, remarkable for its insights into a family life normally closed to outsiders.

A high school girl, her father, and her math teacher: through this unlikely trio, Leah Hager Cohen charts the complexities of the human heart as only she can. Esker (she prefers to go solely by her last name) is a thirty-one-year-old high school teacher at the Prospect School in Brooklyn who, after various heartbreaks and disappointments, has found a quiet resolve in her lonely spinster routine. But when a mysterious fall leaves her star math student injured and housebound until exams, Esker begins tutoring the precocious teenager at home. And soon, much against her will, she begins falling edgily, haltingly in love with the girl's father. Charged with Esker's own irreverence and wit, Heart, You Bully, You Punk sweeps us irresistibly into her profound and wistful struggle to unite the rest of her self with her unruly heart.