Traitors Thieves And Liars

Centuries ago, we lost our world. Planetary Acquisitions keeps us alive solely to maintain their vast fleet of gate ships in an endless quest to find them new worlds to settle--or to conquer. Years flutter by like a tree shedding its spring petals, and so we desperately cling to this chunk of dirt-and-machine we call home.And all those centuries since, we've been looking for a way out, risky as it might be. Are we fools?Traitors, Thieves and Liars is the first book in a trilogy retelling the events of Ten Thousand Miles Up in a grand epic.The geroo have been trapped in slavery for centuries, searching for useful planets for their krakun masters. And then one day, pirates contact Captain Ateri with an opportunity that may prove too good to be true.Includes the short story Whatever Happened To Commissioner Sarsuk? Which details the downfall of the former commissioner of the fleet.

"PROFILES IN CORRUPTION: Liars, Thieves, Traitors, Adulterers and Murderers in the White House" can be utilized in several ways: It can be read from cover to cover; it can be used as a reference (the presidents appear in chronological order, from George Washington to George W. Bush); it can be used in a classroom setting to introduce an overview of historical information as it relates to the presidents, incite further research, and provoke discussion; it can be used as a source for presidential Strivia -- the final sections contain dozens of multiple-choice questions related to the Presidents as well as several charts and tables showing presidential "statistics" relative to the chief executives' personal circumstances and traits, states of origin, as well as a timeline showing who lived when and in relation to which key events.

This book will take you on a Stunning Journey around the Arab Spring countries and tell you the stories of their Revolutions, all through the eyes of a Syrian poet who lived his youth there. He is anti dictatorship and pro democracy; that is why his writings are full of Fury and Power, Metaphor and Wit, but also Confidence and Hope. This book, simply, is a Poetic Chronicle of the Arab Spring Revolutions. Visit his bilingual website @ http://sites.google.com/site/tarifspoetry

Religious crosses the spheres of both the private life and the public institution. In a liberal democracy, public and private interests and goals prove to be inseparable. Clarke Cochran’s interdisciplinary study brings political theory and the sociology of religion together in a fresh interpretation of liberal culture. First published in 1990, this analysis begins with a reassessment of the nature of the "public" and the "private" in relation to the political. The controversy over religion and politics is examined in light of such contested issues of political life as sexuality, abortion, and the changing nature of the family. Clarifying a number of debates central to contemporary society, this timely reissue will be of particular value to students with an interest in the relationship between religious, society, and politics.

“Post/modern Dracula” explores the postmodern in Bram Stoker’s Victorian novel and the Victorian in Francis Ford Coppola’s postmodern film to demonstrate how the century that separates the two artists binds them more than it divides them. What are the postmodern elements of Stoker’s novel? Where are the Victorian traits in Coppola’s film? Is there a postmodern gloss on those Victorian traits? And can there be a Victorian directive behind postmodernism in general? The nine essays compiled in this collection address these and other relevant questions per the novel and the film at three distinct periods: (post)modern Victorianism, post/modernism, and finally postmodernism. Part I on (post)modernist issues in Stoker’s novel establishes the link between Victorian themes and postmodern praxes that begins with colonialist concerns and ends with poststructuralist signification. Part II looks at the post/modernist traits in Stoker’s Dracula, those obviously influenced by modernism but also, with the help of the novel’s plasticity vis-à-vis the media over the last century, by postmodernism. Part III examines more closely the novel’s postmodern characteristics, particularly with respect to Coppola’s 1992 film, Bram Stoker’s Dracula. Dracula defies time and promises to undermine any critical study of it that precisely tries to situate it within a given epoch, including a postmodernist one. Given its relationship to late-capitalist economy, to post-Marxist politics, and to commodity culture, and given its universal appeal to human fears and anxieties, fetishes and fantasies, lusts and desires, Stoker’s novel will forever remain post/modern—always haunting our future, as it has repeatedly done so our past. Though scholars of Dracula and Gothic literature in general will find some of the essays innovative and engaging per today’s literary criticism, the book is also intended for both an informed general reader and a novice student of the novel and of the film. As such, a few essays are highly specialized in postmodern theory, whereas others are more centered around the sociohistorical context of the novel and film and use various postmodern theories as inroads into the novel’s or the film’s study.

This book is simply the memoir of the Syrian Revolution in its six-year journey, all through the eyes of a Syrian poet who lived his youth in the capital city of Damascus. Beginning on the first Friday after the revolution started and every Friday thereafter, the Syrians made it a habit, taking to the streets to demonstrate against the regime. They also gave names to those Fridays to reflect the current events. The first one was the Friday of Dignity (3/18/11), then Friday of Glory (3/25/11), Friday of Martyrs (4/1/11), Friday of Withstanding (4/8/11), Friday of Insistence (4/15/11), and so on until today, which sums up to more than three hundred Fridays. The author started firing poems in support of the revolution and also to document its events week after week for the next six years. He managed to translate almost half of them to put in this book. Listing the poems in order takes the reader on a journey throughout the ups and downs of the revolution and helps him to understand what happened, when, and why. Since the author is antidictatorship and prodemocracy, his writings are not only full of fury and power, confidence, and hope, but also satire and wit, which characterize the people of that historic city.

We are witnessing the collapse of democracies in many parts of the world and a general tendency to the resurgence of right-wing and left-wing populisms led by authoritarian leaders. This book centres on the political dialogue in one of these democracies. The focus is on Venezuela, the rich Latin American oil producing country, and its transformation from a stable democracy to a very unstable and controversial revolution in which the dialogue has been occupied by only one party for 18 years. The central characters of the book are Hugo Chávez, who remained in power for 14 years as the main speaker and controller, and the people who either followed or opposed him in Venezuela and other countries. Contrary to critical analyses which are mainly based on social representations that conceive dialogue as implicit or normative, this book proposes a dialogue-centred approach, which articulates linguistics, conversation analysis, socio-pragmatics and political science from a critical perspective, and offers the theoretical foundations and procedures for analysing micro dialogues between specific persons and the macro social dialogue, which unveils the processes of domination and resistance to power. The book will be useful for scholars and students of linguistics, media, communication studies and political science wishing to learn more about dialogue in political interaction.

Burglar-turned-CIA agent Tommy Carmellini investigates a massacre with links to the U.S. government, a situation that causes him to wonder whom he can trust.