Transatlantic Passage

This volume of essays examines the forced dispossession of the Middle Passage through the texts, religious rites, economic exchanges, dance and music it elicited, both on the liminal transatlantic journey and on the continent and eventual return.

Examines the successful slave revolt aboard the US slave ship Creole during the early 1840s and its consequences.

On the 20th of January 1526, the Santiago left Lisbon bound for Africa with a cargo of brass and tin bracelets, round bells, barber basins and cloth; by early October the ship was back in Portugal with a very different cargo, 108 enslaved Africans. With chilling detachment the ship’s trading log records the commodification of human beings, the prices paid for them, the sums received for their sale and the number who did not survive the crossing. Whilst this log may be extremely rare, it is clear from another surviving document, the receipt book of the customs office of the Portuguese Cape Verde Islands, that such voyages were commonplace in the early years of the sixteenth century. The bulk of this volume consists of a translation into English of the receipt book from the customs office of the Cape Verde Islands. In it Portuguese customs agents recorded import duties on over 3,000 slaves transported from nearby West Africa in 36 ships. The customs officers named the slave traders, ships, officers, crew, and outfitters of the ships, as well as the price of each slave and the import duty collected by the Portuguese government and the Catholic Church. A second section of the customs book provides details of export taxes paid on c.600 African slaves by merchants from Portugal, Spain, and the Spanish Canary Islands, when they exchanged European merchandise for slaves. The final chapter of the volume translates the Santiago’s log, providing an example of an actual slave trading expedition. Taken together these documents open a rare window into the workings and scope of the early Atlantic slave trade.

America was a source of fascination to Europeans arriving there during the course of the nineteenth century. At first glance, the New World was very similar to the societies they left behind in their native countries, but in many aspects of politics, culture and society, the American experience was vastly different - almost unrecognisably so - from Old World Europe. Europeans were astounded that America could survive without a monarch, a standing army and the hierarchical society which still dominated Europe. Some travellers, such as the actress Fanny Kemble, were truly convinced America would eventually revert to a monarchy; others, such as Frances Wright and even Oscar Wilde, took their opinions further, and attempted to fix aspects of America - described in 1827 by the young Scottish captain Basil Hall, as 'one of England's "occasional failures"'. Many prominent visitors to the United States recorded their responses to this emerging society in their diaries, letters and journals; and many of them, like the fulminating Frances Trollope, were brutally and offensively honest in their accounts of the New World. They provide an insight into an America which is barely recognizable today whilst their writings set down a diverse and lively assortment of personal travel accounts. This book compares the impressions of a group of discerning and prominent Europeans from the cultural sphere - from the writers Charles Dickens, William Makepeace Thackeray and Oscar Wilde to luminaries of music and theatre such as Tchaikovsky and Fanny Kemble. Their reactions to the New World are as revealing of the European and American worlds as they are colourful and varied, providing a unique insight into the experiences of nineteenth century travelers to America.

Since the fall of the Iron Curtain, migration has become a major cause for concern in many European countries, but migrations to, from and within Europe are nothing new, as Klaus Bade reminds us in this timely history. A history of migration to, from and within Europe over a range of eras, countries and migration types. Examines the driving forces and currents of migration, their effects on the cultures of both migrants and host populations, including migration policies. Focuses on the nineteenth and twentieth centuries, particularly the period from the Second World War to the present. Illuminates concerns about migration in Europe today. Acts as a corrective to the alarmist reactions of host populations in twenty-first century Europe.

Through a set of comparative studies of the fiction of Joseph Conrad, Jean Rhys, and Pramoedya Ananta Toer, The Passage of Literature explains the interrelation between English, Creole, and Indonesian formations of literary modernism, arguing that each passage of literature is the site of contest between competing genealogies of culture.