Transcending The Postmodern

Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm gathers an introduction and ten chapters concerned with the issue of Transmodernity as addressed by and presented in contemporary novels hailing from various parts of the English-speaking world. Building on the theories of Transmodernity propounded by Rosa María Rodríguez Magda, Enrique Dussel, Marc Luyckx Ghisi and Irena Ateljevic, inter alia, it investigates the links between Transmodernity and such categories as Postmodernity, Postcolonialism and Transculturalism with a view to help define a new current in contemporary literary production. The chapters either follow the main theoretical drives of the transmodern paradigm or problematise them. In so doing, they branch out towards various issues that have come to inspire contemporary novelists, among which: the presence of the past, the ascendance of new technologies, multiculturalism, terrorism, and also vulnerability, interdependence, solidarity and ecology in a globalised context. In so doing, it interrogates the ethics, aesthetics and politics of the contemporary novel in English.

Contemporary philosophy is torn between a reliance on the pragmatic meanings of designated objects and a foundation based on formal theory. This book shows that philosophical knowledge, which no more has a terminal state than an infinite set has a last term, advances when the dialectical relationship between the two approaches is synthesized. The choice of designations is intimately related to theory and the form of theory is intimately related to the character of designated objects. The intimate dialectical relationship between theory and meaning is explored in detail in the area of international theory. The recent emphasis on realism rests on a regressive misunderstanding of the dialectical relationship between theory and practice that loses Newton's acute understanding of it, an understanding that underlies the great advances of physics, and that is lost in the contemporary social sciences.

"This book in one way undertakes a history of the concept of the aesthetic sublime: in another it is an exploration of the limits of theological thinking, where theology is understood either as a practice arising from faith or from thinking. By examining concepts like soul, experience, analogy and truth, the author issues a provocative challenge to much contemporary Christian theology to return to a more serious engagement with philosophy. Hemming explores the confrontation with God and the gods to be found in Protagoras, Plato, Aristotle, Aquinas, Hegel, Nietzsche, Heidegger, and Derrida, often offering innovative readings of these thinkers sharply at odds with accounts to be found elsewhere."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Gill contends that the seeming loss of transcendence, in favor of naturalism (or overcome by thinking of intangible reality as it mediates and is mediated by tangible reality. He draws on well-seasoned theories of reality, knowledge, ethics, and language. Cloth edition, $26.50 (unseen). Annotation copyrighted by Book News, Inc., Portland, OR

A benchmark volume at the intersection of philosophy and religion

This book challenges experiential, esoteric and colloquial understandings of mysticism by bringing a fresh relevance to the term through an interdisciplinary dialogue between literature, mysticism and theology in the context of postmodernity. In order to achieve this, the author takes selected writings of Iris Murdoch, Denise Levertov and Annie Dillard, and incorporates them into various stages of a redesigned mystic way. The fourteenth-century mystic Julian of Norwich is invoked throughout as a role model whom these three writers seek to emulate as popular writers, contemplatives and theologians. As theologians who are concerned with the pressing issues of our age, Grace Jantzen, Dorothee Soelle and Sallie McFague are drawn on as conversation partners to complete the three-way discussion. The author maintains that understanding the writing and reading of creative texts in the context of practical mysticism facilitates an integrated approach to the use of literature for theological expression.