Translating Egypt S Revolution

The contributors to this volume have selectively translated chants, banners, jokes, poems, and interviews, as well as presidential speeches and military communiqués. Their practical translation work is informed by the cultural turn in translation studies and the nuanced role of the translator as negotiator between texts and cultures. The chapters focus on the relationship between translation and semiotics, issues of fidelity and equivalence, creative transformation and rewriting, and the issue of target readership.--Publisher description.

*Written by the winners of the Inttranews Linguists of the Year award for 2016!* Discursive and non-discursive interventions in the political arena are heavily mediated by various acts of translation that enable protest movements to connect across the globe. Focusing on the Egyptian experience since 2011, this volume brings together a unique group of activists who are able to reflect on the complexities, challenges and limitations of one or more forms of translation and its impact on their ability to interact with a variety of domestic and global audiences. Drawing on a wide range of genres and modalities, from documentary film and subtitling to oral narratives, webcomics and street art, the 18 essays reveal the dynamics and complexities of translation in protest movements across the world. Each unique contribution demonstrates some aspect of the interdependence of these movements and their inevitable reliance on translation to create networks of solidarity. The volume is framed by a substantial introduction by Mona Baker and includes an interview with Egyptian activist and film-maker, Philip Rizk. With contributions by scholars and artists, professionals and activists directly involved in the Egyptian revolution and other movements, Translating Dissent will be of interest to students of translation, intercultural studies and sociology, as well as the reader interested in the study of social and political movements. Online materials, including links to relevant websites and videos, are available at http://www.routledge.com/cw/baker. Additional resources for Translation and Interpreting Studies are available on the Routledge Translation Studies Portal: http://cw.routledge.com/textbooks/translationstudies.

This unique interdisciplinary collective project is the culmination of research and translation work conducted by American University in Cairo students of different cultural and linguistic backgrounds who continue to witness Egypt's ongoing revolution. This historic event has produced an unprecedented proliferation of political and cultural documents and materials, whether written, oral, or visual. Given their range, different linguistic registers, and referential worlds, these documents present a great challenge to any translator. The contributors to this volume have selectively translated chants, banners, jokes, poems, and interviews, as well as presidential speeches and military communiqués. Their practical translation work is informed by the cultural turn in translation studies and the nuanced role of the translator as negotiator between texts and cultures. The chapters focus on the relationship between translation and semiotics, issues of fidelity and equivalence, creative transformation and rewriting, and the issue of target readership. This mature collective project is in many ways a reenactment of the new infectious revolutionary spirit in Egypt today.

In his latest exploration of the Egyptian malaise, Galal Amin first looks at the events of the months preceding the Revolution of 25 January 2011, pointing out the most important factors behind popular discontent. He then follows the ups and downs (mainly the downs) of the Revolution: the causes of rising hopes and expectations, mingled with successive disappointments, sometimes verging on despair, not least in the case of the presidential elections, when the Egyptian people were invited to choose between a rock and a hard place. This is followed by an outline of a possible brighter future for Egypt, based on a more balanced and faster growing economy, and a more democratic and equitable society, within a truly independent, modern, and secular state. The story of what happened to the 2011 Revolution may be a sad one, but if viewed within the larger context of Egypt's economic and social developments of the last century, on which the author's previous books threw very useful light, it can be regarded as one important step forward toward a much better future.

This book examines the role of artists in Egypt during the 2011 revolution, when street art from graffiti to political murals became ubiquitous facets of revolutionary spaces. Through interviews, personal testimonies, and accounts of the lived experience of 25 street artists, the book explores the meaning of art in revolutionary political contexts, specifically by focusing on artistic production during 'liminal' moments as the events of the Egyptian revolution unfolded. The author privileges the perspective of the actors themselves to examine the ways that artists reacted to events and conceived of their art as means to further the goals of the revolution. Based on fieldwork conducted in the years since 2011, the book provides a narrative of Egyptian artists' participation in and representations of the revolution, from hopeful beginnings to the subsequent crackdown and election of al-Sisi.

Mona Baker is one of the leading figures in the development of translation studies as an academic discipline. This book brings together fifteen of her most influential articles, carefully selected and grouped under three main topics that represent her most enduring contributions to the field: corpus-based translation studies, translation as renarration and translators in society. These applications and approaches have been widely adopted by translation scholars around the globe. The first section showcases Baker’s pioneering work in introducing corpus linguistics methodologies to the field of translation studies, which established one of the fastest growing subfields in the discipline. The second section focuses on her application of narrative theory and the notion of framing to the study of translation and interpreting, and her contribution to demonstrating the various ways in which translators and interpreters intervene in the negotiation of social and political reality. The third and final section discusses the role of translators and interpreters as social and political activists who use their linguistic skills to empower voices made invisible by the global power of English and the politics of language. Tracing key moments in the development of translation studies as a discipline, and with a general introduction by Theo Hermans and section introductions by other scholars contextualising the work, this is essential reading for translation studies scholars, researchers and advanced students.

For too long Egypt's system of government was beholden to the interests of the elite in power, aided by the massive apparatus of the security state. Breaking point came on 25 January 2011. But several years after popular revolt enthralled a global audience, the struggle for democracy and basic freedoms are far from being won. Media, Revolution, and Politics in Egypt: The Story of an Uprising examines the political and media dynamic in pre-and post-revolution Egypt and what it could mean for the country's democratic transition. We follow events through the period leading up to the 2011 revolution, eighteen days of uprising, military rule, an elected president's year in office, and his ouster by the military. Activism has expanded freedoms of expression only to see those spaces contract with the resurrection of the police state. And with sharpening political divisions, the facts have become amorphous as ideological trends cling to their own narratives of truth.

This book comes at a time when the Egyptian nation is facing deep divisions about the notion and definition of ‘revolution’. The articles here aim to look at the 2011 Egyptian Revolution and the central role of women within it from a critical perspective. Our objective is not to glorify the revolution or inflate the role of Egyptian women within its parameters, but to analyse and critique both the achievements and setbacks of this revolution and the contributions of various strata of women to the revolutionary process, which is still unfolding. Women’s participation is part of a broader picture and needs to be considered as an essential element of the ongoing struggle for freedom and social justice, not in isolation of it. The reader will soon realise that the authors in this book, perhaps, agree on one profound aspect of the 2011 Revolution: the struggle is ongoing, and the revolutionary process is still being shaped and recreated. The story of the Egyptian Revolution still resists any kind of closure despite the ascendance of the military regime once again to power. The years to come will no doubt witness an expansion of the political and cultural archive of the Egyptian and Arab uprisings, accompanied by much academic work on their impact and significance. Women’s roles and contributions need to occupy a central position in these academic analyses. This book was originally published as a special issue of the Journal for Cultural Research.