Transmutations Of Desire

In the West, love occupies center stage in the modern age, whether in art, intellectual life, or the economic life. We may observe a similar development in China, on its own impetus, which has resulted in this characteristic of modernity--this feature of modern life has been securely and unambiguously established, not the least facilitated by the thriving of literature about qing, whether in traditional or modern forms. Qiancheng Li concentrates on the nuances of a similar trend manifested in the Chinese context. The emphasis is on critical readings of the texts that have shaped this trend, including important Ming- and Qing-dynasty works of drama, Buddhist texts and other religious/philosophical works, in all their subtlety and evocative power. "The power of qing or strong emotion is a major theme in late imperial Chinese literature--some writers asserting that it can transcend even life itself. Qiancheng Li surveys a number of seventeenth-century philosophical, religious, and literary texts to elucidate the metaphysical aspects of emotional attachment and of sexual desire in particular. Through his broad and penetrating reading, Li demonstrates incontrovertibly how, to seventeenth-century writers, qing and religion were inextricably linked. To those writers, qing could bring enlightenment, and certainly Li’s study enlightens its readers to new levels of complexity in major literary works of that period. Transmutations of Desire sets a major new milestone in the study of traditional Chinese culture."--Robert E. Hegel, Washington University in St. Louis

What is Sex Transmutation?The word transmute means to change in form. Ancient alchemists used it as their verb for their pursuit of turning a base metal like lead into a precious metal like gold. Modern mystic, artists, and personal development enthusiasts commonly use it to describe inner change for turning our base qualities into precious ones.In 1937, Napoleon Hill coined the term "Sex Transmutation" in his seminal work Think and Grow Rich. The book was part of the "New Thought" movement in the early 1900s and about a century later was tied in with the "Law of Attraction" movement popularized by The Secret. Many of the book's success techniques such as affirmations, positive thinking, and habits have become common personal development knowledge. But the one chapter "The Mysteries of Sex Transmutation" seems to have been forgotten.Hill speaks of how sexual energy can energize, elevate mood, boost creativity, increase personal magnetism and attractiveness, and perhaps even help materialize one's desires. But there is very little on how to do any of it.There are probably many reasons as to why this is rarely taught:● It is not a linear process that can be controlled to produce predictable results● It does generate a lot of raw power, and power can destroy as well as create● Sex is generally tabooOne aspect that might be confusing is that Hill keeps referring to "Sex" in the abstract. Upon reading his words, one can see he really meant is "Sexual Energy," the instinctual drive that creates life.Energy = Feeling. Anytime someone refers to "energy" in a subjective sense, they are referring to something they feel. Feeling comes in different forms. Our body (reptilian brain) experiences energy/feeling as sensation. Our heart (limbic brain) experiences energy/feeling as emotion. Our mind (neocortex) experiences energy/feeling as intuition or creative ideas.Sexual Energy therefore, is the sum of sensations, emotions, and intuitions that feed our drive to create.A more colloquial word for "Sexual Energy" is Desire.

The Word in the World is a collection of essays and lectures by H S Shivaprakash, a well-known poet, playwright, and translator. Edited by Kamalakar Bhat, this book brings together Prof Shivaprakash’s interventions in the realm of issues that are entwined with the continuities and discontinuities in the cultural negotiations of India. Distinctively, these are essays on subjects ranging from the nature and significance of medieval works of literature in India to issues arising out of developments in Indian aesthetics. The unfeigned magnitude of this work must be found among students and scholars, who will gain from it a perspective significantly different from the ones available in the prevailing academic discourses, thus indicating a way beyond poststructuralist/postmodernist frameworks. This is a book that will interest a wide variety of readers with its engaging insights and breadth of reference especially because it is written in a comprehensible style. Print edition not for sale in South Asia (India, Sri Lanka, Nepal, Bangladesh, Pakistan and Bhutan)

This study of the literary relationship between Charles Williams and C. S. Lewis during the years 1936-1945 focuses on the theme of 'co-inherence' at the centre of their friendship. The idea of 'co-inherence' has long been recognized as an important contribution of Williams to theology, and had significant influence on the thought of Lewis. This account of the two writers' conviction that human persons 'inhere' or 'dwell' both in each other and in the triune God reveals many inter-relationships between their writings that would otherwise be missed. It also shows up profound differences between their world-views, and a gradual, though incomplete, convergence onto common ground. Exploring the idea of co-inherence throws light on the fictional worlds they created, as well as on their treatment (whether together or separately) of a wide range of theological and literary subjects: the Arthurian tradition, the poetry of William Blake and Thomas Traherne, the theology of Karl Barth, the nature of human and divine love, and the doctrine of the Trinity. This study draws for the first time on transcriptions of Williams' lectures from 1932 to 1939, tracing more clearly the development and use of the idea of co-inherence in his thought than has been possible before. Finally, an account of the use of the word 'co-inherence' in English-speaking theology suggests that the differences that existed between Lewis and Williams, especially on the place of analogy and participation in human experience of God, might be resolved by a theology of co-inherence in the Trinity.

The Spirit in Worship 'Worship in the Spirit represents an essential contribution, from the field of liturgical studies, to the vibrant retrieval of the doctrine of the Holy Spirit in contemporary theology. The fifteen authors of this volume are scholars and practitioners from a wide range of traditions, including Pentecostal and charismatic communities as well as voices from outside the modern West. Together they articulate a richly diverse understanding of the presence of the Holy Spirit, grounded both in the practice of worship and in the scholarly reflection that attends to this practice of faith. Contributors include: N. T. Wright, Bishop of Durham, U.K. Paul F. Bradshaw, University of Notre Dame Teresa Berger, Yale University Maxwell E. Johnson, University of Notre Dame Teresa Berger is professor of liturgical studies at Yale's Institute of Sacred Music and at Yale Divinity School. She holds doctorates in both dogmatic theology and liturgical studies. Her recent books include Women's Ways of Worship (1999), andFragments of Real Presence (2005). She is also coproducer, of the interactive CD-ROM Ocean Psalms. Bryan D. Spinks, DD (Dunelm, UK), is Goddard Professor of Liturgical Studies and Pastoral Theology at Yale Divinity School. He is the author of numerous books and articles, and is coeditor of the Scottish Journal of Theology. Spinks is a former consultant to the Church of England Liturgical Commission, president emeritus of the Church Service Society of the Church of Scotland, and a fellow of the Royal Historical Society.

"Dowling's compact and intelligently argued study is concerned with the late-Victorian emergence of homosexuality as an identity rather than as an activity.... [This identity] was formed out of notions of Hellenism current in mid-century Oxford that were held to be lofty and ennobling and even a kind of substitute for a waning Christianity."—Nineteenth- Century Literature "Dowling's study is an exceptionally clear-headed and far-reaching analysis of the way Greek studies operated as a 'homosexual code' during the great age of English university reform.... Beautifully written and argued with subtlety, the book is indispensable for students of Victorian literature, culture, gender studies, and the nature of social change."—Choice "Hellenism and Homosexuality... presents a detailed and knowledgeable... account of such factors as the Oxford Movement and the influence of such Victorian dons as Jowett and Pater and the evolving evaluations of Classical Greece, its mores and morals. It is also enhanced by [an] analysis of Greek terminology with homosexual connotations, as to be found, for instance, in Plato's Republic."—Lambda Book Report

A merchant of the marvelous -- A Batavian in Paris -- Essaying chymistry -- A new chymical light -- Chrysopoeia at the AcadeÌ1mie and the Palais Royal -- Chymistry in Homberg's later years : practices, promises, poisons, and prisons -- Homberg's legacy -- Epilogue: Homberg and the transmutations of chymistry at the AcadeÌ1mie.

Transgressive, transformative short stories that explore the margins of trans lives. Building on the success of All City, here is a wry, and at the same time dark and risk-taking, story collection from author (and baker) Alex DiFrancesco that pushes the boundaries of transgender awareness and filial bonds. Here is the hate between 16-year-old Junie, who is transitioning, and their mom's boyfriend Chad when the family moves into Chad's house on Lake Erie. And here is the love being tested between Sawyer and his dad, who named his boat after his child and resists changing it from Sara to Sawyer now. There is DiFrancesco's willingness to enter lands that are violent and comfortless in some of these stories, testing the limits of what it means to be human, sometimes returning stronger and wiser and sometimes not returning at all as their characters surge forward into unknown spaces. DiFrancesco's first novel All City (Seven Stories 2019) was praised by Publishers Weekly as a "loving, grieving warning [that] thoughtfully traces the resilience, fragility, and joy of precarious communities in an immediate, compassionate voice." All City was one of BookRiot's "Best Post-Apocalyptic Books of 2019," Entropy Mag's "Best of 2019," and Largehearted Boy's "Favorite Novels of 2019." It was a finalist for the 2019 Ohioana Book Award for Fiction.