Transnational Literature Of Resistance

Fills a gap in comparative studies, interrogating strategies of Empire in dominating the Indigenous and linking two modern cultures from the Global South. Transnational Literature of Resistance compares and contrasts resistance literatures from Guyana – a British exploitation colony – and Palestine – a settler colony – at a specific historical moment. Salam Darwazah Mir contests the provinciality and Eurocentric focus of comparative literature; delivers the discipline's universal objectives; and expands the discipline's practice by comparing two literatures and histories from the Global South. Mir situates the literatures within their wider historical and literary heritage, a move that links the two countries from within the colonial/imperial framework. She argues that the British invasion of the protectorate of British Guiana in 1953 and the founding of the settler colony in Palestine in 1948, with imperial Britain at the helm, are colonial acts to strengthen and sustain Empire. The two colonial projects are evidence of the protean nature of Empire that evolves, reinvents itself, and reconstructs new comparable ploys and strategies of controlling the Global South. Within this context, the emergence of poetry of resistance in both countries at this historical juncture is part and parcel of other forms of resistance during decolonization, linking the formerly colonized and the presently colonized people in the Global South. It is examined from within the framework of postcolonial theory, as Mir reads poetry as the voice of the people in their demands for freedom, equality, and national independence. Resistance poetry is thus born out of the need to assert identity, redress invisibility and erasure, reclaim national space and land, and reconstruct the history of the Indigenous.

Transnational Canadas marks the first sustained inquiry into the relationship between globalization and Canadian literature written in English. Tracking developments in the literature and its study from the centennial period to the present, it shows how current work in transnational studies can provide new insights for researchers and students. Arguing first that the dichotomy of Canadian nationalism and globalization is no longer valid in today’s economic climate, Transnational Canadas explores the legacy of leftist nationalism in Canadian literature. It examines the interventions of multicultural writing in the 1980s and 1990s, investigating the cultural politics of the period and how they increasingly became part of Canada’s state structure. Under globalization, the book concludes, we need to understand new forms of subjectivity and mobility as sites for cultural politics and look beyond received notions of belonging and being. An original contribution to the study of Canadian literature, Transnational Canadas seeks to invigorate discussion by challenging students and researchers to understand the national and the global simultaneously, to look at the politics of identity beyond the rubric of multiculturalism, and to rethink the slippery notion of the political for the contemporary era.

"Examines resistance literatures from Guyana - a British exploitation colony - and Palestine - a settler-colony - at a specific historical moment, by contesting the provinciality and Eurocentric focus of comparative literature, delivering the discipline's universal objectives, and expanding the discipline's practice by comparing two literatures and histories from the Global South. The author argues that the emergence of resistance poetry in both countries at this historical juncture forms part of the resistance to Empire during decolonization, linking the formerly colonized and the presently colonized people in the Global South"--

This study presents a unique collection of essays which focus on the relationships among form, aesthetics, and transnational women’s writing produced in recent years. The essays in this volume treat literary works from diverse cultures and geographies, concentrating on the intersections of theory and literature. This results in a wide spectrum of identities and texts – including the work of Swedish poet Aase Berg, the Indian translation market, the Chicana novel, creative non-fiction by Croatian writer Dubravka Ugrešic, and multilingual hybrid texts by Theresa Hak Kyung Cha – in order to provide a framework for an overarching theory of transnationalism as it interacts with newer paradigms of gendered identity and the new forms of literature to which they contribute. Transnationalism and Resistance offers a multifaceted approach to transnational studies and constitutes a cogent analysis of the ways in which women’s writing informs contemporary global literary Production. This volume is of interest for scholars in women’s studies, literature, the social sciences, cultural studies and all other fields that take an interest in writing that addresses contemporary global issues.

The Global Resistance Reader provides the first comprehensive collection of work on the phenomenal rise of transnational social movements and resistance politics: from the visible struggles against the financial, economic and political authority of large international organizations such as the World Trade Organization, World Bank and International Monetary Fund, to the much less visible acts of resistance in everyday life. The conceptual debates, substantive themes and case studies have been selected to open up the idea of global resistance to interrogation and discussion by students and to provide a one-stop orientation for researchers, journalists, policymakers and activists.

With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema, and media studies. Orchestrating a layered conversation between arts, disciplines, and media, Stam argues for their "mutual embeddedness" and their shared "in-between" territories. Rather than merely adding to the existing scholarship, the book builds a relational framework through the connectivities within literature, cinema, music, and media that opens up analysis to new categories and concepts, while crossing spatial, temporal, theoretical, disciplinary, and mediatic borders. The book also questions an array of hierarchies: literature over cinema; source novel over adaptation; feature film over documentary; erudite over vernacular culture; Western modernisms over "peripheral" modernisms; classical over popular music; written poetry over sung poetry, and so forth. The book is structured around the concept of the "commons," forming a strong thread which links various struggles against "enclosures" of all kinds, with emphasis on natural, indigenous, cultural, creative, digital, and the transdisciplinary commons. World Literature, Transnational Cinema, and Global Media is ideal to further the theoretical discussion for those undergraduate and graduate departments in cinema studies, media studies, arts and art history, communications, journalism, and new digital media programs at all levels.

Globalization and Resistance brings together cutting-edge theory and research about how global economics and politics alter the way ordinary people engage in contentious political action. The cases range from nineteenth-century Irish immigrant networks, to protests against World Bank projects in the Amazon, to contemporary transnational organizing for the environment, to the 'battle of Seattle.' The volume illuminates the reciprocal effects between globalization processes and social movements.

Transnational Borderlands: The Making of Cultural Resistance in Women's Global Networks investigates the implications of transnational feminist methodologies at multiple levels: collective actions, theory, pedagogy, discursive, and visual productions. It addresses a substantial gap in the field of transnational feminisms; namely, the absence of a voice that links social and theoretical outcomes to the politics of representation in literature, visual art, discourses of rights and citizenships, and pedagogy. The book encompasses three categories of relevance to contemporary transnational methodologies: the politics of cultural representation in literature and visual art, the de-centering of human/women's rights, and pedagogies of crossing and dissent. Given current interest in the cultures of globalization and the role women and other minorities play in them, we expect this book will appeal to scholars in the fields of Women's and Gender Studies, Borderlands Studies, Transnational Studies, and to anyone interested in how transnational processes shape a culture of resistance in women's global networks.