Transparent Tales

NOMINATED FOR THE 2019 BEST TRANSLATED BOOK AWARD A VANITY FAIR HOT TYPE BOOK FOR APRIL 2018 A VULTURE MUST-READ TRANSLATED BOOK FROM THE PAST 5 YEARS A GLOBE AND MAIL BEST BOOK OF 2018 A LIT HUB FAVOURITE BOOK OF THE YEAR A WORLD LITERATURE TODAY NOTABLE TRANSLATION OF 2018 In a crumbling apartment block in the Angolan city of Luanda, families work, laugh, scheme, and get by. In the middle of it all is the melancholic Odonato, nostalgic for the country of his youth and searching for his lost son. As his hope drains away and as the city outside his doors changes beyond all recognition, Odonato’s flesh becomes transparent and his body increasingly weightless. A captivating blend of magical realism, scathing political satire, tender comedy, and literary experimentation, Transparent City offers a gripping and joyful portrait of urban Africa quite unlike any before yet published in English, and places Ondjaki, indisputably, among the continent’s most accomplished writers.

Stephanie Corinna Bille, a Swiss short-story writer, playwright, poet, and novelist and winner of the 1975 French Prix Concourt, is often considered the major contemporary Franco-Swiss woman writer. In The Transparent Girl and Other Stories Monika Giacoppe and Christiane Makward have assembled and translated a magnificent collection of Bille's work that exposes an English-speaking audience--many for the first time--to Bille's exotic, captivating, mystical, and sexually provocative stories.

This collection of essays explores the remarkable range and cultural significance of the engagement with ‘infancy’ during the Romantic period. Taking its point of departure in the commonplace claim that the Romantics invented childhood, the book traces that engagement across national boundaries, in the visual arts, in works of educational theory and natural philosophy, and in both fiction and non-fiction written for children. Essays authored by scholars from a range of national and disciplinary backgrounds reveal how Romantic-period representations of and for children constitute sites of complex discursive interaction, where ostensibly unrelated areas of enquiry are brought together through common tropes and topoi associated with infancy. Broadly new-historicist in approach, but drawing also on influential theoretical descriptions of genre, discipline, mediation, cultural exchange, and comparative methodologies, the collection also seeks to rethink the idea of a clear-cut dichotomy between Enlightenment and Romantic conceptions of infancy.

This is a book of Russian folklore retold for young people and the young at heart. The tales are a good sampling of Slavic marchen. The stories in this book are those that Russian peasants tell their children and each other. This is a book written far away in Russia, for English children who play in deep lanes with wild roses above them in the high hedges, or by the small singing becks that dance down the gray fells at home. Russian fairyland is quite different. Under the windows of the author's house, the wavelets of the Volkhov River are beating quietly in the dusk. A gold light burns on a timber raft floating down the river. Beyond the river in the blue midsummer twilight is the broad Russian steppe and the distant forests of Novgorod. Somewhere in that forest of great trees--a forest so big that the forests of England are little woods beside it--is the hut where old Peter sits at night and tells these stories to his grandchildren. In Russia hardly anybody is too old for fairy stories, and the author even overheard soldiers on their way to the WWI talking of very wise and very beautiful princesses as they drank their tea by the side of the road. He believed there must be more fairy stories told in Russia than anywhere else in the world. In this book are a few of those he liked best. The author spent time in Russia during World War I as a journalist for the radical British newspaper, the Daily News, meeting among others, Lenin and Trotsky and was also known in the London bohemian artistic scene. 33% of the net from the sale of this book will be donated to charities for educational purposes. YESTERDAY'S BOOKS for TOMORROW'S EDUCATIONS

The 'Greatest Russian Fairy Tales & Fables (With Original Illustrations)' is a seminal anthology that traverses the rich tapestry of Russian folklore, offering readers a unique lens through which to explore the diverse and intricate landscapes of cultural storytelling. The collection magnifies the overarching themes of morality, heroism, and the mystical, capturing the essence of Russian folklore with a range of literary styles from the poetic to the prosaic. The inclusion of original illustrations alongside the tales adds depth and texture, enhancing the magical realism that permeates these stories. This anthology stands out not only for its comprehensive selection but also for its commitment to preserving the narrative integrity and aesthetic appeal of each piece. The contributors—Arthur Ransome, Valery Carrick, W. R. S. Ralston, and Nisbat Bain—are celebrated for their roles as cultural ambassadors who have meticulously translated and retold these stories, ensuring their accessibility to a wider audience. Each author brings their unique perspective and scholarly rigor to the project, enriching the collection with their distinct voices and backgrounds. Their collective works serve as a bridge between the rich oral tradition of Russian folklore and the global literary community, fostering a deeper appreciation for the complexities and nuances of Russian culture and its historical folklore movements. This anthology is an indispensable resource for aficionados of folklore and fairy tales, educators seeking to diversify their literary curriculum, and anyone intrigued by the cultural heritage of Russia. It offers a unique opportunity to immerse oneself in the world of Russian fables and fairy tales, replete with heroes, villains, and moral lessons that resonate across cultures and epochs. Readers are invited to explore the depth and breadth of this collection, which promises not only an educational journey through the heart of Russian folklore but also an enchanting experience enriched by the original illustrations that bring these timeless stories to life.

This meticulously edited and carefully crafted sea adventure collection by R. M. Ballantyne contains thrilling maritime tales from all over the globe; from cold Polar Regions to hot South Seas. Table of Contents: The Coral Island The Red Eric Fighting the Whales Fast in the Ice Gascoyne The Lifeboat The Lighthouse Shifting Winds Saved by the Lifeboat Erling the Bold The Battle and the Breeze The Cannibal Islands Sunk at Sea The Pirate City The Story of the Rock Under the Waves Jarwin and Cuffy Philosopher Jack The Lonely Island The Giant of the North The Madman and the Pirate The Battery and the Boiler The Young Trawler The Island Queen The Lively Poll Red Rooney The Eagle Cliff The Crew of the Water Wagtail Blown to Bits Charlie to the Rescue The Hot Swamp

Reminiscent of Scheherazade and One Thousand and One Nights, Gianni Rodari's Telephone Tales is many stories within a story. Every night, a traveling father must finish a bedtime story in the time that a single coin will buy. One night, it's a carousel that adults cannot comprehend, but whose operator must be some sort of magician, the next, it's a land filled with butter men who melt in the sunshine Awarded the Hans Christian Anderson Award in 1970, Gianni Rodari is widely considered to be Italy's most important children's author of the 20th century. Newly re-illustrated by Italian artist Valerio Vidali​ (The Forest)​, Telephone Tales​ entertains, while questioning and imagining other worlds.

Thanks to these generous donors for making the publication of the books in this series possible: Lloyd E. Cotsen; The Maurice Amado Foundation; National Endowment for the Humanities; and the National Foundation for Jewish Culture Tales from Arab Lands presents tales from North Africa, Yemen, Lebanon, Syria, and Iraq in the latest volume of the most important collection of Jewish folktales ever published. This is the third book in the multi-volume series in the tradition of Louis Ginzberg?s timeless classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives (IFA), named in Honor of Dov Noy, at The University of Haifa, a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This series is a monument to a rich but vanishing oral tradition. This series is a monument to a rich but vanishing oral tradition.