Tree Of Codes

A masterful work of storytelling, a unique sculptural object created through a collaborative process between Visual Editions and author. A curiosity with the die-cut technique was combined with the pages' physical relationship to one another and how this could somehow be developed to work with a meaningful narrative. This led to Jonathan deciding to use an existing piece of text and cut a new story out of it - his favourite book, The Street of Crocodiles by Bruno Schulz. Writing, cutting and proto-typing has created a new story cut from the words of an old favourite.

The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic. Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.

Longlisted for the 2017 International Dylan Thomas Prize God asked Abraham to sacrifice his beloved son Isaac, and Abraham replied obediently, "Here I am." This is the story of a fracturing family in a moment of crisis. Over the course of three weeks in present-day Washington, D.C., three sons watch their parents' marriage falter and their family home fall apart. Meanwhile, a large catastrophe is engulfing another part of the world: a massive earthquake devastates the Middle East, sparking a pan-Arab invasion of Israel. With global upheaval in the background and domestic collapse in the foreground, Jonathan Safran Foer asks us: What is the true meaning of home? Can one man ever reconcile the conflicting duties of his many roles– husband, father, son? And how much of life can a person ultimately bear?

"Archetypes of the cowboy story, tropes drawn from sci-fi, love letters, diaries, confessions all abound in this relentlessly engaging tale. Dodson has quite brilliantly exposed the gears and cogs whirring in the novelist’s imagination. It is a mad and beautiful thing.” --Keith Donohue, The Washington Post Winner of Best of Region for the Southwest in PRINT’s 2016 Regional Design Awards Bats of the Republic is an illuminated novel of adventure, featuring hand-drawn maps and natural history illustrations, subversive pamphlets and science-fictional diagrams, and even a nineteenth-century novel-within-a-novel—an intrigue wrapped in innovative design. In 1843, fragile naturalist Zadock Thomas must leave his beloved in Chicago to deliver a secret letter to an infamous general on the front lines of the war over Texas. The fate of the volatile republic, along with Zadock’s future, depends on his mission. When a cloud of bats leads him off the trail, he happens upon something impossible... Three hundred years later, the world has collapsed and the remnants of humanity cling to a strange society of paranoia. Zeke Thomas has inherited a sealed envelope from his grandfather, an esteemed senator. When that letter goes missing, Zeke engages a fomenting rebellion that could free him—if it doesn’t destroy his relationship, his family legacy, and the entire republic first. As their stories overlap and history itself begins to unravel, a war in time erupts between a lost civilization, a forgotten future, and the chaos of the wild. Bats of the Republic is a masterful novel of adventure and science fiction, of elliptical history and dystopian struggle, and, at its riveting core, of love.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

"Hadi and Sama are a young Syrian couple in the throes of new love, building a life in the country that brought them together. They'd met in Cambridge, Massachusetts: he, a shell-shocked refugee of a bloody civil war; she, a passionate dreamer who'd come to America years earlier in search of new horizons. Now, they giddily await the birth of their son, a boy whose native language would be freedom and belonging. When Sama is five months pregnant, Hadi's father dies, in Amman, the night before the embassy interview that would finally reunite Hadi with his parents and deliver them from a country in crisis. Hadi flies back to the Middle East for the funeral, promising he'll be gone only a few days. On the day his flight is due to arrive in Boston, Sama decides to surprise him at the airport, eager to scoop him up and bring him back home. She waits, and waits. There are protests at Logan airport, and Hadi never shows up. What Sama doesn't yet know is that Hadi has been stopped at the border. That he's been taken away for questioning, detained in a windowless, timeless, nightmarish limbo. She does not know about the travel ban, that his legal status in the U.S., which yesterday seemed rock solid, is now in jeopardy - and with it, the chance that he'll ever step foot on U.S. soil again. Amid the protests, Sama goes into premature labor; their son, Naseem, is born, too soon, his father nowhere to be found, the future they could almost taste wrenched from their grasp in a matter of hours. Worlds apart, suspended between hope and disillusion as hours become days become weeks, Sama and Hadi yearn for a way back to each other, and to the life they'd dreamed up together. But does that life exist anymore? Was it only ever an illusion? Achingly intimate yet poignantly universal, No Land to Light On is the story of a family caught on either side of a border, fighting for freedom and home, finding both in each other, and in the tenacious faith of creatures who take flight"--

Jessica Pressman explores the rise of "bookishness" as an identity and an aesthetic strategy that proliferates from store-window décor to experimental writing. Ranging from literature to kitsch objects, stop-motion animation films to book design, she considers the multivalent meanings of books in contemporary culture.

From one of the U.K.'s most dazzling authors comes a brutal and funny novel about a pair of fraudulent psychic mediums that is itself an elaborate con game between fact and fiction, life and death--a book as verbally acrobatic as it is emotionally intense.