Troubled Pleasures

What happens when ‘life’s simple joys’ become complicated? When pleasure is transformed as a function of consumption, the innocent comforts of food, nature and place are embedded in complex practices of distribution and exploitation. Exotic and diverse objects of pleasure are made available only at the price of a heightened awareness of their origins, genealogies and possible effects; ‘authenticity’ recedes behind objects produced as pleasures. Troubled Pleasures considers the ways in which modern pleasure is fraught with unhappy implications, at the same time as contemporary critical arguments put into question the touchstones of identity, morality, subjectivity and desire. It brings together writings which explore the sources of pleasure’s ‘loss of innocence’, and which argue the case for a scrupulous ‘alternative hedonism’. Including essays on human needs, socialism and gender, a feminist response to Joyce’s Ulysses, and a fictional reflection on appetite and excess, Troubled Pleasures plots an Epicurean path between righteous asceticism and conspicuous consumption.

This is the first comprehensive examination of Dutch colonial literature in English. From the journals and travelogues produced by the early mariners, to the fictional recollections of repatriated colonials after the Second World War, E. M. Beekman's unique and magisterial survey of this major colonial literature places literary figures within specific epochs, provides biographical portraits, and examines works in relation not only to their own genres but also to the literatures and cultures beyond their colonial borders. Written by the leading authority in the field, this fascinating and wide-ranging study is enhanced by a consideration of the general political history of European expansion and of the Dutch East Indies.

An investigation into the strange and troublesome relationship to pleasure that defines the human being, drawing on the disparate perspectives of Deleuze and Lacan. Is pleasure a rotten idea, mired in negativity and lack, which should be abandoned in favor of a new concept of desire? Or is desire itself fundamentally a matter of lack, absence, and loss? This is one of the crucial issues dividing the work of Gilles Deleuze and Jacques Lacan, two of the most formidable figures of postwar French thought. Though the encounter with psychoanalysis deeply marked Deleuze's work, we are yet to have a critical account of the very different postures he adopted toward psychoanalysis, and especially Lacanian theory, throughout his career. In The Trouble with Pleasure, Aaron Schuster tackles this tangled relationship head on. The result is neither a Lacanian reading of Deleuze nor a Deleuzian reading of Lacan but rather a systematic and comparative analysis that identifies concerns common to both thinkers and their ultimately incompatible ways of addressing them. Schuster focuses on drive and desire—the strange, convoluted relationship of human beings to the forces that move them from within—“the trouble with pleasure." Along the way, Schuster offers his own engaging and surprising conceptual analyses and inventive examples. In the “Critique of Pure Complaint” he provides a philosophy of complaining, ranging from Freud's theory of neurosis to Spinoza's intellectual complaint of God and the Deleuzian great complaint. Schuster goes on to elaborate, among other things, a theory of love as “mutually compatible symptoms”; an original philosophical history of pleasure, including a hypothetical Heideggerian treatise and a Platonic theory of true pleasure; and an exploration of the 1920s “literature of the death drive,” including Thomas Mann, Italo Svevo, and Blaise Cendrars.

A male professor known for sexually harassing female students creates disquiet in a community in which women are murdered in gardens tended by the father of one of his students.

It is often said that Lacan is the most radical representative of structuralism, a thinker of negativity and alienation, whereas Deleuze is pictured as a great opponent of the structuralist project, a vitalist and a thinker of creative potentialities of desire. It seems the two cannot be further apart. This volume of 12 new essays breaks the myth of their foreignness (if not hostility) and places the two in a productive conversation. By taking on topics such as baroque, perversion, death drive, ontology/topology, face, linguistics and formalism the essays highlight key entry points for a discussion between Lacan's and Deleuze's respective thoughts. The proposed lines of investigation do not argue for a simple equation of their thoughts, but for a 'disjunctive synthesis', which acknowledges their differences, while insisting on their positive and mutually informed reading.

Much has been written of the forbidden pleasures. But what of the "unforbidden" pleasures? Unforbidden Pleasures is the singular new book from Adam Phillips, the author of Missing Out, Going Sane, and On Balance. Here, with his signature insight and erudition, Phillips takes Oscar Wilde as a springboard for a deep dive into the meanings and importance of the unforbidden, from the fall of our "first parents," Adam and Eve, to the work of the great psychoanalytic thinkers. Forbidden pleasures, he argues, are the ones we tend to think about, yet when you look into it, it is probable that we get as much pleasure, if not more, from unforbidden pleasures than from those that are taboo. And we may have underestimated just how restricted our restrictiveness, in thrall to the forbidden and its rules, may make us. An ambitious book that speaks to the precariousness of modern life, Unforbidden Pleasures explores the philosophical, psychological, and social dynamics that govern human desire and shape our everyday reality.

The Sentimental Life of International Law is about our age-old longing for a decent international society and the ways of seeing, being, and speaking that might help us achieve that aim. This book asks how international lawyers might engage in a professional practice that has become, to adapt a title of Janet Malcolm's, both difficult and impossible. It suggests that international lawyers are disabled by the governing idioms of international lawyering, and proposes that they may be re-enabled by speaking different sorts of international law, or by speaking international law in different sorts of ways. In this methodologically diverse and unusually personal account, Gerry Simpson brings to the surface international law's hidden literary prose and offers a critical and redemptive account of the field. He does so in a series of chapters on international law's bathetic underpinnings, its friendly relations, the neurotic foundations of its underlying social order, its screened-off comic dispositions, its anti-method, and the life-worlds of its practitioners. Finally, the book closes with a chapter in which international law is re-envisioned through the practice of gardening. All of this is put forward as a contribution to the project of making international law, again, a compelling language for our times.