Truck Art

A lavishly illustrated celebration of trucks and trucking, from the first motorized wagons to the advent of electric, driverless freight vehicles. Charting decade after decade of innovation and change, The Truck Book is a beautifully illustrated history of trucks, trucking culture, and the romance of the open road. Trucks, semis, and vans share their origins in the steam wagons of the 1800s and the invention of the modern combustion engine in the 1870s. As steam power gave way to gas and diesel engines, trucks evolved and diversified according to their desired purpose - becoming everything from panel vans and pickup trucks to heavy goods vehicles (HGVs), or construction trucks, such as log carriers or concrete transporters. Military forces worldwide soon realized the value in these vehicles, and so they played a defining role in the wars of the 20th century. In the meantime, they have also saved lives as ambulances and fire trucks and entertained the masses in the form of monster trucks. The Truck Book showcases the most important and iconic makes and models of every era - from the Ford TT to the Bedford TM Turbo 92 Series, to the Toyota Hilux. Along the way, it evokes the freedom and nostalgia of the open road, explores trucking culture, and shows how trucks and trucking companies, such as Mack and UPS, have won a place in fans' hearts. Weaving together stunning photographic catalogs with specially commissioned "visual tours," feature spreads on truck models, designers, and manufacturers, as well as on milestone events or technological developments over the last 200 years, The Truck Book is the most comprehensive and best-illustrated title available on the subject.

How can community art build connection in diverse communities? Where is the art in contemporary libraries? How do you bring subway art into the classroom? Drawing on an abundance of examples from Finland, Italy, New Zealand, Spain and the USA, including the NYC 2nd Ave Subway, the Detroit's Heidelberg Project, the Favel Painting Foundation and bicycle rack sculpture, Szekely inspires readers to look beyond the classroom walls to develop meaningful art experiences for students. She shows the myriad art forms, media expressions, and design professions that have the influence and potential to shape the local environment, reaching far beyond the traditional museum and gallery venue. Underpinned by a clear philosophical foundation, the field-tested approaches show readers how to go beyond the study of reproductions or dwelling on of the masters who are framed in art museums, instead having meaningful art experiences using everyday objects and diverse collective experiences. She also shows that innovative and exciting art lessons don't need large amounts of funding, transportation or even a museum within the local community. Each chapter includes photographs, talking points and key lesson ideas along with links to further resources.

This book presents a range of analytical responses towards 9/11 through a critical review of literary, non-literary and cultural representations. The contributors examine the ways in which this event has shaped and complicated the relationship between various national and religious identities in contemporary world history. Unlike earlier studies on the topic, this work reconciles both eclectic and pragmatic approaches by analyzing the stereotypes of nationhood and identities while also questioning theoretical concepts in the context of the latest political developments. The chapters focus on discourses, themes, imagery and symbolism from across fiction and non-fiction, films, art, music, and political, literary and artistic movements. The volume addresses complexities arising within different local contexts (e.g., Hunza and state development); surveys broader frameworks in South Asia (representations of Muslims in Bollywood films); and gauges international impact (U.S. drone attacks in Islamic countries; treatment meted out to Muslims in Europe). It also connects these with relevant theories (e.g., Orientalism) and policy perspectives (e.g., Patriotic Act). The authors further discuss the consequences for minorities and marginalization, cultural relativism vs. ethnocentrism, the clash of civilizations, fundamentalism, Islamization and post-9/11 ‘Islamophobia’. This book will be useful to scholars and researchers of South Asian literature, Islamic studies, literary criticism, political sociology, anthropology and cultural studies, those in the media and the general reader.

A rich, inclusive, contemporary, and global look at design diversity, past and present, through essays, interviews, and images curated by design educator and advocate Kaleena Sales. As the design industry reexamines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, Centered advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements. Curated by Kaleena Sales, a powerful voice and noted advocate for diversity in the design community, the thirteen essays and interviews in this volume feature important and underrepresented design work and projects, both historical and present-day, including: Gee's Bend Quilters, by Stephen Child and Isabella D'Agnenica A Chinese Typographic Archive, by YuJune Park and Caspar Lam Indigenous Sovereignty and Design: An Interview with Sadie Red Wing (Her Shawl is Yellow) The Truck Art of India, by Shantanu Suman New Lessons from the Bauhaus: An Interview with Ellen Lupton Vocal Type: An Interview with Tré Seals Decolonizing Graphic Design, A Must, by Cheryl D. Miller And more Filled with striking visuals from a range of global designers, Centered is a must-read and must-have for design practitioners, educators, students, and anyone interested in expanding narratives and gaining a more inclusive understanding of design diversity and its impact on culture.

Illustrated with beautiful colour photos throughout, On Wings of Diesel takes us on a journey through the fascinating world of Pakistani truck decoration. Ornately adorned and considered as moving artA", these trucks - veritable roving exhibitions - depict all aspects of life and support a highly developed artisanal industry. Examining designs and motifs, the cultural significance of the practice, and the motivations of truck owners, Jamal J. Elias provides a unique window on Pakistan's complex society that addresses questions of culture and religion in an accessible and exciting way.

This book examines the ways in which artists and arts organizations today forge collaborative, socially engaged situations that involve non-professionals in the process of making art, often over a period of time, through creating opportunities to examine collective concerns and needs. Collaborative art praxis is gaining prominence in the Middle East, North Africa, and South Asia (MENASA) region. This is a discursive method that is experimental, with results that often expand the notions of what art is—and how it can be produced. After an introduction to global approaches to such a practice, Ali examines the foundation of contemporary art in the MENASA that is linked to a longer history of colonialism. The book analyzes artist-led initiatives and community-based organizations through themes including relational aesthetics, war and violence, blight in marginalized places around the world, in addition to questions associated with art and its value in the fields of global contemporary art and society.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.

The Men of Palla are in reality six engineers from earth. These six men find that they have been captured and sold as labor assets to a grey alien race known as the Ponas. Their year-long servitude on this rogue planet ends with a rescue by the beautiful inter trader Myra Song. Myra finds these men, along with two other races, simply by chance. She weaves a deal to return the six men, but not without facing a few entanglements. Each man will face a difficult return to society. With the help of another earth human, who works offworld for his own mining interests, the men of Palla will face their biggest challenge. This is a story of adventure, friendship, and hardship. Each man will find that freedom is never free.