True Stories From The Moscow Zoo

A lady zookeeper of pre-World War II Russia tells of the unusual animals she encountered in her career.

This is a high-wire adventure story of grit and determination, and of love, hope and 88 Capuchin monkeys in the back of a Hercules transport plane, but most of all, at its heart, it is an inspiring tale of the life-changing bond between one man and his ape.

They are the damned, the forgotten-those who cry out to let us know they lived. They are all ages and all sexes. They remain earthbound for many reasons-duty, devotion, a sense of responsibility, but most of all for the simplest and most compelling reason of all: love. Come explore the vast land that is Russia, from the metropolitan streets of Moscow to the windswept steppes and farflung plains of Siberia. Discover the strange tales of those whose lives have continued long after their bodies perished, and whose restless spirits yet leave footprints in the Russian snows.

In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet animation produced between 1919 and 1989, from cutting-edge art films like Tale of Tales to cartoons featuring “Soviet Mickey Mouse” Cheburashka, she finds that these works played a key role in articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union. Furthermore, she considers how Jewish filmmakers used animation to depict distinctive elements of their heritage and ethnic identity, whether producing films about the Holocaust or using fellow Jews as models for character drawings. Providing a copiously illustrated introduction to many of Soyuzmultfilm’s key artistic achievements, while revealing the tumultuous social and political conditions in which these films were produced, Drawing the Iron Curtain has something to offer animation fans and students of Cold War history alike.

The unbelievable true story of the Cold War’s strangest proxy war, fought between the zoos on either side of the Berlin Wall. “The liveliness of Mohnhaupt’s storytelling and the wonderful eccentricity of his subject matter make this book well worth a read.” —Star Tribune (Minneapolis) Living in West Berlin in the 1960s often felt like living in a zoo, everyone packed together behind a wall, with the world always watching. On the other side of the Iron Curtain, East Berlin and its zoo were spacious and lush, socialist utopias where everything was perfectly planned... and then rarely completed. Berlin’s two zoos in East and West quickly became symbols of the divided city’s two halves. So no one was terribly surprised when the head zookeepers on either side started an animal arms race—rather than stockpiling nuclear warheads, they competed to have the most pandas and hippos. Soon, state funds were being diverted toward giving these new animals lavish welcomes worthy of visiting dignitaries. West German presidential candidates were talking about zoo policy on the campaign trail. And eventually politicians on both side of the Wall became convinced that if their zoo proved to be inferior, that would mean their country’s whole ideology was too. A quirky piece of Cold War history unlike anything you’ve heard before, The Zookeepers’ War is an epic tale of desperate rivalries, human follies, and an animal-mad city in which zookeeping became a way of continuing politics by other means.

Every 3rd issue is a quarterly cumulation.