Truth And Mockery In Platon And In Modernity

The modern world is preoccupied with correctness in its views of nature, government, economy and culture but at an unacceptable price. We find nature blind and indifferent and we now see culture as anything legally allowed. This insightful study examines the philosophy leading us here while showing how to change it. If we accept the integral role of mockery in truth we gain a more comprehensive view of ourselves and the world. In a perceptive study of four dialogues of Plato---the ones telling the story of Socrates' defense of philosophy----we find a pattern for our own growth. This book calls for renewed faith in an educated perception and in noble self-development. It speaks to discovering "heart and soul, not in an aesthetic diversion but in the nature of everything around us."

This book suggests a merely logically organized society, carried too far, is destructive of culture. Another reason, weaker than science, is more important for cultural direction, and for understanding evolution's direction as well. Such a reason is set within frameworks of contrary directions called here Arrow and Lace. Recognizing these frameworks is essential for understanding social, cultural and individual differences, both locally and world-wide. A much needed companion to any study of Logic and Critical Thinking.

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What does it mean to be human in modernity? This book examines being human, in its theoretical, practical, and productive aspects, not in abstraction from historical, social, and political settings, but rather as set in concrete historical and material circumstances. Through the analysis and close reading of a number of texts of the modern thinkers, which include those of Nietzsche, Dostoevsky, Tolstoy, Kracauer, Heidegger, Benjamin, Hans Jonas and Agnes Heller, it demonstrates that the complexity and variety of the human experience is grounded in the modern subjectivity, which establishes itself as universal, rational, autonomous, and necessary. Such a subjectivity is characterised as self-legislating or establishing the universal moral law and is further defined by historicity, or the interpretation of its actions as conditioned by the previous and current social and political circumstances. The book then shows that the multiple facets of modernity make the experience of being human fascinating, complicated and ultimately unique.

Studying exile and utopia as correlated cultural phenomena, and offering a wealth of historical examples with emphasis on the modern period, Spariosu argues that modernism itself can be seen as a product of an acute exilic consciousness that often seeks to generate utopian social schemes to compensate for its exacerbated sense of existential loss.

This is the first book on the 'effectual truth,' a new kind of truth invented by Machiavelli that led to the invention of scientific method in cause and effect, passed along to philosophic successors, such as Montesquieu 230 years later. High-level thinking in words you can understand.

Platonic concerns and conceptions profoundly affected early modern English and continental poetics, yet the effects have had little attention. This book defines Platonism's roles in early modern theories of literature, then reappraise the Platonizing major poet Edmund Spenser. It makes important new contributions to the knowledge of early modern European poetics and advances our understanding of Spenser's role and significance in English literary history. Literary Platonism energized pursuits of the sublime, and knowledge of this approach to poetry yields cogent new understandings of Spenser's poetics, his principal texts, his poetic vocation, and his cultural influence. By combining Christian resources with doctrines of Platonic poetics such as the poet's and lover's inspirational furies, the revelatory significance of beauty, and the importance of imitating exalted ideals rather than the world, he sought to attain a visionary sublimity that would ensure his enduring national significance, and he thereby became a seminal figure in the English literary "line of vision" including Milton and Blake among others. Although readings of Spenser's Shepheardes Calender typically bypass Plato's Phaedrus, this text deeply informs the Calender's treatments of beauty, inspiration, poetry's psychagogic power, and its national responsibilities. In The Faerie Queene, both heroism and visionary poetics arise from the stimuli of love and beauty conceived Platonically, and idealized mimesis produces its faeryland. Faery's queen, projected from Elizabeth I as in Platonic idealization of the beloved, not only pertains to temporal governance but also points toward the transcendental Ideas and divinity. Whereas Plato's Republic valorizes philosophy for bringing enlightenment to counter society's illusions, Spenser champions the learned and enraptured poetic imagination, and proceeds as such a philosopher-poet.