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Their friends warned them. Colleagues offered alternatives. Her mother tried to talk her out of it. For twenty years, the couple had thrived floating between campuses, ships, and ports, rarely together. Geography was about to become their destiny. The happily married, middle-aged couple had only lived together for eight years yet married for twenty. Joe and Paula Martin's marriage had succeeded even though Joe was away at sea for months while she taught at her small college in Pennsylvania. After decades as captain of sea-going ships, Joe was about to take a shore-side job, 5,000 miles away from Paula. She had a sabbatical and would join him for a year. It would be the first time they'd live together for more than three months at a stretch. And they'd do so in Alaska, on a 33½ foot boat. Floaters travels from central Pennsylvania, along the Alaska Highway, to Juneau, Southeast Alaska, the Inside Passage, and beyond. Joe worked as a Port Captain while searching for a ship's pilot position. Paula worked on her book in between field classes. Alaska travels, wildlife, boat maintenance, conflict avoidance, and dreams of a dog arose during their year together. Would their romance survive the experience? Would their marriage? And would the boat?

Parade Magazine's “20 New LGBTQ+ Books We're Loving This Year” Women.com's “10 LGBTQ Must-Reads for Pride Month” She Knows.com's “10 Books Featuring Mother-Child Relationships & All Their Beautiful Complexity” In 1967, Fay Stonewell, a water tank escape artist in Florida, leaves for Vietnam to join the Amazing Humans—a jerry-rigged carnival there to entertain the troops—abandoning her disabled teenage son, Dickie, to the care of an abusive boyfriend. Months after Fay’s departure, Dickie’s troubled home life ends in a surprising act of violence that forces him to run away. He soon lands in Manhattan, where he’s taken in by eccentric artist Laurence Jones. Fay, meanwhile, is also facing dangerous threats. From the night her plane jolts onto a darkened Saigon runway, she is forced to confront every bad decision she’s ever made as she struggles to return to her son. But the Humans owner is hell-bent on keeping her in Vietnam, performing only for war-injured children at a hospital, daily reminders of the son she’s left behind. Decades later, Dickie is forty, living in a Massachusetts coastal town with a man who’s dying of AIDS, and doing everything he can to escape his past. But although Spin may be giving Dickie what he’s always wanted—a home without wheels—it seems that the farther Dickie runs, the tighter the past clings to him. Ultimately, What We Give, What We Take is a deeply moving story of second chances and rising above family circumstances, however dysfunctional they may be.

A brand-new book, a colourful new craft, and cute new friends-all rolled up in one. We're adding a few new faces to the Klutz family this season. They're colourful characters: small in stature but big in personality. And, even though they're a little tightly wound, you'll be happy to meet them. Each of these irresistibly cute creatures starts as a handful of corrugated cardboard strips, in an assortment of rainbow hues. Wind the strips into coils, then press them onto our custom shaping forms to create the round bellies and full dimension that bring each character to life. Next, easily assemble the pieces with our specially formulated tacky glue. Finally, add eyes and a few distinctive paper curls and flourishes. The results are totally charming: a sweet mouse, a spunky purple penguin, a decidedly plump bunny (to name just a few). Our always-clear instructions and everything-you-need package guarantee success. Whether you make one of the adorable animals shown in the book or create a character of your own invention, you'll feel as proud as a peacock. A paper peacock, that is.

The crucifix is in! You can fool most of the people most of the time. In The God Con, Lee Moller, a life-long atheist and skeptic, looks at organized religion through the lens of the con. Organized religion has been selling an invisible product, that it never has to deliver, for thousands of years. It has given us bigotry, rampant pedophilia, terrorism, and bloodshed beyond imagining. And its acolytes have, in turn, given organized religion power over their bank accounts, their reproduction, and their very “souls”.

Calling all animal lovers! Build your own mobile pet adoption center and help these clay critters find their "furever" homes. Learn to make a variety of dog breeds, including a corgi, Chihuahua, Rottweiler, Dalmatian, and beagle, plus cats, birds, bunnies, and guinea pigs. You decide which animals you want to make with colorful clay and premade eyes to help make each creation picture-purrfect. Comes with: 8 punchout sheets, 7 colors of oven-bake clay, faux fur blankets in 3 colors, 30 brads.

Presents a parody of J. R. R. Tolkien's "The Lord of the Rings."

What makes a romance novel a romance? How do you write a kissing book?Writing a well-structured romance isn't the same as writing any other genre-something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc-not the other way around.Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists.Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.