Two Kinds Of Elizabeth

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

The names Elizabeth Eckford and Hazel Bryan Massery may not be well known, but the image of them from September 1957 surely is: a black high school girl, dressed in white, walking stoically in front of Little Rock Central High School, and a white girl standing directly behind her, face twisted in hate, screaming racial epithets. This famous photograph captures the full anguish of desegregation--in Little Rock and throughout the South--and an epic moment in the civil rights movement.In this gripping book, David Margolick tells the remarkable story of two separate lives unexpectedly braided together. He explores how the haunting picture of Elizabeth and Hazel came to be taken, its significance in the wider world, and why, for the next half-century, neither woman has ever escaped from its long shadow. He recounts Elizabeth's struggle to overcome the trauma of her hate-filled school experience, and Hazel's long efforts to atone for a fateful, horrible mistake. The book follows the painful journey of the two as they progress from apology to forgiveness to reconciliation and, amazingly, to friendship. This friendship foundered, then collapsed--perhaps inevitably--over the same fissures and misunderstandings that continue to permeate American race relations more than half a century after the unforgettable photograph at Little Rock. And yet, as Margolick explains, a bond between Elizabeth and Hazel, silent but complex, endures.

This book reveals the queen behind Edmund Spenser’s The Faerie Queene. Placing Spenser’s epic poem in the context of the tumultuous sixteenth century, Donald Stump offers a groundbreaking reading of the poem as an allegory of Elizabeth I’s life. By narrating the loves and wars of an Arthurian realm that mirrors Elizabethan England, Spenser explores the crises that shaped Elizabeth’s reign: her break with the pope to create a reformed English Church, her standoff with Mary, Queen of Scots, offensives against Irish rebels and Spanish troops, confrontations with assassins and foreign invaders, and the apocalyptic expectations of the English people in a time of national transformation. Brilliantly reconciling moral and historicist readings, this volume offers a major new interpretation of The Faerie Queene.

Introduces students To The life, work and ideas of Gottfried Leibniz, taking the reader new To The subject through the key themes of his writings.

Between Illusionism and Anti-Illusionism: Self-Reflexivity in the Chosen Novels of J. M. Coetzee takes as its premise J. M. Coetzee’s distinction between “illusionism” and “anti-illusionism”: the realist and the self-reflexive traditions in prose fiction. The aim of this critical study is to demonstrate that these two traditions are not opposed, but rather complementary to each other, and enrich the novel as a genre. Based on Marek Pawlicki’s doctoral thesis, the book is a detailed analysis of Coetzee’s oeuvre, paying particular attention to the impact of the writer’s literary essays on his fiction. Insofar as it looks into the ways in which Coetzee’s work as a critic has affected his novels, this book deals with the relation between fiction and literary criticism. Chapter One is an introduction into the topic of self-reflexivity. Chapters Two to Five, devoted to Dusklands, In the Heart of the Country, Age of Iron and Summertime, are concerned with the issue of subjectivity in confessional discourse and the boundary between fiction and autobiography. Chapters Six to Eight, concentrating on Foe, Slow Man, The Master of Petersburg, and Elizabeth Costello, offer insight into Coetzee’s views on literary creation and the role of the writer in society. Between Illusionism and Anti-Illusionism also examines intertextual references in Coetzee’s novels to the works of Tolstoy, Dostoevsky, Kafka and Beckett.

This book articulates a unique conception of aesthetic educational philosophy and its relation to the Chinese world, drawing on the works of the prominent contemporary Chinese philosopher Zehou Li. The book outlines an aesthetics approach to educational maturity that recognises both the contributions of Western Enlightenment ideals and Chinese traditions, paving the way for an inclusive and post-comparative philosophy. It offers a nuanced discussion of Zehou Li’s thought and how his work can be framed at the border between traditional and modern China, between China and the West. The book combines a discussion of aesthetics with educational theory and considers their combined implications for educational practice (in particular in the first-person perspectives of students, parents and teachers), in both local and global contexts. Providing a way of doing philosophy of education that carefully considers interactions and overlaps between Western and Chinese civilisation, the book will be of great interest to researchers, academics and postgraduate students in the fields of educational philosophy, educational theory, and Chinese and cross-cultural philosophy.

'Reading this book is like taking a ride on a marvellously exhilarating time-machine, alive with colour, surprise and sheer merriment' Jan Morris Elizabethan London reveals the practical details of everyday life so often ignored in conventional history books. It begins with the River Thames, the lifeblood of Elizabethan London, before turning to the streets and the traffic in them. Liza Picard surveys building methods and shows us the interior decor of the rich and the not-so-rich, and what they were likely to be growing in their gardens. Then the Londoners of the time take the stage, in all their amazing finery. Plague, smallpox and other diseases afflicted them. But food and drink, sex and marriage and family life provided comfort. Cares could be forgotten in a playhouse or the bull-baiting of bear-baiting rings, or watching a good cockfight. Liza Picard's wonderfully skilful and vivid evocation of the London of Elizabeth I enables us to share the delights, as well as the horrors, of the everyday lives of our sixteenth-century ancestors.

What story would Eve have told about picking the apple? Why is Pandora blamed for opening the box? And what about the fate of Cassandra who was blessed with knowing the future but cursed so that no one believed her? What if women had been the storytellers? Elizabeth Lesser believes that if women’s voices had been equally heard and respected throughout history, humankind would have followed different hero myths and guiding stories—stories that value caretaking, champion compassion, and elevate communication over vengeance and violence. Cassandra Speaks is about the stories we tell and how those stories become the culture. It’s about the stories we still blindly cling to, and the ones that cling to us: the origin tales, the guiding myths, the religious parables, the literature and films and fairy tales passed down through the centuries about women and men, power and war, sex and love, and the values we live by. Stories written mostly by men with lessons and laws for all of humanity. We have outgrown so many of them, and still they endure. This book is about what happens when women are the storytellers too—when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it means to be human. Lesser has walked two main paths in her life—the spiritual path and the feminist one—paths that sometimes cross but sometimes feel at cross-purposes. Cassandra Speaks is her extraordinary merging of the two. The bestselling author of Broken Open and Marrow, Lesser is a beloved spiritual writer, as well as a leading feminist thinker. In this book she gives equal voice to the cool water of her meditative self and the fire of her feminist self. With her trademark gifts of both humor and insight, she offers a vision that transcends the either/or ideologies on both sides of the gender debate. Brilliantly structured into three distinct parts, Part One explores how history is carried forward through the stories a culture tells and values, and what we can do to balance the scales. Part Two looks at women and power and expands what it means to be courageous, daring, and strong. And Part Three offers “A Toolbox for Inner Strength.” Lesser argues that change in the culture starts with inner change, and that no one—woman or man—is immune to the corrupting influence of power. She provides inner tools to help us be both strong-willed and kind-hearted. Cassandra Speaks is a beautifully balanced synthesis of storytelling, memoir, and cultural observation. Women, men and all people will find themselves in the pages of this book, and will come away strengthened, opened, and ready to work together to create a better world for all people.