Two Sides Of The Moon

Growing up on either side of the Iron Curtain, David Scott and Alexei Leonov experienced very different childhoods but shared the same dream to fly. Excelling in every area of mental and physical agility, Scott and Leonov became elite fighter pilots and were chosen by their countries' burgeoning space programs to take part in the greatest technological race ever-to land a man on the moon. In this unique dual autobiography, astronaut Scott and cosmonaut Leonov recount their exceptional lives and careers spent on the cutting edge of science and space exploration. With each mission fraught with perilous risks, and each space program touched by tragedy, these parallel tales of adventure and heroism read like a modern-day thriller. Cutting fast between their differing recollections, this book reveals, in a very personal way, the drama of one of the most ambitious contests ever embarked on by man, set against the conflict that once held the world in suspense: the clash between Russian communism and Western democracy. Before training to be the USSR's first man on the moon, Leonov became the first man to walk in space. It was a feat that won him a place in history but almost cost him his life. A year later, in 1966, Gemini 8, with David Scott and Neil Armstrong aboard, tumbled out of control across space. Surviving against dramatic odds-a split-second decision by pilot Armstrong saved their lives-they both went on to fly their own lunar missions: Armstrong to command Apollo 11 and become the first man to walk on the moon, and Scott to perform an EVA during the Apollo 9 mission and command the most complex expedition in the history of exploration, Apollo 15. Spending three days on the moon, Scott became the seventh man to walk on its breathtaking surface. Marking a new age of USA/USSR cooperation, the Apollo-Soyuz Test Project brought Scott and Leonov together, finally ending the Cold War silence and building a friendship that would last for decades. Their courage, passion for exploration, and determination to push themselves to the limit emerge in these memoirs not only through their triumphs but also through their perseverance in times of extraordinary difficulty and danger.

A powerful novel by the author of Once Were Warriors about a half caste and his Maori warrior ancestor, cast out of his tribe. Jimmy understands all about belonging and not belonging. he sees himself as part of both sides of the moon: 'Kind of black man, sort of nigger, in my own country, and kind of white, sort of The Man, by the other half of me. I am torn, yet I am more whole since I am both . . .' He is part of a fractured family, and it's only when he learns about his forebear - a brave warrior who became an outcast from his tribe - that he begins to understand the darker implications of his heritage.

From the moment she saw him, the girl knew the bear had come for her. How many times had she dreamed of him? Now, here he was, as if spelled from her dreams. This encounter marks the beginning of a long and extraordinary journey. At the bear's secret palace in faraway mountains, she is treated courteously but troubled by the bear's unfathomable sadness. As the bear's secret unravels, another adventure unfolds, which takes her to the homes of the four winds and beyond, to the castle east of the sun, west of the moon. In this new edition of Jackie Morris's captivating picture book, the acclaimed writer and artist retells this classic Norwegian fairy tale - a mysterious story of love, loyalty and freedom. "Beautiful, lyrical and lovely." Joanne Harris on The Wild Swans "Jackie Morris does more than tell a story; she conjures glorious landscapes of the heart." Meg Rosoff For The Unwinding: "A quiet masterpiece . . . a love story, a hope story, a story out of time, out of stricture, out of the narrow artificial bounds by which we try to contain the wild wonderland of reality because we are too frightened to live wonder-stricken." Maria Popova, Brain Pickings "The tales feel like half-remembered dreams, peopled with fairytale characters and magnificent creatures." Rebecca Armstrong, i Paper Best Books of 2020

A stunning investigation of the roots of the first moon landing forty years ago. This illuminating story of the dawn of the space age reaches back to the reactionary modernism of the Third Reich, using the life of “rocket scientist” Wernher von Braun as its narrative path through the crumbling of Weimar Germany and the rise of the Nazi regime. Von Braun, a blinkered opportunist who could apply only tunnel vision to his meteoric career, stands as an archetype of myriad twentieth century technologists who thrived under regimes of military secrecy and unlimited money. His seamless transformation from developer of the deadly V-2 ballistic missile for Hitler to an American celebrity as the supposed genius behind the golden years of the U.S. space program in the 1950s and 1960s raises haunting questions about the culture of the Cold War, the shared values of technology in totalitarian and democratic societies, and the imperatives of material progress.

One of the most successful public relations campaigns in history, featuring heroic astronauts, press-savvy rocket scientists, enthusiastic reporters, deep-pocketed defense contractors, and Tang. In July 1969, ninety-four percent of American televisions were tuned to coverage of Apollo 11's mission to the moon. How did space exploration, once the purview of rocket scientists, reach a larger audience than My Three Sons? Why did a government program whose standard operating procedure had been secrecy turn its greatest achievement into a communal experience? In Marketing the Moon, David Meerman Scott and Richard Jurek tell the story of one of the most successful marketing and public relations campaigns in history: the selling of the Apollo program. Primed by science fiction, magazine articles, and appearances by Wernher von Braun on the “Tomorrowland” segments of the Disneyland prime time television show, Americans were a receptive audience for NASA's pioneering “brand journalism.” Scott and Jurek describe sophisticated efforts by NASA and its many contractors to market the facts about space travel—through press releases, bylined articles, lavishly detailed background materials, and fully produced radio and television features—rather than push an agenda. American astronauts, who signed exclusive agreements with Life magazine, became the heroic and patriotic faces of the program. And there was some judicious product placement: Hasselblad was the “first camera on the moon”; Sony cassette recorders and supplies of Tang were on board the capsule; and astronauts were equipped with the Exer-Genie personal exerciser. Everyone wanted a place on the bandwagon. Generously illustrated with vintage photographs, artwork, and advertisements, many never published before, Marketing the Moon shows that when Neil Armstrong took that giant leap for mankind, it was a triumph not just for American engineering and rocketry but for American marketing and public relations.

The far side of the Moon, also called the "dark side of the Moon" was unknown to humanity until the Luna and Lunar Orbiter pictures were returned to Earth. This wonderful book contains beautiful photographs and newly-assembled mosaic images of the far side of the Moon, cleaned of transmission, imaging stripes and processing artifacts by today’s computer technology. Byrne’s superb analysis documents the appearance of the features of the far side with beautiful pictures from Lunar Orbiter. Until now, the far side Lunar Orbiter photos have only been available with strong reconstruction lines, but appear here for the first time as complete photographs, unmarred by imaging and processing artifacts.

In summer 1969, astronauts landed on the moon and hippie hordes descended on Woodstock—two era-defining events that are not entirely coincidental. Neil M. Maher shows how NASA’s celestial aspirations were tethered to terrestrial concerns of the time: the civil rights struggle, the antiwar movement, environmentalism, feminism, and the culture wars.