Two Wolves At The Dawn Of Time

In 1998, Dzawada'enuxw artist Marianne Nicholson scaled a vertical rock face in Kingcome Inlet to paint a massive pictograph to mark the continued vitality of her ancestral village of Gwa'yi. Two Wolves at the Dawn of Time is the story of that painting, of earlier politically defiant rock art, and of coppers, ceremonial shields that are a central motif in these images. Judith Williams tracks the history of a culturally and geographically rich locale at a flashpoint in Native-white relations. She investigates the rock art around Kingcome Inlet, explores the disintegrating Halliday homestead, and plumbs the archives to measure colonialism's legacy. Documenting Nicholson's painting of the new pictograph, Williams describes the symbiosis of old and new that has seen Gwa'yi and the Kwakwaka'wakw prevail despite all attempts to eradicate their culture.

Long known as the Cannibal Dance, the Hamat̓sa is among the most important hereditary prerogatives of the Kwakwa̱ka̱ꞌwakw of British Columbia. Drawing on published texts, extensive archival research, and fieldwork, Writing the Hamat̓sa offers a critical survey of attempts to record, interpret, and prohibit the ceremony. Such textual mediation and Indigenous response over four centures helped transform the Hamat̓sa from a set of specific practices. into a generalized cultural icon. This meticulous work illuminates how Indigenous people contribute to, contest, and repurpose texts in the process of fashioning modern identities under settler colonialism.

A Former National Geographic photographer gives a human face to contemporary Southeast Asian Muslim civilization.

In the winter of 1861, Robert Homfray made a perilous journey up Bute Inlet to begin surveying for Alfred Waddington's 'gold road', which was to link British Columbia's coast with the Cariboo. It was hoped that the road would open up the territory to gold prospectors and homesteaders; instead, it dead-ended just above Homathko Canyon with the massacre of the road crew sent to build it. The colonial government called it murder; the Tsilhqot'in people called it war.More than a century later, Judith Williams retraces Homfray's journey. By juxtaposing her impressions with the written and oral histories of the event, she peels back some of the many layers of 'truth' to reveal what is both a stirring tale and an engrossing glimpse of life in the Chilcotin over 130 years ago.High Slack is Number 4 in the Transmontanus series edited by Terry Glavin.

When he’s whisked away from Manhattan and summoned to his father’s Long Island estate on a weekday, James Tetherington knows he isn’t there to get good news, but still he’s surprised when his father insists James leave New York and return to Milligan Island, a place James has not been since he was a boy. Not only is James commanded to return, but he’s also told to solve a war between two Wolf packs, one he must lead and the other one he must subdue or destroy. As for the witches on the island, his father says it’s time for them to go. Chase Howard hasn’t been to Milligan Island since his father died a few years earlier, but when his coven has visions of him making peace between the two Wolf factions on the island, he knows it’s time to return. As a strong and powerful witch, Chase has never been scared of Wolves, but on his first night back to the island, when a wounded Wolf gets through a ward that’s held for centuries, Chase is forced to rethink his ideas. Chase soon finds himself nursing the gorgeous Wolf man back to health and protecting him from an island full of Wolves who seem to want him dead. Unfortunately, saving this Wolf may kill every chance Chase has to broker peace on the island. Although James and Chase may not know exactly what they want to happen on Milligan Island, they do know there’s an attraction between them neither man can battle. With angry Wolves and mysterious men in silver coats following them about, can James and Chase find a way to protect the island, or will it all disappear in the wind like a Chesapeake howl?

Since she left the wolves who raised her to cross over the Iron Mountains, Firekeeper’s pack has expanded to include a diverse assortment of creatures – human and not. When the wolf-woman receives a desperate call for help from the jaguar, Truth, Firekeeper – Blind Seer, as ever, at her side – races to Truth’s aid. Over a year prior, Truth sacrificed her sanity in a valiant effort to keep Firekeeper alive. Now there may be a way for Truth to reunite her fragmented mind with her failing body – but the jaguar needs Firekeeper to open a door, that is not quite a door, if that is to happen. How to release Truth may be only the beginning of Firekeeper and Blind Seer’s problems, for there are hints that an ancient power may be released along with the jaguar – a power that uses living creatures as playing pieces, and who has more than a little interest in Firekeeper herself.