Uitenhage Past And Present Souvenir Of The Centenary 1804 1904

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This historical guide offers fascinating insights into the past and present of Uitenhage, a town in South Africa's Eastern Cape province. With a focus on the centenary celebrations of 1904, the book explores the town's cultural heritage, architectural landmarks and important events in its development. Packed with photographs, illustrations and anecdotes, this is an essential read for anyone interested in South African history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A fine biography. [It] is a most satisfying book and an important contribution to South African scholarship. CAPE TIMES Scottish poet, fighter for human rights in the Cape Colony, and abolitionist, reveals the role this key Enlightenment figure played in Africa and Britain. This biography of Thomas Pringle (1789-1834), poet, fighter for human rights in the Cape Colony, and abolitionist, reveals the role this key Enlightenment figure played in Africa and Britain. Honoured in South Africa as 'the father of South African English poetry', for his part in achieving a free press, for his fight for the settlers' rights in the colony, in Scotland as the founding editor of Blackwood's Magazine, and in England as instrumental inbringing in abolition, Thomas Pringle has not yet had the attention he deserves. Born on the Scottish Borders, Pringle entered literary life in late Englightenment Edinburgh, but in 1820 led a party of settlers to theCape Colony. After running a school, launching a literary journal and co-editing the Cape's first independent newspaper, he formed a group to fight for democratic rights for both the settlers and the dispossessed indigenous people. His biography reveals the important part he played in the literary and political world across two continents, and in championing the Khoisan and the increasingly dispossessed Nguni people. On returning to England he became Secretary of the Anti-Slavery Society, and on 15 June 1834 announced the implementation of abolition. After actively opposing the apartheid government in South Africa Randolph Vigne worked in exile as a London publisher andlatterly, in Britain and South Africa, as author and editor of European and African historical studies. Southern Africa (South Africa, Botswana, Namibia, Lesotho, Swaziland, Zambia and Zimbabwe): UCT Press

History of Swiss emigration to South Africa, together with genealogies of immigrant descendants.

For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa’s past. Conceptualising the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze, through all the stages of its design, to its shipping to post-war Italy to be copied into marble from Monte Altissimo, up to its final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it is depicted. The second volume expands on the first, by investigating each of the twenty-seven scenes of the frieze in depth, providing new insights into not only the frieze, but also South Africa’s history. François van Schalkwyk of African Minds, co-publisher with De Gruyter writes: From Memory to Marble is an open access monograph in the true sense of the word. Both volumes of the digital version of the book are available in full and free of charge from the date of publication. This approach to publishing democratises access to the latest scholarly publications across the globe. At the same time, a book such as From Memory to Marble, with its unique and exquisite photographs of the frieze as well as its wealth of reproduced archival materials, demands reception of a more traditional kind, that is, on the printed page. For this reason, the book is likewise available in print as two separate volumes. The printed and digital books should not be seen as separate incarnations; each brings its own advantages, working together to extend the reach and utility of From Memory to Marble to a range of interested readers. For more material you can browse at Stanford's database "Voortrekker Monumentality: a digital archive".