Ultraviolet Fluorescence Photography

Digital Ultraviolet and Infrared Photography discusses the growing number of applications of ultraviolet and infrared photography. Scientific and technical photographers, such as those engaged in scientific, medical, forensic, and landscape and wildlife photography routinely use ultraviolet and infrared techniques, and these techniques are growing in use in creative photography. This is the first book to address the application and potential for both ultraviolet and infrared photography in both science and art. The author, Adrian Davies, discusses the how-to of ultraviolet and infrared digital recording with a dissection of techniques, camera requirements and camera conversion, a useful appendix of resources and equipment currently available and inspirational image examples throughout. Digital Ultraviolet and Infrared Photography is an essential read for photographers using these tools either professionally or creatively.

For the first time of its invention, photography has been used to visualize events that are either too fast or too slow for the eye to perceive, or subjects that are outside the spectral range of the human eye. This book shows how you can photograph a range of subjects and see the world as never before. Written with clear and accessible text, it explores and suggests techniques that expose new images in new ways, and pushes the boundaries of the photographer's creative potential. Techniques include: ultraviolet (UV) and infrared (IR) photography; high speed and time-lapse photography; close-up, macro and photography with the aid of a microscope and finally, photography using polarized light. Most of the techniques are accessible ot all photographers using readily available equipment (UV and IR will require some specialist items), and have been relatively unexplored so give the adventurous photographer great potential to experiment and produce unique images.

Step into a world of photography that most artists consider magical. The closer you get to things, the more fascinating they become. Unimaginable details can be captured with the aid of special photography techniques and equipment, detailed at length within these pages. Macro photographers play by a different rulebook. The challenges faced from the subject matter, the equipment and even the laws of physics make this an ambitious genre of photography. It can be abstract, it can tell stories, and it can spark your imagination. Author and “Mad Scientist” photographer Don Komarechka covers every area of macro photography, from simple beginnings and tips to help you get the most out of your first macro lens, all the way through a masterclass in the obscure. Topics include: - Redefining the rules of composition - Finding and exploring narratives we ignore - The challenges of magnification - Camera equipment choices and recommendations - Inexpensive ways to get “closer” - Controlling and sculpting light - Overcoming shallow focus - Using water droplets as lenses for enchanted refractions - The art of photographic discovery: “what if?” - Winter macro: snowflakes and freezing soap bubbles - Ultraviolet fluorescence macro - Stereoscopic 3D macro photography - MANY more topics down the rabbit hole

Vitiligo has been, until recently, a rather neglected area in dermatology and medicine. Patients complain about this situation, which has offered avenues to quacks, and has led to the near orphan status of the disease. The apparently, simple and poorly symptomatic presentation of the disease has been a strong disadvantage to its study, as compared to other common chronic skin disorders such as psoriasis and atopic dermatitis. Vitiligo is still considered by doctors as a non disease, a simple aesthetic problem. A good skin-based angle of attack is also lacking because generalized vi- ligo is clearly epitomizing the view of skin diseases as simple targets of a systemic unknown dysregulation (diathesis), re? ecting the Hippocratic doctrine. This view has mostly restricted vitiligo to the manifestation of an auto-immune diathesis in the past 30 years. Thus, skin events, which are easily detected using skin biospies in most other situations, have not been precisely recorded, with the argument that a clinical diagnosis was suf? cient for the management (or most commonly absence of mana- ment) of the patient. This book is an international effort to summarize the information gathered about this disorder at the clinical, pathophysiological and therapeutic levels. Its primary aim is to bridge current knowledge at the clinical and investigative level, to point to the many unsolved issues, and to delineate future priorities for research.

Crime scene investigation involves the use and integration of scientific methods, physical evidence, and deductive reasoning in order to determine and establish the series of events surrounding a crime. The quality of the immediate crime scene response and the manner in which the crime scene is examined are critical to the success of the investigation. Evidence that is missed or corrupted by incomplete or improper handling can have a devastating effect on a case and keep justice from being served. The Practice of Crime Scene Investigation covers numerous aspects of crime scene investigation, including the latest in education and training, quality systems accreditation, quality assurance, and the application of specialist scientific disciplines to crime. The book discusses a range of basic and advanced techniques such as fingerprinting, dealing with trauma victims, photofit technology, the role of the pathologist and ballistic expert, and signal processing. It also reviews specialist crime scene examinations including clandestine laboratories, drug operations, arson, and explosives.

Practical advice on procedures for examination, photography, microscopy, tissue culture and allergy testing, as well as the treatment procedures themselves.