Unarmed Empire

Shunned. Condemned. Controlled. Describing church, believers and nonbelievers deploy stinging terms to define an imperial, culturally privileged, and powerful American force. Church has become synonymous with shame, exclusion, and hostility. This is not the church of Jesus. American Christians are victims of a deliberate and shortsighted scheme designed to identify and defeat religious, cultural, and sexual Others. From the language of "makers and takers," to "if you're not for us, you're against us," to the continual suggestion that we are soldiers in a constant series of wars--the war on women, the war on the family, the war on Christians, the war on Christmas, the war on terror, and much more--Christians are near the heart of enmity. The New Testament, however, seeks to create an alternative community--a community devoid of fear, wherein God's love and acceptance are mediated to all people through the grace of Jesus. In Unarmed Empire, Sean Palmer reclaims the New Testament's vision of the church as an alternative community of welcome, harmony, and peace. Unarmed Empire is for everyone who's been misled about church. It's for everyone who feels blacklisted by believers, everyone who has been hurt. It's for everyone longing for a purer experience of church.

THE SUNDAY TIMES AND ECONOMIST BOOKS OF THE YEAR 2016 'Hugely impressive... Wilson is an assured guide through the millennium-long labyrinth of papal-imperial relations' Literary Review A great, sprawling, ancient and unique entity, the Holy Roman Empire, from its founding by Charlemagne to its destruction by Napoleon a millennium later, formed the heart of Europe. It was a great engine for inventions and ideas, it was the origin of many modern European states, from Germany to the Czech Republic, its relations with Italy, France and Poland dictated the course of countless wars - indeed European history as a whole makes no sense without it. In this strikingly ambitious book, Peter H. Wilson explains how the Empire worked. It is not a chronological history, but an attempt to convey to readers why it was so important and how it changed over its existence. The result is a tour de force - a book that raises countless questions about the nature of political and military power, about diplomacy and the nature of European civilization and about the legacy of the Empire, which has continued to haunt its offspring, from Imperial and Nazi Germany to the European Union.

“This is the revised English translation from the original work in Russian of the history of the Great Byzantine Empire. It is the most complete and thorough work on this subject. From it we get a wonderful panorama of the events and developments of the struggles of early Christianity, both western and eastern, with all of its remains of the wonderful productions of art, architecture, and learning.”—Southwestern Journal of Theology

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.

The First Crusade (1095-1101) was the stimulus for a substantial boom in Western historical writing in the first decades of the twelfth century, beginning with the so-called "eyewitness" accounts of the crusade and extending to numerous second-hand treatments in prose and verse. From the time when many of these accounts were first assembled in printed form by Jacques Bongars in the early seventeenth century, and even more so since their collective appearance in the great nineteenth-century compendium of crusade texts, the Recueil des historiens des croisades, narrative histories have come to be regarded as the single most important resource for the academic study of the early crusade movement. But our understanding of these texts is still far from satisfactory. This ground-breaking volume draws together the work of an international team of scholars. It tackles the disjuncture between the study of the crusades and the study of medieval history-writing, setting the agenda for future research into historical narratives about or inspired by crusading. The basic premise that informs all the papers is that narrative accounts of crusades and analogous texts should not be primarily understood as repositories of data that contribute to a reconstruction of events, but as cultural artefacts that can be interrogated from a wide range of theoretical, methodological and thematic perspectives. MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina at Chapel Hill; DAMIEN KEMPF is Senior Lecturer in Medieval History at the University of Liverpool. Contributors: Laura Ashe, Steven Biddlecombe, Marcus Bull, Peter Frankopan, Damian Kempf, James Naus, L an N Chl irigh, Nicholas Paul, William J. Purkis, Luigi Russo, Jay Rubenstein, Carol Sweetenham,

This 1912 work argues that the 'Amorian epoch' of the ninth century should not be overshadowed by the better-known periods of Byzantine history before and after it. Bury describes how iconoclasm again became a cause of civil strife, and wars on the eastern frontier strained the empire's resources.