Uncovering The Governess S Secrets

A sensual Victorian gothic romance set in Scotland She’s running from the past… Am I the key to her future? As a private investigator to the rich, it’s my job to be impartial, but returning to moody Edinburgh—the city where I made my name—to locate Marianne Crawford unsettles me. And when I meet the beguiling governess in question, I’m inexplicably drawn to her… Marianne Crawford is a survivor. She’s lived through experiences designed to destroy her. But I’m here to reveal her true identity, not to fall under her spell. I’ve never been afraid of secrets, but once I uncover this one, I’m afraid I won’t be able to walk away… From Harlequin Historical: Your romantic escape to the past.

My dear friend, in the face of such a perplexing situation, one's reaction can vary drastically, as you've aptly noted. Some, like myself, might dismiss it as a mere prank, while others, such as Pastor Keltrop and his wife, would be quick to voice their indignation and spread the word. Then there are those who, deeming it a serious offense, would not hesitate to involve the authorities. But alas, what was initially perceived as a harmless jest has taken a grievous turn. The tragic demise of Mrs. Ximington, with a note in her hand lamenting her inability to endure any longer, coupled with the discovery of a crumpled anonymous letter in the fireplace, suggests a far more sinister truth. It appears evident that Mrs. Ximington's darkest secrets have been laid bare, compelling her to take her own life through the consumption of poison. But the plot thickens still, as her loyal maid Agnes meets a similarly grim fate. Curiously, on the very day of Mrs. Ximington's demise, Agnes, who was expected to be out with her beau, returns home in a fit of anger. Furthermore, the absence of a postmark on the anonymous letter hints at a direct delivery, implying that Agnes likely encountered the bearer of this ominous message. As the old adage goes, "No fire, no smoke." It is evident that there is more to this tragic tale than meets the eye. Miss Maple, tasked with unravelling the enigma of "fire" and "smoke," must navigate through the labyrinth of deceit and treachery to uncover the truth hidden within the shadows of deception.

With the character of the doctor as her subject, Tabitha Sparks follows the decline of the marriage plot in the Victorian novel. As Victorians came to terms with the scientific revolution in medicine of the mid-to-late nineteenth century, the novel's progressive distance from the conventions of the marriage plot can be indexed through a rising identification of the doctor with scientific empiricism. A narrative's stance towards scientific reason, Sparks argues, is revealed by the fictional doctor's relationship to the marriage plot. Thus, novels that feature romantic doctors almost invariably deny the authority of empiricism, as is the case in George MacDonald's Adela Cathcart. In contrast, works such as Wilkie Collins's Heart and Science, which highlight clinically minded or even sinister doctors, uphold the determining logic of science and, in turn, threaten the novel's romantic plot. By focusing on the figure of the doctor rather than on a scientific theme or medical field, Sparks emulates the Victorian novel's personalization of tropes and belief systems, using the realism associated with the doctor to chart the sustainability of the Victorian novel's central imaginative structure, the marriage plot. As the doctors Sparks examines increasingly stand in for the encroachment of empirical knowledge on a morally formulated artistic genre, their alienation from the marriage plot and its interrelated decline succinctly herald the end of the Victorian era and the beginning of Modernism.

Javier Marías is a major contemporary Spanish novelist who has enjoyed remarkable international success and recognition. He is a writer who has undergone a singular and clearly discernible novelistic evolution and has forged a very distinctive style of his own. It is this formal development that this book traces through a study of his works from Los dominios del lobo (1971) to Negra espalda del tiempo (1998). With the help of a wide range of 20th-century literary theories and criticism, it strives to show that in order to escape realism and Spanishness and to make his way into literature, Marías forges an intricate style which progressively develops and matures, and which creates highly suggestive and elaborate imaginative worlds, a literature with a particular ontology, ultimately capable of inventing reality. This book is the first full-length study of Javier Marías's work to be published so far and serves both as an introduction to, and a close examination of, the work of a major European writer.

A COMPANION TO CHILDREN'S LITERATURE A collection of international, up-to-date, and diverse perspectives on children's literary criticism A Companion to Children's Literature offers students and scholars studying children's literature, education, and youth librarianship an incisive and expansive collection of essays that discuss key debates within children's literature criticism. The thirty-four works included demonstrate a diverse array of perspectives from around the world, introduce emerging scholars to the field of children's literature criticism, and meaningfully contribute to the scholarly conversation. The essays selected by the editors present a view of children's literature that encompasses poetry, fiction, folklore, nonfiction, dramatic stage and screen performances, picturebooks, and interactive and digital media. They range from historical overviews to of-the-moment critical theory about children’s books from across the globe. A Companion to Children's Literature explores some of the earliest works in children's literature, key developments in the genre from the 20th century, and the latest trends and texts in children's information books, postmodern fairytales, theatre, plays, and more. This collection also discusses methods for reading children's literature, from social justice critiques of popular stories to Black critical theory in the context of children's literary analysis.

Focusing on the novels of Charlotte Bronte, Wilkie Collins, and Thomas Hardy, Malane analyzes how these narratives of love, insanity, and tragedy were in dynamic conversation with the prevailing views about the brain."--Jacket.

From the moment Abby meets her new employer—the mysterious, brooding Earl of Brendall—she is appalled by his brutish manner...and even more so by her own attraction to him. Has she lost her senses? As a governess, Abby has no choice but to play by the rules. But as a woman, she cannot deny the fiery sensations he ignites--or the fantasies he inspires... From the moment Elliott lays eyes on his new young governess, he knows he's in trouble. Abby is intelligent, defiant, and utterly captivating, but Elliott must do his very best to resist her. But as the two grow closer, the passion burns hotter. In this historical romance from Tiffany Clare, author of The Surrender of a Lady, the only thing that can destroy their love is the darkest secret of his past—and the secret desires of a governess...