Under A Grudging Sun

Review The images - rich in color and visual rhythm - span 30 years and several continents. Of course, Haiti and the Mexican border are well represented, locales that opened up a new way to see. He has been able to render Haiti - a place often depicted for its chaos - with a precise eye, finding personal moments that are as still as they are complex. He can use shadows as skillfully as a be-bop musician to set the tempo. The people in his frames can look like dwarfs being stomped on by giant, disembodied feet. He can make an American street seem far more foreboding than any Third World slum. (David Gonzalez The New York Times 2011-12-18) A 30-year retrospective of a great, and often overlooked, American pioneer of colour photography who pays scant regard to genre boundaries, merging art photography, photojournalism and often complex street photographs. (Sean O'Hagan The Guardian 2011-12-13) In far-flung corners of the globe, Webb captures glimpses of beauty in impoverished lives and stoicism in the face of strife. (Jack Crager American Photo 2011-12-01).

Art Deco architecture. These vivid and compelling images question the nature of our assumptions about the world of Florida. Webb's Florida seems at once so familiar and yet so strange. His ironic, impressionistic record of the passage of life sweeps the state from Fort Pierce and Daytona Beach to Key Largo, Suwanee and Apalachicola to Disney World. Among the photographs that reveal the texture of life in this beachfront state are unique juxtapositions: a Key deer walking.

'Wide-ranging and eclectic’ TLS 'Seductively curious' Observer ‘A visual and intellectual journey' Herald See/Saw is an illuminating history of how photographs frame and change our perspectives. Starting from single images by the world’s most important photographers – from Eugène Atget to Alex Webb – Geoff Dyer shows us how to read a photograph, as he takes us through a series of close readings that are by turns moving, funny, prescient and surprising.

An enthralling journey into the shadowy republic of Haiti. In the land of Vodou, zombies and the Tontons Macoute. In this classic account, history jostles with adventure, high comedy is touched with danger; and Haiti glows like a magic charm. Now updated and with a new foreword by the author for the post-earthquake edition.

The fourth volume in a history of photography, this is a bibliography of books on the subject.

Inspired by the glory of Tang Dynasty China in the eighth century, Guy Gavriel Kay melds history and the fantastic into something both powerful and emotionally compelling. Under Heaven is a novel on the grandest narrative scale, encompassing the intimate details of individual lives in an unforgettable time and place. Shen Tai is the son of a general who led the forces of imperial Kitai in that empire's last war against their western enemies from Tagur, twenty years before. Forty thousand men on both sides were slain beside a remote mountain lake. General Shen Gao himself has died recently. To honour his father's memory, Tai has spent two years of official mourning alone at the battle site among the ghosts of the dead, laying to rest their unburied bones. One spring morning, he learns that others have taken note of his vigil. The White Jade Princess in Tagur is pleased to present him with two hundred and fifty Sardian horses, given, she writes, in recognition of his courage, and honour done to the dead. You gave a man one of the famed Sardians to reward him greatly. You gave him four or five to exalt him above his fellows, and earn him jealousy, possibly mortal. Two hundred and fifty is an unthinkable gift, a gift to overwhelm an emperor. Tai starts east towards the glittering, dangerous imperial capital and gathers his wits for a return from solitude by a mountain lake to his own forever-altered life.