Understanding My Daughter S Brown Body

Puberty is hard on girls and their parents but in this fun and real look at Christian girls coming-of-age, moms will learn how to adjust to their daughter's growing up, how to nurture a healthy lifestyle and discover what makes their daughter's brown body different.

Singing "John Brown's Body" as they marched to war, Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle, writers, artists, and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit, and the Civil War is often remembered as an inaugural moment in the development of national identity. Revisiting the culture of the Civil War, Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves, she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era. Throughout, Nudelman focuses not only on representations of the dead but also on practical methods for handling, studying, and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum, at the military scaffold or the national cemetery, the corpse was prized as a source of authority. Integrating the study of death, oppression, and war, John Brown's Body makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture.

JOHN BROWN (1800-1859) John Brown was an American abolitionist, born in Connecticut and raised in Ohio. He felt passionately and violently that he must personally fight to end slavery. In 1856, in retaliation for the sack of Lawrence, he led the murder of five proslavery men on the banks of the Pottawatomie River. He stated that he was an instrument in the hand of God. Brown did not end there. On Oct. 16, 1859, Brown and 21 followers captured the U.S. arsenal at Harpers Ferry. Brown planned the takeover as the first step in his liberation of the slaves, but it was taken the next morning by Robert E. Lee. Brown was hanged on Dec. 2, 1859. He became a martyr for many because of the dignity and sincerity that he displayed during his popular trial. Benet wrote "John Brown's Body," an epic about the Civil War. He framed his poem around the life and death of John Brown.

A VINTAGE MURDER MYSTERY Rediscover Gladys Mitchell – one of the 'Big Three' female crime fiction writers alongside Agatha Christie and Dorothy L. Sayers. The matchless detective and psychoanalyst Mrs Bradley is visiting the picturesque village of Spey in search of a local witch when Gerald Conway, a junior master at Spey College, is found murdered. Despised by both pupils and peers, there is no shortage of suspects but can the redoubtable Mrs Bradley use tact, wit and just a touch of black magic to make the boys and their masters divulge the truth? Opinionated, unconventional, unafraid... If you like Poirot and Miss Marple, you’ll love Mrs Bradley.

Two young cousins and their fathers become involved in events leading up to abolitionist John Brown's raid on the federal armory at Harper's Ferry, West Virginia, in 1859.

A man investigating treason is assassinated, and the case must be solved by a “brilliant and haunted Southerner” working for the Union Army (RP Dahlke, author of the Dead Red Mysteries). Cpt. Alphonso Clay had been summoned to meet John Brown—not that John Brown, but a former Boston detective recruited by Abe Lincoln to put his skills to work in the war effort. Brown has now ferreted out treachery among powerful military figures . . . but he’s killed before he can meet with Clay. Now Clay’s only hope is to decipher Brown’s cryptic notes and follow his deductive instincts to solve the murder, unmask the traitors, and ensure the Union’s victory at Vicksburg . . .

Brown Bodies, White Babies focuses on the practice of cross-racial gestational surrogacy, in which a woman - through in-vitro fertilization using the sperm and egg of intended parents or donors - carries a pregnancy for intended parents of a different race. Focusing on the racial differences between parents and surrogates, this book is interested in how reproductive technologies intersect with race, particularly when brown bodies produce white babies. While the potential of reproductive technologies is far from pre-determined, the ways in which these technologies are currently deployed often serve the interests of dominant groups, through the creation of white, middle-class, heteronormative families. Laura Harrison, providing an important understanding of the work of women of color as surrogates, connects this labor to the history of racialized reproduction in the United States. Cross-racial surrogacy is one end of a continuum in which dominant groups rely on the reproductive potential of nonwhite women, whose own reproductive desires have been historically thwarted and even demonized. Brown Bodies, White Babies provides am interdisciplinary analysis that includes legal cases of contested surrogacy, historical examples of surrogacy as a form of racialized reproductive labor, the role of genetics in the assisted reproduction industry, and the recent turn toward reproductive tourism. Joining the ongoing feminist debates surrounding reproduction, motherhood, race, and the body, Brown Bodies, White Babies ultimately critiques the new potentials for parenthood that put the very contours of kinship into question.