Unidentified Woman 15

During one of the first heavy snows of the winter, on the Interstate outside the Twin Cities, Rushmore McKenzie is behind a truck behaving erratically when the man in the truck bed dumps a body out onto the road, right in front of McKenzie's car. McKenzie avoids hitting the body, a bound woman who is just barely alive, but his stopped car in the middle of the road starts a chain of accidents, resulting in a thirty-seven car pile-up. By the time the time the police arrive, and the EMTs and ambulances have taken care of the immediate injuries, the truck is long gone. The injured woman awakens with no memories—not of the accident, not of anything—and is labeled by the police as Unidentified Woman #15. With few leads, the detective in charge, McKenzie's former partner and old friend Bobby Dunston, turns to McKenzie for a favor. Now McKenzie has to try to identify the grievously injured woman, find out who tied her up and dumped on the freeway to die. And why.

The Etruscans, whose culture flourished in Italy from the late eighth century B.C.E. to the first century B.C.E, produced some of the most sumptuous bronze and silver mirrors found in the ancient Mediterranean. Mirrors with relief decorations on their reverse sides are extremely rare and uniquely Etruscan. Their designs inform us about artistic styles and supplement our understanding of Etruscan culture and taste. The subjects illustrated on the mirrors give important insights into Etruscan mythology, beliefs, and cultural values, filling the vacuum left by the loss of most of their literary record.

'This book uncovers the inner workings of one of the most powerful companies in the world: how it came to exert a poisonous, secretive influence on public life in Britain, how it used its huge power to bully, intimidate and cover up, and how its exposure has changed the way we look at our politicians, our police service and our press.' Rupert Murdoch's newspapers had been hacking phones, blagging information and casually destroying people's lives for years, but it was only after a trivial report about Prince William's knee in 2005 that detectives stumbled on a criminal conspiracy. A five-year cover-up then concealed and muddied the truth. Dial M for Murdoch gives the first connected account of the extraordinary lengths to which the Murdochs' News Corporation went to "put the problem in a box" (in James Murdoch's words), how its efforts to maintain and extend its power were aided by its political and police friends, and how it was finally exposed. The book is full of details which have never been disclosed before in public, including the smears and threats against politicians, journalists and lawyers. It reveals the existence of brave insiders who pointed those pursuing the investigation towards pieces of secret information that cracked open the case. By contrast, many of the main players in the book are unsavoury, but by the end of it you have a clear idea of what they did. Seeing the story whole, as it is presented here for the first time, allows the character of the organisation which it portrays to emerge unmistakeably. You will hardly believe it.

It’s really great. It’s like they’re all here. I hear all of these voices and I sing with them, you know? — Yikliya Eustace Tipiloura, senior songman and Elder Perhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. Held by song custodians and taught through sung and danced ritual, generations of embodied practice are still being created and accumulated as people continue to sing. In 2009 Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim over 1300 recordings of Tiwi songs, made between 1912 and 1981, that are held in the archives at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). The Old Songs are Always New explores the return home of these recordings to the Tiwi Islands and describes the musical and vocal characteristics, performance context and cultural function of the twelve Tiwi song types, giving an overview of the linguistic and poetic devices used by Tiwi composers. For the past 16 years Campbell has been working closely with Tiwi song custodians, studying contemporary Tiwi song culture in the context of the maintenance of traditions and the development of new music forms. Their musical collaboration has resulted in public performances, community projects and recordings featuring current senior singers and the voices of the repatriated recordings. For this publication, Elders have enabled the transcription of many song texts and melodies for the first time, shedding light on how generations of Tiwi singers have connected the past with the present in a continuum of knowledge transmission and arts practice.

"Female" "Suicide Bombings" critically examines and challenges common assumptions of this loaded term. Tanya Narozhna and W. Andy Knight introduce female suicide bombings as a socio-political practice and a product of deeply politicized, gendered representations.

Millionaire and unlicensed P.I. Rushmore McKenzie agrees to go undercover to help the ATF track a cache of stolen gunsNafter all, what could possibly go wrong?