Unknown London

A personal account of WWI from the diaries of a Gisborne farm boy, shaped into a gripping narrative by the diarist’s grandson 100 years later. Follow Alick as he moves from his last night on the farm in early 1916, through enshipment and training, then off to the battle fields of France and Belgium, occupied Germany and back home. His treasured diaries covered the tedium, the mud, the fear and sorrow, the discomfort, the periods of leave and the letters from those back home. See the war unfold through Alick’s eyes and learn about his and his companions' attitudes to the army, to female company, to the enemy soldiers, to the hospitality provided by people under pressure, to the war itself. And after the drama and tragedy of war, comes the return home and the efforts required to make a living while remaining steadfastly silent about the traumas of those terrible years - an unseen fight that continued and affected generations to come.

This book offers a historical analysis of key classical translated works for children, such as writings by Hans Christian Andersen and Grimms’ tales. Translations dominate the earliest history of texts written for children in English, and stories translated from other languages have continued to shape its course to the present day. Lathey traces the role of the translator and the impact of translations on the history of English-language children’s literature from the ninth century onwards. Discussions of popular texts in each era reveal fluctuations in the reception of translated children’s texts, as well as instances of cultural mediation by translators and editors. Abridgement, adaptation, and alteration by translators have often been viewed in a negative light, yet a closer examination of historical translators’ prefaces reveals a far more varied picture than that of faceless conduits or wilful censors. From William Caxton’s dedication of his translated History of Jason to young Prince Edward in 1477 (‘to thentent/he may begynne to lerne read Englissh’), to Edgar Taylor’s justification of the first translation into English of Grimms’ tales as a means of promoting children’s imaginations in an age of reason, translators have recorded in prefaces and other writings their didactic, religious, aesthetic, financial, and even political purposes for translating children’s texts.

The deaths of husbands radically changed women’s lives in the early modern period. While losing male protection, widows acquired rare opportunities for social and economic independence. Placed between death and life, female submissiveness and male audacity, chastity and sexual awareness, or tragedy and comedy, widows were highly problematic in early modern patriarchal society. They were also popular figures in the theatre, arousing both male desire and anxiety. Now how did Shakespeare and his contemporaries represent them on the stage? What kind of costume, props, and gestures were employed? What influence did actors, spectators, and play-space have? This book offers a fresh and incisive examination of the theatrical representation of widows by discussing the material conditions of the early modern stage. It is also the only comprehensive study of this topic covering all three phases of Elizabethan, Jacobean, and Caroline drama.

Criminal Dismemberment is the first book to examine dismemberment as a phenomenon in the context of criminal acts. While the number of such dismemberment cases in any given country is often small, the notion of dismemberment captures the imagination, often leading many to question the motivations as to why anyone would perpetrate such an unnatural act. The act of dismemberment, in its original form, referred to cutting, tearing, pulling, wrenching or otherwise separating the limbs from a living being as a form a capital punishment. In today’s society, it has become associated most frequently with the criminal act of sectioning the remains of the dead in an attempt to conceal the death and dispose of the remains or make the process of identification of the deceased more difficult to achieve. Drawing on expertise from leading forensic anthropologists, pathologists, and forensic materials engineers, the book brings together much of the literature on criminal dismemberment—viewing it from the investigative, forensic, and social science perspectives. Key features include: Psychological analysis of the perpetrator Detailed examination of case studies, anonymized from recent investigations Difficulties encountered in a dismemberment investigation Tool mark analysis, including knives and saws, accompanied by over 120 detailed, full-color illustrations and photographs Serves as a unique and useful resource in the investigation of dismembered human remains The diverse backgrounds of the contributors offers a thorough account of such topics as the history of dismemberment, the forensic pathology in such cases, the importance of developing a common vocabulary in terminology used, the legal admissibility in dismemberment cases. As such, Criminal Dismemberment will serve as a comprehensive reference for students and practitioners alike.

This book offers a radical reappraisal of the reputation of Plato in England between 1423 and 1603. Using many materials not hitherto available, including evidence of book publishing and book ownership, together with a comprehensive survey of allusions to Plato, the author shows that the English were far less interested in Plato than most historians have thought. Although the English, like the French, knew the `court' Plato as well as the `school' Plato, the English published only two works by Plato during this period, while the French published well over 100 editions, including several of the complete Works. In England allusions to Plato occur more often in prose writers such as Whetstone, Green, and Lodge, than in poets like Spenser and Chapman. Sidney did take his `Stella' from Plato, but most English allusions to Plato were taken not directly from Plato or from Ficino, but from other authors, especially Mornay, Nani-Mirabelli, Ricchieri, Steuco, and Tixier.

This book explores the role of material culture in the formation of corporeal aesthetics and beauty ideals in different past societies and thus contributes to the cultural relativization of bodily aesthetics and related gender norms. The volume does not explore beauty for the sake of beauty, but extensively explores how it serves to form and keep gender norms in place. The concept of beauty has been a topic of interest for some time, yet it is only in recent times that archaeologists have begun to approach beauty as a culturally contingent and socially constructed phenomenon. Although archaeologists and ancient historians extensively dealt with gender, they dealt less with it in relation to beauty. The contributions in this volume deal with different intersections of gender and corporeal aesthetics by turning to rich archaeological, textual and iconographic data from ancient Sumer, Aegean Bronze Age, ancient Egypt, ancient Athens, Roman provinces, the Viking world and the Qajar Iran. Beauty thus moves away from a curiosity and surface of the body to an analytic concept for a better understanding of past and present societies.