Unmasks The Invisible Hero

Systems of Life offers a wide-ranging revaluation of the emergence of biopolitics in Europe from the mid– eighteenth to the mid–nineteenth century. In staging an encounter among literature, political economy, and the still emergent sciences of life in that historical moment, the essays collected here reopen the question of how concepts of animal, vegetable, and human life, among other biological registers, had an impact on the Enlightenment project of thinking politics and economics as a joint enterprise. The volume’s contributors consider politics, economics, and the biological as distinct, semi-autonomous spheres whose various combinations required inventive, sometimes incomplete, acts of conceptual mediation, philosophical negotiation, disciplinary intervention, or aesthetic representation.

Angels, Spirits, principalities, powers, gods, Satanthese, along with all other spiritual realities, are the unmentionables of our culture. The dominant materialistic worldview has absolutely no place for them. But materialism itself is terminally ill, and, let us hope, in process of replacement by a worldview capable of honoring the lasting values of modern science without succumbing to reductionism. Therefore, we find ourselves returning to the ancient traditions, searching for wisdom wherever it may be found. We do not capitulate to the past and its superstitions, but bring all the gifts our race has acquired along the way as aids in recovering the lost language of our souls. In Naming the Powers I developed the thesis that the New Testament's principalities and powers is a generic category referring to the determining forces of physical, psychic, and social existence. In the present volume we will be focusing on just seven of the Powers mentioned in Scripture. Their selection out of all the others dealt with in Naming the Powers is partly arbitrary: they happen to be ones about which I felt I had something to say. But they are also representative, and open the way to comprehending the rest. They are: Satan, demons, angels of churches, angels of nations, gods, elements, and angels of nature.

Before Superman, before Batman, there was—the Phantom! Making its debut as an American newspaper comic strip in 1936, The Phantom was the forerunner of the comic-book superhero genre that today animates vast billion-dollar franchises spanning print, film, television, video games, and licensed merchandise. But you’ve probably never heard of it—you probably think Superman inaugurated the genre. That’s because, despite its American origins, The Phantom comic strip has enjoyed far greater popularity with international audiences, most notably in Australia, Sweden, and India, where it has appeared in newspapers, magazines, and comic books. The paradox of the character’s relative obscurity in the United States, offset by his phenomenal success in these three markedly different countries, is the subject of The Phantom Unmasked. By tracing the publication history of The Phantom in magazines and comic books across international markets since the mid-1930s, author Kevin Patrick delves into the largely unexplored prehistory of modern media licensing industries. He also explores the interconnections between the cultural, political, economic, and historical factors that fueled the character’s international popularity. The Phantom Unmasked offers readers a nuanced study of the complex cultural flow of American comic books around the world. Equally important, to provide a rare glimpse of international comics fandom, Patrick surveyed the Phantom’s “phans”—as they call themselves—and lets them explain how and why they came to love the world’s first masked superhero.

Unmasking the Male Soul is about freedom that confronts the innate and enslaving obsession for power and control in destructive ways. At the core of this liberating process, we must acknowledge that we cannot escape the sociocultural matrix in which every human being emerges. In denying their fallen nature, human beings set aside their dependency on God and become self-centered and self-reliant. It is from their self-centered hearts that human beings foster dynamics of coercion, domination, competition, and distorted self-realization at the expense of others. This cycle of shame and guilt is well-disguised behind a mask which enables them to enact these dynamics in subtle ways. At times even in the name of religion, men followed the illusion of their internal insecurities and became dependent on masks of power and control. It is time to break away from the chains of exclusion and devaluation of women in Christian leadership. Masculinities have only perpetrated a narrative of exceptionalism as the apex of humankind, and often they have contrasted to subservient expectations of women in leading others. Each chapter responds to the implicit male silence on the issue in a multidisciplinary way with historical, sociocultural, theological, and scriptural implications. In this book, I will endeavor to challenge the masks of masculinities and dismantle several mental models that foment a gender divide in Christ-like leadership in the twenty-first century.

In this detailed investigation of ‘masculine’ gendered identity, first published in 1990, David Jackson uses his own personal history to look at the specific ways in which men become ‘masculine’. In doing so he examines, but also offers some positive challenges to, the assumed qualities and values of growing up ‘manly’. Jackson looks closely at the psychological and social forces active in his own development: relations with his father, violence at school, male banter and joking, sporting activities, boys’ comics, and sexual relations. The title is a deliberate blend between life story and critical commentary that makes use of some areas of post-structuralist theory to make visible the social and emotional processes that contribute to one man’s life history. With an innovative theoretical approach, this reissue will be of particular value to those interested in the social, psychological and cultural forces that have gone into the historical shaping of men and masculinities.

London, 1820 The mission did not go quite as Robert Ware--known in society as the new Earl of Kirkland--planned. A spy in the service of His Majesty, Robert is a "guest" at a masquerade party as he retrieves vital information for a murder investigation. Until he's quite unexpectedly interrupted by an exquisite, masked woman with glittering green eyes. And a pistol she has cocked and aimed right at him... Lady Sophia Merrill has defiantly taken up justice's shining sword, determined to expose the brigand who murdered her eccentric but brilliant father, and stole his latest invention. Now she must masquerade as Robert's betrothed in order to infiltrate the Inventor's Society and find the killer. But the undeniable potent attraction between them not only imperils the investigation, but Sophia's reputation... and both of their lives.

Over the sixty years of his existence, Batman has encountered an impressive array of cultural icons and has gradually become one himself. This acclaimed book examines what Batman means and has meant to the various audiences, groups and communities who have tried to control and interpret him over the decades. Brooker reveals the struggles over Batman's meaning by shining a light on the cultural issues of the day that impacted on the development of the character. They include: patriotic propaganda of the Second World War; the accusation that Batman was corrupting the youth of America by appearing to promote a homosexual lifestyle to the fans of his comics; Batman becoming a camp, pop culture icon through the ABC TV series of the sixties; fans' interpretation of Batman in response to the comics and the Warner Bros. franchise of films.

From the silent-film era to the blockbusters of today, Horror Unmasked is a fun-filled, highly illustrated dive into the past influences and present popularity of the horror film genre. The horror film’s pop-culture importance is undeniable, from its early influences to today’s most significant and exciting developments in the genre. Since 1990, the production of horror films has risen exponentially worldwide, and in 2021, horror films earned an estimated $580 million in ticket sales, not to mention how the genre has expanded into books, fashion, music, and other media throughout the world. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. This comprehensive guide features: A thorough discussion on monster movies and B-movies (The Thing; It Came from Outer Space; The Blob) The destruction of the American censorship system (Blood Feast; The Night of the Living Dead; The Texas Chainsaw Massacre) International horror, zombies, horror comedies, and horror in the new millennium (Matango; Suspiria; Ghostbusters) A dissection of the critical reception of modern horror (Neon Demon; Pan’s Labyrinth; Funny Games) Stunning movie posters and film stills, plus fan-made tributes to some of the most lauded horror franchises in the world (Aliens; the Evil Dead; The Hills Have Eyes; Scream) A perfect reference and informational book for horror fans and those interested in its cultural influence worldwide, Horror Unmasked provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.