Unreal Beliefs

Krzysztof Poslajko offers a novel version of an anti-realist view about beliefs, rejecting the extreme proposal of eliminativism that beliefs do not exist. He shows us we should rather say that beliefs exist, but they are not real. Poslajko demonstrates how we might make sense of this idea by providing a unified account of the debates in philosophical psychology. The antirealist view interprets beliefs as being causally irrelevant, that they do not constitute a natural kind, and that their content cannot be naturalized. Exploring the status of folk psychology, Poslajko raises key questions in the analytic metaphysics of mind: Are beliefs real? Do people really possess mental states which are causally efficacious bearers of propositional content? By arguing for the antirealist view and revising our common-sense view about the nature of mind, he makes a compelling case for adopting a pragmatic metaphilosophy when we deal with questions about belief.

In this book, Nathan Miczo demonstrates that humor operates at different levels of identity, exploring how within- and between-group dynamics shape the creation and reception of disparagement humor. While positive forms of humor arise in interpersonal settings, negative forms reflect the activation of group-based, communal identities. Building on this dual sociality view, Miczo critiques the superiority theory of disparagement humor, rooted in Hobbes’s definition of laughter, and tied to his notion of a “war of all against all.” Miczo employs the agōn (Greek for contest) to replace the Hobbesian metaphor with a view that groups use disparagement humor to pursue rival goals. This perspective forwards the multifunctional utility of humor in social life, analyzing examples of naturally occurring interaction drawn from studies in Communication, Psychology, and Anthropology. Scholars of humor studies, communication, and anthropology, will find this book of particular interest.

THE STORY OF JESUS: AN INTUITIVE ANTHOLOGY Many contemporary Christians suspect that there is more to Jesus and his enduring message than the little that has survived in historical writings and the legendary Christian tradition. This book offers a narrative account of Jesus' life from the perspective of twenty contemporary writers who have developed their natural intuitive abilities to an unusually high level. They are therefore able to bring forth new and detailed information not ordinarily accessible by historical or literary means. Some of them had demonstrated their unusual skill by probing deeply into the personal lives and minds of historical individuals other than Jesus, while some had provided important and detailed technical information which was then verified scientifically. They apply their intuitive skills here to uncover fresh information about the man Jesus, his contemporaries and his extensive teachings which never found their way into the New Testament Gospels and related historical documents. These new findings offer a much richer view of the man himself than that available from traditional Christian sources. They also provide illuminating insights and a deep spiritual understanding of Jesus' original and hidden teachings. The Story of Jesus is essential reading for all inquirers and seekers into these hidden and previously lost portions of Christian spiritual history.

Contemporary analytic philosophy can generally be characterized by the following tendencies: commitment to first-order predicate logic as the only viable formal logic; rejection of correspondence theories of truth; a view of existence as something expressed by the existential quantifier; a metaphysics that doesn’t give the world as a whole its due. This book seeks to offer an alternative analytic theory, one that provides a unified account of what there is, how we speak about it, the underlying logic of our language, how the truth of what we say is determined, and the central role of the real world in all of this. The result is a robust account of reality. The inspiration for many of the ideas that constitute this overall theory comes from such sources as Aristotle, Leibniz, Ryle, and Sommers.

Most of the essays that follow have originally appeared in philosophical journals, Indian and Western. They are reprinted here with the hope that in spite of the wide variety of topics with which they deal there is nevertheless a certain unity of treatment. A few major ideas and distinctions run through all the essays: I need not further single them out here. For permission to reprint, I have to thank the editors of the journals and books in which the essays originally appeared. My former pupil Miss Manjusree Ray has been kind enough to help me in preparing the book for the press. J. N. MOHANTY May, I968, Calcutta CONTENTS Preface v Part One I. Modes of Givenness 3 II. The Given 12 III. Thought and Action 22 IV. Meaning and Truth-I 0 3 V. Meaning and Truth-II 50 VI. Language and Reality 60 VII. On Reference 2 7 VIII. Remarks on the Content Theory 84 IX. Phenomenology and Ontology 2 9 Part Two X. A Note on Modern Nominalism I07 XI. A recent Criticism of the Foundations of Nicolai Hartmann's Ontology II5 XII. Remarks on Nicolai Hartmann's Modal Doctrine 129 XIII. The 'Object' in Edmund Husserl's Phenomenology 138 XIV. Individual Fact and Essence in Edmund Husserl's Philosophy 152 XV. Gilbert Ryle's Criticisms of the Concept of Conscio- ness 163 XVI. On G. E. Moore's Defence of Common sense 170 Part Three XVII.

Award for the Best First Book in the History of Religions from the American Academy of Religion Feminist theory and postcolonial theory share an interest in developing theoretical frameworks for describing and evaluating subjectivity comparatively, especially with regard to non-autonomous models of agency. As a historian of religions, Mary Keller uses the figure of the "possessed woman" to analyze a subject that is spoken-through rather than speaking and whose will is the will of the ancestor, deity or spirit that wields her to engage the question of agency in a culturally and historically comparative study that recognizes the prominent role possessed women play in their respective traditions. Drawing from the fields of anthropology and comparative psychology, Keller brings the figure of the possessed woman into the heart of contemporary argument as an exemplary model that challenges many Western and feminist assumptions regarding agency. Proposing a new theoretical framework that re-orients scholarship, Keller argues that the subject who is wielded or played, the hammer or the flute, exercises a paradoxical authority—"instrumental agency"—born of their radical receptivity: their power derives from the communities' assessment that they no longer exist as autonomous agents. For Keller, the possessed woman is at once "hammer" and "flute," paradoxically powerful because she has become an instrument of the overpowering will of an ancestor, deity, or spirit. Keller applies the concept of instrumental agency to case studies, providing a new interpretation of each. She begins with contemporary possessions in Malaysia, where women in manufacturing plants were seized by spirits seeking to resacralize the territory. She next looks to wartime Zimbabwe, where female spirit mediums, the Nehanda mhondoro, declared the ancestors' will to fight against colonialism. Finally she provides an imaginative rereading of the performative power of possession by interpreting two plays, Euripides' Bacchae and S. Y. Ansky's The Dybbuk, which feature possessed women as central characters. This book can serve as an excellent introduction to postcolonial and feminist theory for graduate students, while grounding its theory in the analysis of regionally and historically specific moments of time that will be of interest to specialists. It also provides an argument for the evaluation of religious lives and their struggles for meaning and power in the contemporary landscape of critical theory.

A century and a half after the publication of Origin of Species, evolutionary thinking has expanded beyond the field of biology to include virtually all human-related subjects—anthropology, archeology, psychology, economics, religion, morality, politics, culture, and art. Now a distinguished scholar offers the first comprehensive account of the evolutionary origins of art and storytelling. Brian Boyd explains why we tell stories, how our minds are shaped to understand them, and what difference an evolutionary understanding of human nature makes to stories we love. Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives from play, itself an adaptation widespread among more intelligent animals. More particularly, our fondness for storytelling has sharpened social cognition, encouraged cooperation, and fostered creativity. After considering art as adaptation, Boyd examines Homer’s Odyssey and Dr. Seuss’s Horton Hears a Who! demonstrating how an evolutionary lens can offer new understanding and appreciation of specific works. What triggers our emotional engagement with these works? What patterns facilitate our responses? The need to hold an audience’s attention, Boyd underscores, is the fundamental problem facing all storytellers. Enduring artists arrive at solutions that appeal to cognitive universals: an insight out of step with contemporary criticism, which obscures both the individual and universal. Published for the bicentenary of Darwin’s birth and the 150th anniversary of the publication of Origin of Species, Boyd’s study embraces a Darwinian view of human nature and art, and offers a credo for a new humanism.