Unruly Angels

The courtroom is the stage for Unruly Angels, Diane Buchanan's new book of poetry, but this courtroom is unlike any other. Here applause is encouraged and both tears and laughter can spontaneously erupt. Here the audience consists of prisoners, nursing babies, mothers, fathers, sons, and daughters, as well as the usual legal and security staff, student nurses and the occasional observer. Here the actors are people afflicted with drug addictions. This book opens the curtains on Drug Treatment Courts, a court specifically designed to supervise cases of drug-dependent offenders who have agreed to accept treatment for substance abuse. It seems an unusual place for a poet and, perhaps for some, addicts and drug addiction are distasteful subjects for poetry. But Diane Buchanan believes that this is what Carolyn Forché calls a poetry of witness that is neither personal nor political but somewhere in between, in a space Forché describes as a place of resistance and struggle ... By situating poetry in this social space we can avoid some of our residual prejudices ... Unruly Angels begins with a warning: This poem is a roiling sea of drug-soaked decay, a Tarot card warning, a tsunami presage, and ends with a promise: Hang in there. It's worth it. In between are soliloquies, sonnets, incarcerations, graduations, conditions, confessions and a whole alphabet of courage. Poet Mary Oliver writes: There are in this world a lot of devils with wondrous smiles. Also many unruly angels. In this brave and insightful poetry collection we are taken behind the scenes with the Drug Court team to find that, often, beneath that addict's mask is a terrified angel.

From the dawn of man we have all wondered: Who's out there? From the inception of life human's have known nothing but Gods and angels that hold the very secrets of life and death. Since ancient times, these awe-inspiring luminous beings have captivated every population on the surface of this planet. Now for the first time, join author John Chitty as he journeys through an extraordinary odyssey of entangled science and religion where extraterrestrial's and angels become one and the same. Discover the remarkable connection between the centuries-old UFO phenomenon and angelic beings. After thirteen years of intensive research, this book is one of the most extensive literary works exposing startling new information about UFOs and Biblical scripture ever compiled. For the first time in the annals of mankind, the miracles of scripture and future of the human race is revealed. This controversial yet provocative revelation will leave you utterly frightened at the alien implications that may be residing right under our very noses. If you are intrigued by innovative concepts, prepare yourself for an exciting yet shocking chronicle exposing the extraterrestrial pieces of The Broken Bible.

It is truly amazing that the fate of mankind has been shaped by a covenant with the Holy God which had no get-out clause and no chance of succeeding. But, for those who seek the Lord God in earnest, in Jesus Christ the eternal truth dwells. When they seek, they shall find and upon finding, they will be disturbed, and being disturbed, they will be bewildered. This is a story like no other stories.

Gerald Borchert provides a unique survey of the New Testament by centering on its understanding, teaching, language, and reflections of worship. He seeks to show how worship language and action lie behind much of the New Testament and how the modern church can gain a new power in worship through renewed reflection on the New Testament. Borchert first looks at the larger New Testament unit-gospels, Pauline letters, pastorals, etc. Then he takes each book in the section, passage by passage, and shows how worship constantly enters into the author's style and purpose in bringing that author's unique meaning to the individual context. He concludes each section with a terse Worship Summary of the biblical book and with questions for the reader to contemplate. Thus Borchert invites the reader to enter into the worship discussion and find ways to give depth, meaning, and hope to personal and congregational worship. At each step, Borchert underlines the deep connection between worship and life.

This book spans six years, from 2002 to 2008, and contains 119 poems, including four which were previously published in contest anthologies.

Widely regarded as the "rock star" of American poetry, Mary Oliver is a writer whose words have long had the power to move countless readers. Regularly topping the national poetry best-seller list and drawing thousands to her sold-out readings across the coutnry, Oliver is unparalleled in her impact. As noted in the Los Angeles Times, so many "go to her for solace, regeneration and inspiration" that it is not surprising Vice President Joe Biden chose to read one of her poems during the 9/11 remembrance at Ground Zero. Few poets express the complexities of human experience as skillfully as Mary Oliver. This volume, Oliver's twenty-first book of poetry, contains all new poems on her classic themes. Here, readers will find the deep spiritual sustenance that imbues her writing on nature, love, mortality, and grief. As always, Oliver is an accomplished guide to the rarest and most exquisite insights of the natural world. Ranking "among the finest poets the English language has ever produced," according to the Weekly Standard, Oliver offers us lyrics of great depth and beauty that continue her lifelong work of loving the world.

There are moments in time that cause us to stop and take notice of where we were and what we were doing when they happen in order to commit the experience to memory—how it made us feel, who was there with us, why it felt important. January 30, 1969 was one of those moments. There are those who were on the periphery of the event that day and heard what was going on; but as one of the few remaining insiders who accompanied the Beatles up onto the cold windswept roof of the Apple building, Ken Mansfield had a front row seat to the full sensory experience of the moment and witnessed what turned out to be beginning of the end. Ken shares in The Roof: The Beatles Final Concert, the sense that something special was taking place before his eyes that would live on forever in the hearts and souls of millions. As the US manager of Apple, Ken Mansfield, was on the scene in the days, weeks, and months leading up to this monumental event. He shares his insights into the factors that brought them up onto that roof and why one of the greatest bands of all time left it all on that stage. Join Ken as he reflects on the relationships he built with the Fab Four and the Apple corps and what each player meant to this symphony of music history.

Examining materials from early modern and contemporary North India and Pakistan, Tellings and Texts brings together seventeen first-rate papers on the relations between written and oral texts, their performance, and the musical traditions these performances have entailed. The contributions from some of the best scholars in the field cover a wide range of literary genres and social and cultural contexts across the region. The texts and practices are contextualized in relation to the broader social and political background in which they emerged, showing how religious affiliations, caste dynamics and political concerns played a role in shaping social identities as well as aesthetic sensibilities. By doing so this book sheds light into theoretical issues of more general significance, such as textual versus oral norms; the features of oral performance and improvisation; the role of the text in performance; the aesthetics and social dimension of performance; the significance of space in performance history and important considerations on repertoires of story-telling. The book also contains links to audio files of some of the works discussed in the text. Tellings and Texts is essential reading for anyone with an interest in South Asian culture and, more generally, in the theory and practice of oral literature, performance and story-telling.