Unsettling Exiles

The conventional story of Hong Kong celebrates the people who fled the mainland in the wake of the establishment of the People’s Republic of China in 1949. In this telling, migrants thrived under British colonial rule, transforming Hong Kong into a cosmopolitan city and an industrial and financial hub. Unsettling Exiles recasts identity formation in Hong Kong, demonstrating that the complexities of crossing borders shaped the city’s uneasy place in the Sinophone world. Angelina Y. Chin foregrounds the experiences of the many people who passed through Hong Kong without settling down or finding a sense of belonging, including refugees, deportees, “undesirable” residents, and members of sea communities. She emphasizes that flows of people did not stop at Hong Kong’s borders but also bled into neighboring territories such as Taiwan and Macau. Chin develops the concept of the “Southern Periphery”—the region along the southern frontier of the PRC, outside its administrative control yet closely tied to its political space. Both the PRC and governments in the Southern Periphery implemented strict migration and deportation policies in pursuit of border control, with profound consequences for people in transit. Chin argues that Hong Kong identity emerged from the collective trauma of exile and dislocation, as well as a sense of being on the margins of both the Communist and Nationalist Chinese regimes during the Cold War. Drawing on wide-ranging research, Unsettling Exiles sheds new light on Hong Kong’s ambivalent relationship to the mainland, its role in the global Cold War, and the origins of today’s political currents.

Unsettling the World is the first book-length treatment of Edward Said’s influential cultural criticism from the perspective of a political theorist. Arguing that the generative power of Said’s thought extends well beyond Orientalism, the book explores Said’s writings on the experience of exile, the practice of “contrapuntal” criticism, and the illuminating potential of worldly humanism. Said’s critical vision, Morefield argues, provides a fresh perspective on debates in political theory about subjectivity, global justice, identity, and the history of political thought. Most importantly, she maintains, Said’s approach offers theorists a model of how to bring the insights developed through historical analyses of imperialism and anti-colonialism to bear on critiques of contemporary global crises and the politics of American foreign policy.

From Kehinde Wiley to W.E.B. Du Bois, from Nubia to Cuba, Willie Doherty's terror in ancient landscapes to the violence of institutional Neo-Gothic, Reagan's AIDS policies to Beowulf fanfiction, this richly diverse volume brings together art historians and literature scholars to articulate a more inclusive, intersectional medieval studies. It will be of interest to students working on the diaspora and migration, white settler colonialism and pogroms, Indigenous studies and decolonial methodology, slavery, genocide, and culturecide. The authors confront the often disturbing legacies of medieval studies and its current failures to own up to those, and also analyze fascist, nationalist, colonialist, anti-Semitic, and other ideologies to which the medieval has been and is yoked, collectively formulating concrete ethical choices and aims for future research and teaching.In the face of rising global fascism and related ideological mobilizations, contemporary and past, and of cultural heritage and history as weapons of symbolic and physical oppression, this volume's chapters on Byzantium, Medieval Nubia, Old English, Hebrew, Old French, Occitan, and American and European medievalisms examine how educational institutions, museums, universities, and individuals are shaped by ethics and various ideologies in research, collecting, and teaching.

The poems of MY LITTLE BOOK OF EXILES sift through layers of diaspora and return, wrestling with the twin experiences of exile and separation. The diasporas of the collection take place in history, family, and the privacy of a mind as it navigates its daily work. In a set of "Labor Poems," Alter captures moments of working in the snow of Wisconsin, under floodlights on the Kenai bay of Alaska, or in the machine-roar of construction sites in the Bay Area, where he has worked for two decades as an electrician. Another set of poems confront the vision of the Jewish people's homecoming to their ancestral land. A philosopher of the "religion of labor;" and an assassinated Prime Minister are some of the figures which weave in with intimate histories of heartbreak and hope. Coming from a home where the Hebrew Bible was a book of bedtime stories, Alter's work is in conversation with texts as varied as the Hebrew Psalms, the poetry of John Keats and Ezra Pound and the songs of Bob Dylan and Bob Marley. The collection concludes with poems exploring the homeland of family made through marriage and fatherhood, the strains and moments of grace that come with them. What can withstand the pressures of distance, the forces from outside and inside that want to pull us apart? The book's strands weave a tapestry of hope even as the poems seek to discover finally what lasts. "'Could I have come from nowhere,' asks this poet, who searches his irretrievable past and mysterious present for meaning. Through gorgeous, ambitious, impeccable lyrics, provisionally and with a deep reverence for mysteries, he finds it again and again. This smart, funny, sad, kind book is an act of salvage, and solidarity, a pleasure to read, a wonderful achievement and a gift to us all."--Matthew Zapruder "In MY LITTLE BOOK OF EXILES, Dan Alter 'gathers all the departure in his arms,' and keeps 'peeling layers off the future of his skin.' This debut collection sings in the form of sonnets, the 'cant i,' free verse, and prose. Syntax enacts a search and return, performs in arrangement and rearrangement the compositions that scored the poet's life. The close attention paid to prosody creates a soundtrack that connects personal and communal narratives of the Jewish Diaspora, recounts travels across Europe and Israel, through familial stories that reflect on labor, the music of Bob Marley and Paul Simon, forefathers and fatherhood. MY LITTLE BOOK OF EXILES will make you wonder where you are going, where you've been, and from where have you come--and is it possible to go back again."--Arisa White "Dan Alter's marvelous collection, EXILES, is a book about origins and ends, origins that recede as we approach them, and ends projected into a future out of the deprivations of the present. In this heart wrenching lover's quarrel with personal and public legacies, Alter's great achievement is his openness to complication and ambivalence, (see his politically fraught homage to Ezra Pound), his willingness to admit emotional attachment to what he often intellectually distrusts, and the way the agitated music of his lines enact a sense of the present moment as an unsettled and unsettling effect of an even more unsettled past."--Alan R Shapiro Poetry. California Studies.

Offering the first interdisciplinary study of refugees in the Caribbean, Central America, and the United States, Asylum Speakers relates current theoretical debates about hospitality and cosmopolitanism to the actual conditions of refugees. In doing so, the author weighs the questions of "truth value" associated with various modes of witnessing to explore the function of testimonial discourse in constructing refugee subjectivity in New World cultural and political formations. By examining literary works by such writers as Edwidge Danticat, Nik l Payen, Kamau Brathwaite, Francisco Goldman, Julia Alvarez, Ivonne Lamazares, and Cecilia Rodr guez Milan s, theoretical work by Jacques Derrida, Edouard Glissant, and Wilson Harris, as well as human rights documents, government documents, photography, and historical studies, Asylum Speakers constructs a complex picture of New World refugees that expands current discussions of diaspora and migration, demonstrating that the peripheral nature of refugee testimonial narratives requires us to reshape the boundaries of U.S. ethnic and postcolonial studies.

The migration of American artists and intellectuals to Europe in the early twentieth century has been amply documented and studied, but few scholars have examined the aftermath of their return home. Writing Back focuses on the memoirs of modernist writers and intellectuals who struggled with their return to America after years of living abroad. Susan Winnett establishes repatriation as related to but significantly different from travel and exile. She engages in close readings of several writers-in-exile, including Henry James, Harold Stearns, Malcolm Cowley, and Gertrude Stein. Writing Back examines how repatriation unsettles the self-construction of the "returning absentee" by challenging the fictions of national and cultural identity with which the writer has experimented during the time abroad. As both Americans and expatriates, these writers gained a unique perspective on American culture, particularly in terms of gender roles, national identity, artistic self-conception, mobility, and global culture. -- Joseph A. Boone, University of Southern California

Muslim Arab Sudanese in Cairo have played a fundamental role in Egyptian history and society during many centuries of close relations between Egypt and Sudan. Although the government and official press describes them as "brothers" in a united Nile Valley, recent political developments in Egypt have underscored the precarious legal status of Sudanese in Cairo. Neither citizens nor foreigners, they are in an uncertain position, created in part through an unusual ethnic discourse which does not draw principally on obvious characteristics of difference. This rich ethnographic study shows instead that Sudanese ethnic identity is created from deeply held social values, especially those concerning gender and propriety, shared by Sudanese and Egyptian communities. The resulting ethnic identity is ambiguous and flexible, allowing Sudanese to voice their frustrations and make claims for their own uniqueness while acknowledging the identity that they share with the dominant Egyptian community.

This book examines a range of royalist women’s cultural responses to war, dislocation, diaspora and exile through a rich variety of media across multiple geographies of the archipelago of the British Isles and as far as The Hague and Antwerp on the Continent, thereby uniquely documenting comparative links between women’s cultural production, types of exile and political allegiance. Offering the first full length study to therorize the royalist condition as one of diaspora, it chronologically charts a series of ruptures beginning with initial displacement and dispersal due to civil war in the early 1640s and concludes with examination of the homecoming for royalist exiles after the restoration in 1660. As it retrieves its subjects’ varied experiences of exile, and documents how these politically conscious women produce contrasting yet continuous forms of cultural, personal and political identities, it challenges conventional paradigms which all too neatly categorize royalism and exile during this seminal period in British and European history.