Unsettling The West

In Revolutionary America, colonists surged across the Appalachians, Indians fought to preserve their land, and a bloodbath ensued—but why? Breaking with previous interpretations, Unsettling the West tells the story of a frontier where government initiatives, rather than pioneer independence, drove violence and colonization.

By the end of 1849, an estimated thirty-nine thousand gold-seekers had arrived in San Francisco by sea, and some thirty thousand others had crossed the continent on land. Another eighty-six thousand would arrive in 1850. According to the census for that year. there were twelve men for every woman in California. But who would want them? The words "gold rush" generate at best an image of raucous, all-male camaraderie, at worst a storm of lawless and irredeemable violence. Eliza Wood Burhans Farnham, a young widow who had already generated considerable attention for herself as the matron of Sing Sing prison, had a vision for California. "Woman, with all her kindly cares and powers, so peculiarly conservative to man under such circumstances," would bring a civilizing influence to the state. Farnham's vision went beyond gentility however, to a society in which individuals -- male or female -- could fulfill their potential, and virtues championed by free-thinking New England philosophers would reign supreme. The realities of everyday life in gold-rush California were daunting, but when Farnham's friend Georgiana Bruce (later Kirby) joined her the following year, hope returned in full measure: "She fills up a great place in my dark world and comes to me like a pleasant breeze or a bright sun after one of our long rains. We are going to be very independent and free...dashing about at our discretion." The stories of these "sisters on the way to the vast Beyond," as Farnham called them, could not be told separately. With insight, wit, and telling detail, JoAnn Levy relates the scope and outcome of their quest for human perfectibility in this account of two remarkable and redoubtable women in frontier California. Book jacket.

In 2008 the Canadian government apologized to the victims of the notorious Indian residential school system, and established a Truth and Reconciliation Commission whose goal was to mend the deep rifts between Aboriginal peoples and the settler society that engineered the system. Unsettling the Settler Within argues that in order to truly participate in the transformative possibilities of reconciliation, non-Aboriginal Canadians must undergo their own process of decolonization. They must relinquish the persistent myth of themselves as peacemakers and acknowledge the destructive legacy of a society that has stubbornly ignored and devalued Indigenous experience. Today’s truth and reconciliation processes must make space for an Indigenous historical counter-narrative in order to avoid perpetuating a colonial relationship between Aboriginal and settler peoples. A compassionate call to action, this powerful book offers all Canadians – both Indigenous and not – a new way of approaching the critical task of healing the wounds left by the residential school system.

The test of western literature has invariably been Is it real? Is it accurate? Authentic? The result is a standard anything but literary, as Nathaniel Lewis observes in this ambitious work, a wholesale rethinking of the critical terms and contexts?and thus of the very nature?of western writing. ø Why is western writing virtually missing from the American literary canon but a frequent success in the marketplace? The skewed status of western literature, Lewis contends, can be directly attributed to the strategies of the region?s writers, and these strategies depend consistently on the claim of authenticity. A perusal of western American authorship reveals how these writers effectively present themselves as accurate and reliable recorders of real places, histories, and cultures?but not as stylists or inventors. The imaginative qualities of this literature are thus obscured in the name of authentic reproduction. Through a study of a set of western authors and their relationships to literary and cultural history, Lewis offers a reconsideration of the deceptive and often undervalued history of western American literature. ø With unequivocal admiration for the literature under scrutiny, Lewis exposes the potential for startling new readings once western writing is freed from its insistence on a questionable authenticity. His book sets out a broader system of inquiry that points writers and critics of western literature in the direction of a new and truly sustaining literary tradition.

Roewan Crowe's compelling and haunting literary debut, Quivering Land, is a rather queer Western, engaging with poetics and politics to reckon with the legacies of violence and colonization in the West. Written in a sparse style, this lonely, sometimes brutal book invites the reader on a powerful journey with Clem, Violet, and a dead girl in a red dress. Clem, a lone cowboy, caught in the inevitable violence of the Western, compulsively rides through ghost towns and Monument Valley. Violet is an artist who pulls dead bodies, guns, and memory into her studio, immersing herself in a creative process, seeking to understand the relationships among aggression, vulnerability and the imagination. Disrupting the story are the ghostly visitations of a dead child who travels the western landscape unsettling romanticized, filmic images of Monument Valley. Interspersed in the text are fragile, beautiful images painstakingly cut from paper, created by artist Paul Robles. This experimental long poem, a gritty feminist meditation on trauma, violence and the possibilities of art, is as powerful as a Smith and Wesson Schofield rifle.

In arresting, but harrowing, prose, James Daschuk examines the roles that Old World diseases, climate, and, most disturbingly, Canadian politics--the politics of ethnocide--played in the deaths and subjugation of thousands of aboriginal people in the realization of Sir John A. Macdonald's "National Dream." It was a dream that came at great expense: the present disparity in health and economic well-being between First Nations and non-Native populations, and the lingering racism and misunderstanding that permeates the national consciousness to this day. " Clearing the Plains is a tour de force that dismantles and destroys the view that Canada has a special claim to humanity in its treatment of indigenous peoples. Daschuk shows how infectious disease and state-supported starvation combined to create a creeping, relentless catastrophe that persists to the present day. The prose is gripping, the analysis is incisive, and the narrative is so chilling that it leaves its reader stunned and disturbed. For days after reading it, I was unable to shake a profound sense of sorrow. This is fearless, evidence-driven history at its finest." -Elizabeth A. Fenn, author of Pox Americana "Required reading for all Canadians." -Candace Savage, author of A Geography of Blood "Clearly written, deeply researched, and properly contextualized history...Essential reading for everyone interested in the history of indigenous North America." -J.R. McNeill, author of Mosquito Empires

The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.

An acclaimed historian examines postwar migration's fundamental role in shaping modern Europe Migration is perhaps the most pressing issue of our time, and it has completely decentered European politics in recent years. But as we consider the current refugee crisis, acclaimed historian Peter Gatrell reminds us that the history of Europe has always been one of people on the move. The end of World War II left Europe in a state of confusion with many Europeans virtually stateless. Later, as former colonial states gained national independence, colonists and their supporters migrated to often-unwelcoming metropoles. The collapse of communism in 1989 marked another fundamental turning point. Gatrell places migration at the center of post-war European history, and the aspirations of migrants themselves at the center of the story of migration. This is an urgent history that will reshape our understanding of modern Europe.