Unspeakable Acts

A brilliant anthology of modern true-crime writing that illustrates the appeal of this powerful and popular genre, edited and curated by Sarah Weinman, the award-winning author of The Real Lolita The appeal of true-crime stories has never been higher. With podcasts like My Favorite Murder and In the Dark, bestsellers like I’ll Be Gone in the Dark and Furious Hours, and TV hits like American Crime Story and Wild Wild Country, the cultural appetite for stories of real people doing terrible things is insatiable. Acclaimed author ofThe Real Lolitaand editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today. Michelle Dean’s “Dee Dee Wanted Her Daughter To Be Sick” went viral when it first published and is the basis for the TV showThe Act and Pamela Colloff’s “The Reckoning,” is the gold standard for forensic journalism. There are 13 pieces in all and as a collection, they showcase writing about true crime across the broadest possible spectrum, while also reflecting what makes crime stories so transfixing and irresistible to the modern reader.

A holistic sociological approach that explores why offenders sexually abuse children The sexual abuse of children is one of the most morally unsettling and emotionally inflammatory issues in American society today. It has been estimated that roughly one out of every four girls and one in ten boys experience some form of unwanted sexual attention either inside or outside the family before they reach adulthood. How should society deal with the sexual victimization of children? Should known offenders be released back into our communities? If so, where, and with what rights, should they be allowed to live? In Unspeakable Acts, Douglas W. Pryor argues that much of this debate, designed to deal with abusers after they have offended, ignores the important issue of why men cross these forbidden sexual boundaries to molest children in the first place and how the behavior can possibly be prevented before it starts. Incorporating in-depth interviews with more than thirty convicted child molesters, Pryor explores how men become involved with breaking sexual boundaries with children. He looks at how their lives prior to offending contributed to and led up to what they did, the ways that initial interest in sex with children began, the tactics offenders employed to molest their victims over time, how they felt about and reacted to their behavior between offending episodes, and how they were ultimately able to stop. The author expands our understanding of this often reviled, little understood group, leaving us with the uneasy conclusion that the moral wall separating us from what is defined as extreme, sick behavior is not as opaque as we would like to believe.

An examination of torture (in the name of the state) in three democracies (Israel, Northern Ireland, and the United States) by John Conroy, a Chicago journalist with a strong following among readers who know his previous book (a war diary of life in Belfast).

A groundbreaking exploration of how women artists of the 1970s combined art and protest to make sexual violence visible, creating a new kind of art in the process. The 1970s was a time of deep division and newfound freedoms. Galvanized by The Second Sex and The Feminine Mystique, the civil rights movement and the March on Washington, a new generation put their bodies on the line to protest injustice. Still, even in the heart of certain resistance movements, sexual violence against women had reached epidemic levels. Initially, it went largely unacknowledged. But some bold women artists and activists, including Yoko Ono, Ana Mendieta, Marina Abramovic´, Adrian Piper, Suzanne Lacy, Nancy Spero, and Jenny Holzer, fired up by women’s experiences and the climate of revolution, started a conversation about sexual violence that continues today. Some worked unannounced and unheralded, using the street as their theater. Others managed to draw support from the highest levels of municipal power. Along the way, they changed the course of art, pioneering a form that came to be called simply, performance. Award-winning author Nancy Princenthal takes on these enduring issues and weaves together a new history of performance, challenging us to reexamine the relationship between art and activism, and how we can apply the lessons of that turbulent era to today.

A real-life story of homicide, incest, and abuse. Joined by journalist Morris, Waters goes on a search to discover the truth about his horrible childhood and to establish a sense of identity removed from the cycle of child abuse, performed both by his father and foster parent. 25 photos.

Terayama Sh? ji (1935-1983) was one of postwar Japan's most gifted and controversial playwrights/directors. Since his death more than twenty years ago, he has been transformed into a cult hero in Japan Despite this notoriety, Unspeakable Acts is the first book in any language to analyze the theater of Terayama in depth. It interrogates postwar Japanese culture and theater through the creative work of this unique yet emblematic artist. By situating Terayama in his historical milieu and by using tools derived from Japanese and Western theories of psychoanalysis, anthropology, sociology, gender, studies, and aesthetics, Carol Fisher Sorgenfrei has woven a sophisticated and provocative study.

**Selected for BBC 2 Between the Covers Book Club 2023** 'Tense. Moving. Morally complex. Zina Pavlou is wholly unforgettable.' RACHEL RHYS 'Impressive... worthy of Sarah Waters' THE TIMES THEY HAVE TOLD SO MANY LIES ABOUT ME. London, 1954. Zina Pavlou, a Cypriot grandmother, waits quietly in the custody of the Metropolitan police. She can't speak their language, but she understands what their wary looks mean: she has been accused of the brutal murder of her daughter-in-law. Eva Georgiou, Greek interpreter for the Met, knows how it feels to be voiceless as an immigrant woman. While she works as Zina's translator, her obsession with the case deepens, and so too does her bond with the accused murderer. Zina can't speak for herself. She can't clear her own name. All she can do is wait for the world to decide... IS SHE A VICTIM? OR IS SHE A KILLER? A compelling historical crime novel set in the Greek diaspora of 1950s London – that's inspired by a true story – The Unspeakable Acts of Zina Pavlou is perfect for fans of Erin Kelly, Sara Collins, and Jessie Burton. 'Eleni Kyriacou has drawn such a rich cast in this enthralling and wholly original novel. Utterly compelling.' CLARE MACKINTOSH 'Hugely powerful... Easily one of the best books you'll read this year' EMMA CHRISTIE 'A brilliantly crafted story of two women... and an absolute page-turner' LOUISE HARE 'Immersive, gripping, authentic' ERIN KELLY 'Chilling, gripping' NIKKI SMITH 'A tragic and compelling tale' GUARDIAN 'Zina and Eva will stay with me a long, long time' LOUISE FEIN 'Prepare to become obsessed with Zina Pavlou!' LOUISE MUMFORD