Unsun

In his fifth poetry volume, American poet Andrew Zawacki expands his inquiry into the possibilities and dangers of a ‘global pastoral,’ exploring geographies alternately enhanced and flattened out by digital networks, international transit, the uneven and invisible movements of capital, and the unrelenting feedback loops of data surveillance, weather disaster, war. Wheeling interference patterns of systems of meaning, from radio signals and runway signage to foreign phrases and babytalk, interact with the ‘langscape’ of English, while punctuation is retrofitted as coding. In creating a politically committed lyric form that opens all the dimensions of language – sonic and semantic, syntactic and graphic – Unsun sustains an oblique conversation with Paul Celan’s Fadensonnen, Chris Marker’s Sans soleil, and Michael Palmer’s Sun. Loosely structured by the settings of analog photography, the book features a suite of the author’s black-and-white, large format images alongside an adaptation of Tang Dynasty poet Wang Wei and a series of fractured sonnets for – and from – his young daughter.

The secret sleeps in darkness deep, where worthless and majestic meet and cowards come to guard their keep. Found among ashes and charred historical artifacts, The Legend of Demnog follows four strangers Cleatis and Sesstis Pumpernickle, Gottlieb of Shifting Corners, and Unsun Uvskapple as they search for the Legend of Demnog, an ancient treasure and suit of armor greedily sought after by the two opposing governments of the lands of Demnog and Wooernog. In this tale of mysteries and dark secrets, four strangers soon discover that their paths are about to lead them to discoveries they never could have imagined. Through personal recounts of their fragmented pasts and dialogues with moot guides, each of these four strangers unknowingly finds himself simultaneously living out two contrasting lives, one of which evades everyone but you, the reader.

Professor Krom's Nagara-Kert:a.gam.a edilllion of 1919 contained several lists and indexes to show the way through the maze of unfamiliar names of persons and places mentioned in the text. In con cordance with the broadened scope of the present book the old lists have been brought up to date and some new ones have been added. It i•s hoped that they will prove to be of some use to readers who, though not being expert in rebus Jooanicis, still would take cognizance of history and development of culture in one of the most interesting islands of ·the Indian Archipelago. The alphalbetical index of subjects treated in volumes II and IV of the present book is specially recom mended to their attention. The Javanese glossary is to and general index which aJn addition the present book not found in previous edition:s, covers in the first place aU Nagara-Kertagama words and names wha:tsoever, and further many words and n:ames of other texts. In combination with the English a!lphalbetical index of subjects the Javanese glossary is to be used as a general index of contents of volwnes I-V and, up to a certain point, as a substitute for the encyclopaedia of things Javanese that is lacking.

NEW YORK TIMES BESTSELLER • “Endlessly inventive . . . [a] hybrid of Alice in Wonderland, The Wizard of Oz, and The Phantom Tollbooth.”—Salon What is Un Lun Dun? It is London through the looking glass, an urban Wonderland of strange delights where all the lost and broken things of London end up . . . and some of its lost and broken people, too–including Brokkenbroll, boss of the broken umbrellas; Obaday Fing, a tailor whose head is an enormous pin-cushion, and an empty milk carton called Curdle. Un Lun Dun is a place where words are alive, a jungle lurks behind the door of an ordinary house, carnivorous giraffes stalk the streets, and a dark cloud dreams of burning the world. It is a city awaiting its hero, whose coming was prophesied long ago, set down for all time in the pages of a talking book. When twelve-year-old Zanna and her friend Deeba find a secret entrance leading out of London and into this strange city, it seems that the ancient prophecy is coming true at last. But then things begin to go shockingly wrong. BONUS: This edition contains an excerpt from China Mieville’s Embassytown. Praise for Un Lun Dun “Miéville fills his enthralling fantasy with enough plot twists and wordplay for an entire trilogy, and that is a good thing. A-.”—Entertainment Weekly “For style and inventiveness, turn to Un Lun Dun, by China Miéville, who throws off more imaginative sparks per chapter than most authors can manufacture in a whole book. Mieville sits at the table with Lewis Carroll, and Deeba cavorts with another young explorer of topsy-turvy worlds.”—The Washington Post Book World “Delicious, twisty, ferocious fun . . . so crammed with inventions, delights, and unexpected turns that you will want to start reading it over again as soon as you’ve reached the end.”—Kelly Link, author of Magic for Beginners “[A] wondrous thrill ride . . . Like the best fantasy authors, [Miéville] fully realizes his imaginary city.” —The A.V. Club “Mieville's compelling heroine and her fantastical journey through the labyrinth of a strange London forms that rare book that feels instantly like a classic and yet is thoroughly modern.”—Holly Black, bestselling author of The Spiderwick Chronicles