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Despite the stodgy stereotypes, libraries and librarians themselves can be quite funny. The spectrum of library humor from sources inside and outside the profession ranges from the subtle wit of the New Yorker to the satire of Mad. This examination of American library humor over the past 200 years covers a wide range of topics and spans the continuum between light and dark, from parodies to portrayals of libraries and their staffs as objects of fear. It illuminates different types of librarians--the collector, the organization person, the keeper, the change agent--and explores stereotypes like the shushing little old lady with a bun, the male scholar-librarian, the library superhero, and the anti-stereotype of the sexy librarian. Profiles of the most prominent library humorists round out this lively study.

An elementary first course for students in mathematics and engineering Practical in approach: examples of code are provided for students to debug, and tasks – with full solutions – are provided at the end of each chapter Includes a glossary of useful terms, with each term supported by an example of the syntaxes commonly encountered

Alton Augustus Adams, Sr., was a musician, writer, hotelier, and the first black bandmaster of the United States Navy. Born in the Virgin Islands in 1889, Adams joined the U.S. military in 1917. Although naval policy at the time restricted blacks to menial jobs, Adams and his all-black ensemble provided a bridge between the local population and their all-white naval administrators. His memoirs, edited by Mark Clague, with a foreword by Samuel Floyd, Jr., reveal an inspired activist who believed music could change the world, mitigate racism, and bring prosperity to his island home.

One of the most expressive artists of the Symbolism movement, Odilon Redon (1840-1916) drew upon his own fantastic inner world to transform common subjects into strange, eerie images and to depict spiders and serpents, skeletons and skulls, gnomes and monsters, all in a distinctive style of controlled, delicate realism. Modern devotees regard Redon's translation of the subconscious into visual reality as a precursor to Surrealism and this modestly priced volume offers a rich compilation of the influential artist's graphic works. Its 209 illustrations, 172 lithographs, plus 37 etchings and engravings, offer unforgettable scenes of fantasy and mystery.

The BBC's Jazz Book of the Year for 2008. Few jazz musicians have had the lasting influence or attracted as much scholarly study as John Coltrane. Yet, despite dozens of books, hundreds of articles, and his own recorded legacy, the "facts" about Coltrane's life and work have never been definitely established. Well-known Coltrane biographer and jazz educator Lewis Porter has assembled an international team of scholars to write The John Coltrane Reference, an indispensable guide to the life and music of John Coltrane. The John Coltrane Reference features a a day-by-day chronology, which extends from 1926-1967, detailing Coltrane's early years and every live performance given by Coltrane as either a sideman or leader, and a discography offering full session information from the first year of recordings, 1946, to the last, 1967. The appendices list every film and television appearance, as well as every recorded interview. Richly illustrated with over 250 album covers and photos from the collection of Yasuhiro Fujioka, The John Coltrane Reference will find a place in every major library supporting a jazz studies program, as well as John Coltrane enthusiasts.