Upfronts Fire In The Unnameable Country

“The 1001 Nights of its time – rooms opening into rooms, stories into stories, in the same literary mansion as Calvino, Burroughs, and other metafabulist satirists: horrifying, funny, written in a language all its own.” - Margaret Atwood “Ghalib Islam has written one of the buzziest novels of the season.” - Toronto Life The universe is shaking as Hedayat, the "glossolalist" narrator of Fire in the Unnameable Country is born on a flying carpet in the skies above an obscure land whose leader has manufactured the ability to hear every unspoken utterance of the nation. He records the contents of his citizens' minds onto tape reels for archival storage. Later in Hedayat's young life, as the unnameable country collapses into disarray around him, he begins an epistle, wherein, interspersed with accounts of contemporary terrorist attacks and the outbreak of a mysterious viral epidemic, he invokes the memories of his parents, grandparents, and great-grandparents to revisit the troubled country's history and expose the roots of its crisis. Hedayat's dark world is entirely foreign but oddly familiar, echoing the banality of our daily diversions and adding a terrifying twist. The Mirror, a gruesome, never-ending reality show, turns the city of La Maga into a permanent Hollywood-style film set where people gamble body parts and live in fear of the Black Organs, the paramilitary manifestation of the eviscerators that threaten to infect the nation. Islam's vibrant, ingenious construction sends the plot twisting down rabbit holes and caterwauling through secret doorways to emerge anywhere from a domestic living room to a bomb technician's workshop to the deep recesses of the state's repressive political apparatus. An utterly remarkable debut, filled with original characters caught up in wonderfully imaginative circumstances and rendered in uniquely inventive language, Fire in the Unnameable Country is a book like no other.

Upfronts is a free, semi-annual digital publication that features selections from new and upcoming Hamish Hamilton titles. Download your copy and discover the most exciting writing Canada and the world has to offer. Volume 2, released in autumn 2013, features an exclusive preview of Ghalib Islam’s thrilling debut, Fire in the Unnameable Country, as well as excerpts from new novels by Joseph Boyden, Helen Oyeyemi, and Michael Winter.

Tracing and theorizing the concept of the boundaries through literary works, visual objects and cultural phenomena, this book argues against the reification of boundaries as fixed and empty non-spaces that simply divide the world. Expanding on her previous work on gender and Orientalism, Inge Boer takes us into uncertain territories of fashion and art, tourism and travel, skilfully engaging the ambivalence of boundaries, as both protecting and confining, as bringing distinction while existing by virtue of their ability to be transgressed. In her close readings of that boundaries as desert, as frame, as home (or lack of it), Boer shows that boundaries are spaces within, through, and in the name of which negotiations take place. They are not lines but spaces ; neither fixed nor empty but flexible and inhabited. With the publication of this book, Boer’s intellectual legacy stretches beyond her untimely passing. The writings that she left behind can be said to have inaugurated the future of her work, presented in the latter part by several of Boer’s intellectual companions. In their original essays, the contributors elaborate on Boer’s theme of boundaries as spaces where opposition yields to negotiation. Committed to the artefact as cultural stimulant, as the embodiment of thought, their analyses span a multitude of artefacts and media, ranging from literature to photography, to art installation and presentation, to film and song. Fanning out from Boer ‘s central focus – Orientalism – to other places of contestation, boundaries are shown to mediate the relationship between self and other ; they are, ultimately, spaces of encounter.

A unique analysis of strategy in organizations that shows how successful strategies may result without planning or design.

Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926.

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From Huxley's Brave New World, to Orwell's 1984, to Atwood's The Handmaid's Tale, dystopian books have always been an integral part of both science fiction and literature, and have influenced the broader culture discussion in unique and permanent ways. Brave New Worlds brings together the best dystopian fiction of the last 30 years, demonstrating the diversity that flourishes in this compelling subgenre. This landmark tome contains stories by Ursula K. Le Guin, Cory Doctorow, M. Rickert, Paolo Bacigalupi, Orson Scott Card, Neil Gaiman, Ray Bradbury, and many others.

This biography casts new light on scholarly understandings of the connections between politics, witchcraft and AIDS in South Africa.