Urban Multiculturalism And Globalization In New York City

This book focuses on American society as a transglobal nation and examines the temporal dimension of diasporic incorporation in New York City. It argues that immigrant neighborhoods are faced not only with issues of economic and political integration, but also are engaged in a sublime and relentless effort of harmonizing the cultural rhythms of their daily life with the hegenomic temporality of mainstream society. Although much energy has been spent in explaining the segregated or ghettoized space of ethnic communitiies, there is, in contrast, a dearth of data on the subalternization, genealogy, and inscription of minoritized temporalities in the structural and interactional organization of the multicultural American City. The study of Ney York City, through an analysis of diasporic temporalities in their relation to the mainstream community and the homeland, provides a productive point of view for decoding the urban multicutluralism of the metropolis. Throughout the book, it is argued that the interaction between the dominant and subaltern temporalities is wholly mediated by crisscrossing global flows that are constitutive of the local scene. In this global context, time equity has emerged as an ethnic project undertaken to undermine time subjugation that is a factor of discrimination and to bring about the advent of a temporally multiculturalized and multiculturally temporized democracy. Until the issue of equity is resolved, the democratic process will remain an unfinished project of modernity.

This book focuses on American society as a transglobal nation and examines the temporal dimension of diasporic incorporation in New York City. It argues that immigrant neighbourhoods are faced not only with issues of economic and political integration, but also are engaged in a sublime and relentless effort of harmonizing the cultural rhythms of their daily life with the hegemonic temporality of mainstream society. Although much energy has been spent in explaining the segregated or ghettoized space of ethnic communities, there is, in contrast, a dearth of data on the subalternization, genealogy, and inscription of minoritized temporalities in the structural and interactional organization of the multicultural American City.

International conference proceedings, New York University, February 2000, and Humboldt University, June-July 2000.

Covering an exhaustive range of information about the five boroughs, the first edition of The Encyclopedia of New York City was a success by every measure, earning worldwide acclaim and several awards for reference excellence, and selling out its first printing before it was officially published. But much has changed since the volume first appeared in 1995: the World Trade Center no longer dominates the skyline, a billionaire businessman has become an unlikely three-term mayor, and urban regeneration—Chelsea Piers, the High Line, DUMBO, Williamsburg, the South Bronx, the Lower East Side—has become commonplace. To reflect such innovation and change, this definitive, one-volume resource on the city has been completely revised and expanded. The revised edition includes 800 new entries that help complete the story of New York: from Air Train to E-ZPass, from September 11 to public order. The new material includes broader coverage of subject areas previously underserved as well as new maps and illustrations. Virtually all existing entries—spanning architecture, politics, business, sports, the arts, and more—have been updated to reflect the impact of the past two decades. The more than 5,000 alphabetical entries and 700 illustrations of the second edition of The Encyclopedia of New York City convey the richness and diversity of its subject in great breadth and detail, and will continue to serve as an indispensable tool for everyone who has even a passing interest in the American metropolis.

Cities have always been dynamic social environments for visual and otherwise symbolic competition between the groups who live and work within them. In contemporary urban areas, all sorts of diversity are simultaneously increased and concentrated, chief amongst them in recent years being the ethnic and racial transformation produced by migration and the gentrification of once socially marginal areas of the city. Seeing Cities Change demonstrates the utility of a visual approach and the study of ordinary streetscapes to document and analyze how the built environment reflects the changing cultural and class identities of neighborhood residents. Discussing the manner in which these changes relate to issues of local and national identities and multiculturalism, it presents studies of various cities on both sides of the Atlantic to show how global forces and the competition between urban residents in 'contested terrains' is changing the faces of cities around the globe. Blending together a variety of sources from scholarly and mass media, this engaging volume focuses on the importance of 'seeing' and, in its consideration of questions of migration, ethnicity, diversity, community, identity, class and culture, will appeal to sociologists, anthropologists and geographers with interests in visual methods and urban spaces.

This book explains the transformation of the nation into a cosmonation (or multisite nation) through the reunification of the homeland with its diaspora. The book elaborates on how the mechanisms of linkages, connections, and networking interact to form distributed sites of homeland and diaspora into a cosmonation and how diasporans in different units of such a crossborder social formation, wherever they relocate, relate to each other. The ensemble thereby functions as a cultural and political collectivity manifested through cultural traditions, inter-site familial, institutional, and associational ties, transnational solidarity, and reverence for the ancestral homeland.

Acclaimed artist Kenneth Goldsmith’s thousand-page homage to New York City Here is a kaleidoscopic assemblage and poetic history of New York: an unparalleled and original homage to the city, composed entirely of quotations. Drawn from a huge array of sources—histories, memoirs, newspaper articles, novels, government documents, emails—and organized into interpretive categories that reveal the philosophical architecture of the city, Capital is the ne plus ultra of books on the ultimate megalopolis. It is also a book of experimental literature that transposes Walter Benjamin’s unfinished magnum opus of literary montage on the modern city, The Arcades Project, from nineteenth-century Paris to twentieth-century New York, bringing the streets and its inhabitants to life in categories such as “Sex,” “Central Park,” “Commodity,” “Loneliness,” “Gentrification,” “Advertising,” and “Mapplethorpe.” Capital is a book designed to fascinate and to fail—for can a megalopolis truly ever be captured in words? Can a history, no matter how extensive, ever be comprehensive? Each reading of this book, and of New York, is a unique and impossible project.

Looks at how contemporary Jewish neighborhoods interact with both local and transnational influences.