V S Naipaul And World Literature

Traditional Chinese edition of A House for Mr. Biswas by V. S. Naipaul. It is a story of Mr. Biswas's struggle for independence, but more importantly, it is his fight for dignity and a life with meaning. A House for Mr. Biswas is touted as Naipaul's finest novel. In Traditional Chinese. Distributed by Tsai Fong Books, Inc.

This book engages with Naipaul's literary corpus and reconceptualizes what it means to be a writer of world literature.

In this masterpiece about Trinidad, the Nobel Prize-winning author has “given us a lesson in history [and] shown us how it is best written” (The New York Times). The history of Trinidad begins with a delusion: the belief that somewhere nearby on the South American mainland lay El Dorado, the mythical kingdom of gold. In this extraordinary and often gripping book, V. S. Naipaul—himself a native of Trinidad—shows how that delusion drew a small island into the vortex of world events, making it the object of Spanish and English colonial designs and a mecca for treasure-seekers, slave-traders, and revolutionaries. Amid massacres and poisonings, plunder and multinational intrigue, two themes emerge: the grinding down of the Aborigines during the long rivalries of the El Dorado quest and, two hundred years later, the man-made horror of slavery. An accumulation of casual, awful detail takes us as close as we can get to day-to-day life in the slave colony, where, in spite of various titles of nobility, only an opportunistic, near-lawless community exists, always fearful of slave suicide or poison, of African sorcery and revolt. Naipaul tells this labyrinthine story with assurance, withering irony, and lively sympathy. The result is historical writing at its highest level.

Eleven essays on reading, writing, and identity—which have been brought together for the first time—from the Nobel Prize-winning author. • “He brings to [nonfiction] an extraordinary capacity for making art out of lucid thought…. I can no longer imagine the world without Naipaul’s writing.” —Vivian Gornick, Los Angeles Times Book Review Here the subject is Naipaul’s literary evolution: the books that delighted him as a child; the books he wrote as a young man; the omnipresent predicament of trying to master an essentially metropolitan, imperial art form as an Asian colonial from a New World plantation island. He assesses Joseph Conrad, the writer most frequently cited as his forebear, and, in his celebrated Nobel Lecture, “Two Worlds,” traces the full arc of his own career. Literary Occasions is an indispensable addition to the Naipaul oeuvre, penetrating, elegant, and affecting.

For forty years V. S. Naipaul has been traveling and, through his writing, creating one of the most wide-ranging and sustained meditations on our world. Now, for the first time, his finest shorter pieces of reflection and reportage -- nearly all of them heretofore out of print -- are collected in one volume. With an abiding faith in the redemptive power of modernity balanced by a sense of wonder about the past, Naipaul has explored an astonishing variety of societies and peoples through the many-sided prism of his own experience. Whether writing about the Muslim invasions of India, Mobutu’s mad reign in Zaire, or the New York mayoral elections, he has demonstrated again and again that no one has a shrewder intuition of the ways in which power works, of the universal relation of the exploiter and the exploited. And no one has put forth a more consistently eloquent defense of the dignity of the individual and the value of civilization. Infused with a deeply felt humanism, The Writer and the World attests powerfully not only to Naipaul’s status as the great English prose stylist of our time but also to his keen, often prophetic, understanding.

In his long-awaited, vastly innovative new novel, Naipaul, "one of literature's great travelers" (Los Angles Times), spans continents and centuries to create what is at once an autobiography and a fictional archaeology of colonialism. "Dickensian… a brilliant new prism through which to view (Naipaul's) life and work."—New York Times.

The author of more than thirty books of fiction and nonfiction and winner of the Nobel Prize in Literature, V. S. Naipaul (1932–2018) is one of the most acclaimed authors of the twentieth century. He is also one of the most controversial. Before settling in England, Naipaul grew up in Trinidad in an Indian immigrant community, and his depiction of colonized peoples has often been harshly judged by critics as unsympathetic, misguided, racist, and sexist. Yet other readers praise his work as containing uncommonly perceptive historical and psychological insight. In V. S. Naipaul’s Journeys, Sanjay Krishnan offers new perspectives on the distinctiveness and power of Naipaul’s writing, as well as his shortcomings, trajectory, and complicated legacy. While recognizing the flaws and prejudices that shaped and limited Naipaul’s life and art, this book challenges the binaries that have dominated discussions of his writing. Krishnan reads Naipaul as self-subverting and self-critical, engaged in describing his own implication in what he saw as the malaise of the postcolonial world. Krishnan brings together close readings of major novels with considerations of Naipaul’s work as a united project, as well as nuanced assessments of Naipaul’s political commentary on ethnic nationalism and religious fundamentalism. Krishnan provides a Naipaul for contemporary times, illustrating how his life and work shed light on debates regarding migration, diversity, sectarianism, displacement, and other global challenges.

V.S. Naipaul Has Claimed That All His Work Is Really One And He Has Been Writing One Big Book All These Years; Also, Considering The World He Has Stepped Into And The World He Has To Look At, He Cannot Be A Professional Novelist In The Old Sense. In His Early Youth Naipaul Took Up The Vocation Of A Writer As His Religion And, Since The Beginning Five Decades Ago, Has Drawn On His Intensely Personal Experience Of An Uprooted Person Adrift In The World, His Experience Of The Two Worlds To None Of Which He Could Really Belong An Experience That Imparts The Authentic Voice To His Works Both Non-Fiction And Fiction Enriched By A Distinct Autobiographical Flavour. Naipaul Himself Is Split Into His Characters In Whom Are Manifested Subtle Shades Of His Emotions And Traits. He Is Accidental Man, Dangling Man, History Man And The Mimic Man All Rolled Into One. Naipaul Is Also One Of Literature S Great Travellers, And His Absorption Into The Experience Of Rootlessness, The Alienating Effects Of Colonial Past On Today S Postcolonial People Has Taken Him To Africa, South America, India And All Over The World Not In Search Of Roots But In Search Of Rootlessness, And Has Yielded A Rich Harvest Of Travelogues Which Are About Much More Than Travel.An Author Of A Large Number Of Fictional And Non-Fictional Works, Naipaul Continues To Surprise, Excite, Provoke And Move Readers At Every Turn Of His Literary Voyage. Naipaul Has Unseverable Emotional Bond With India Which Remains For Him An Area Of Pain, An Ache For Which One Has A Great Tenderness Yet From Which He Wishes To Separate Himself. The World Of V.S. Naipaul Is The World Of Two Worlds. The Present Volumes Of Papers On Naipaul, Led By Naipaul S Nobel Lecture, Offer Illuminating Perspectives And Interesting Explorations Into This Rich, Enigmatic, Sad, Hilarious, And Fascinating World Of Naipaul.