V S Naipaul S Journeys

The author of more than thirty books of fiction and nonfiction and winner of the Nobel Prize in Literature, V. S. Naipaul (1932–2018) is one of the most acclaimed authors of the twentieth century. He is also one of the most controversial. Before settling in England, Naipaul grew up in Trinidad in an Indian immigrant community, and his depiction of colonized peoples has often been harshly judged by critics as unsympathetic, misguided, racist, and sexist. Yet other readers praise his work as containing uncommonly perceptive historical and psychological insight. In V. S. Naipaul’s Journeys, Sanjay Krishnan offers new perspectives on the distinctiveness and power of Naipaul’s writing, as well as his shortcomings, trajectory, and complicated legacy. While recognizing the flaws and prejudices that shaped and limited Naipaul’s life and art, this book challenges the binaries that have dominated discussions of his writing. Krishnan reads Naipaul as self-subverting and self-critical, engaged in describing his own implication in what he saw as the malaise of the postcolonial world. Krishnan brings together close readings of major novels with considerations of Naipaul’s work as a united project, as well as nuanced assessments of Naipaul’s political commentary on ethnic nationalism and religious fundamentalism. Krishnan provides a Naipaul for contemporary times, illustrating how his life and work shed light on debates regarding migration, diversity, sectarianism, displacement, and other global challenges.

The Nobel Prize-winning author gives us – on the basis of his own intensive seventeen month journey across the Asian continent – an unprecedented revelation of the Islamic world. • “A brilliant report…. A book of scathing inquiry and judgment, whose tragic power is being continually reinforced by current events” (Newsweek). With all the narrative power and intellectual authority that have distinguished his earlier books and won him international acclaim (“There can hardly be a writer alive who surpasses him” – Irving Howe, The New York Times Book Review), Naipaul explores the life, the culture, the ferment inside the nations of Islam – in a book that combines the fascinations of the great works of travel literature with the insights of a uniquely sharp, original, and idiosyncratic political mind. He takes us into four countries in the throes of “Islamization” – countries that, in their ardor to build new societies based entirely on the fundamental laws of Islam, have violently rejected the “materialism” of the technologically advanced nations that have long supported them. He brings us close to the people of Islam – how they live and work, the role of faith in their lives, how they see their place in the modern world.

Examines the events, trends, personalities, and politics in Guyana and in California that enabled Jim Jones and his Peoples Temple to flourish and to enact a bizarre mass death.

With an introduction by Harvard professor and author Maya Jasanoff. Taking its title from a work by the surrealist painter, Giorgio de Chirico, The Enigma of Arrival tells the story of a young Indian from the Caribbean arriving in post-imperial England and consciously, over many years, finding himself as a writer. It is the story of a journey, from one place to another, from the British colony of Trinidad to the ancient countryside of England, and from one state of mind to another, and is perhaps V. S. Naipaul’s most autobiographical work. Finding depth and pathos in the smallest moments Naipaul also comprehends the bigger picture – watching as the old world is lost to the gradual but permanent changes wrought on the English landscape. It is a moving and beautiful novel told with great dignity, compassion, and candour.

In his long-awaited, vastly innovative new novel, Naipaul, "one of literature's great travelers" (Los Angles Times), spans continents and centuries to create what is at once an autobiography and a fictional archaeology of colonialism. "Dickensian… a brilliant new prism through which to view (Naipaul's) life and work."—New York Times.

The history of Trinidad begins with a delusion: the sixteenth century belief that somewhere nearby on the South American mainland lay the fabulous kingdom of El Dorado. Two centuries of multinational intrigue followed, personified in the rivalled quest for the mythical kingdom of gold between the aging conquistador Antonio de Berrio and Sir Walter Ralegh, and culminating in the brutal stewardship of Thomas Picton, the English governor put on trial for the torture of a fourteen-year-old mulatto girl. Relating this labyrinthine story with clarity and novelistic drama, V. S. Naipaul accomplishes an unparalleled feat of historical writing.

A wonderful and coherent selection from the writings of a great author. This collection of V.S. Naipaul's essays, the first of two volumes, showcases a lifetime of intelligent and profoundly enjoyable writing. It features pieces taken from his earlier books - The Overcrowded Barracoon, The Return of Eva Peron and Finding the Centre - and also includes several previously uncollected essays. Concentrating mainly on V.S. Naipaul's writings about India, the Americas, Africa and the Diaspora, it is a clear-eyed and magnificent introduction to the writer's extraordinary world.

From the Nobel Prize-winning author comes a riveting tour de force that examines emigration, dislocation, and dread. “The coolest literary eye and the most lucid prose we have.” —The New York Times Book Review No writer has rendered our boundariless, post-colonial world more acutely or prophetically than V. S. Naipaul, or given its upheavals such a hauntingly human face. In the beginning it is just a car trip through Africa. Two English people—Bobby, a civil servant with a guilty appetite for African boys, and Linda, a supercilious “compound wife”—are driving back to their enclave after a stay in the capital. But in between lies the landscape of an unnamed country whose squalor and ethnic bloodletting suggest Idi Amin’s Uganda. And the farther Naipaul’s protagonists travel into it, the more they find themselves crossing the line that separates privileged outsiders from horrified victims. Alongside this Conradian tour de force are four incisive portraits of men seeking liberation far from home. By turns funny and terrifying, sorrowful and unsparing, In A Free State is Naipaul at his best.