Vanishing Monuments

Alani Baum, a non-binary photographer and teacher, hasn’t seen their mother since they ran away with their girlfriend when they were seventeen -- almost thirty years ago. But when Alani gets a call from a doctor at the assisted living facility where their mother has been for the last five years, they learn that their mother’s dementia has worsened and appears to have taken away her ability to speak. As a result, Alani suddenly find themselves running away again -- only this time, they’re running back to their mother. Staying at their mother’s empty home, Alani attempts to tie up the loose ends of their mother’s life while grappling with the painful memories that—in the face of their mother’s disease -- they’re terrified to lose. Meanwhile, the memories inhabiting the house slowly grow animate, and the longer Alani is there, the longer they’re forced to confront the fact that any closure they hope to get from this homecoming will have to be manufactured. This beautiful, tenderly written debut novel by Bronwen Wallace Award for Emerging Writers winner John Elizabeth Stintzi explores what haunts us most, bearing witness to grief over not only what is lost, but also what remains. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

The brilliant new novel from the fiercely talented author of Vanishing Monuments, shortlisted for the Amazon Canada First Novel Award On the morning of June 2, 2016, a jogger in Central Park notices a mass of stone in the centre of the reservoir, a mass that—three weeks later—will have grown into an active stratovolcano nearly two and a half miles tall. This inexplicable event seems to coincide with an escalation of strange phenomena happening around the world. For readers of Karen Tei Yamashita and Haruki Murakami and fans of David Mitchell’s Cloud Atlas and Olga Tokarczuk’s Flights, My Volcano sets the mythic and absurd against the starkly realistic, attempting to portray what it feels like to live in a burning world stricken numb. My Volcano is a pre-apocalyptic vision following a global and diverse cast of characters, each experiencing private and collective eruptions: an eight-year-old boy in Mexico City finds himself 500 years in the past, where he lives through the fall of the Aztec Empire; a folktale scholar in Tokyo studies a story with indeterminate origins about a woman coming down a mountain to destroy villages and towns; a white trans writer living in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse with Doctors without Borders works with Syrian refugees in Greece as she tries to grapple with the trauma of surviving an American bombing of a hospital in Kunduz, Afghanistan; a nomadic herder in Mongolia is stung by a bee and finds himself transformed into a green, thorned, flowering creature that aims to cleanse the world’s most polluted places on its path toward assimilating every living thing on Earth into its consciousness. With audacious structure and poetic prose, My Volcano is an electrifying tapestry on fire. This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. This book is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.

From award-winning author John Elizabeth Stintzi, Junebat is a form- and gender-disrupting debut collection that grapples with the pain of uncertainty on the path towards becoming. John Elizabeth Stintzi’s unforgettable debut collection, Junebat, grapples with the pain of uncertainty on the path towards becoming. Set during the year Stintzi lived in deep isolation in Jersey City, NJ, these poems map the depression the poet struggled with as they questioned and came to grips with their gender identity. Through the invention of the Junebat — a contradictory, evolving, ever-perplexing creature — Stintzi is able to create a self-defined space within the poems where they can reside comfortably, beyond the firm boundaries of the gender binary or the plethora of identities gathered under the queer umbrella. As the speaker of the poems begins to emerge from their depression, the second wing of the book tracks their falling in love with a young woman surfacing from the end of her marriage. Challenging, heartbreaking, soaring, and powerfully new, the poems in Junebat demolish false walls and pull the reader to the dark edges of the mind, showing us how identity doesn’t have to be rigid or static but can be defined by confusion and contradiction, possibility and a metamorphosis that never ends.

British architectural consultant Amery profiles large historical constructions in Europe, Asia, Africa and the Middle East, and the Americas that are in advancing stages of deterioration. Most of the many photographs are color. The quality, sewn-bound volume is published in conjunction with the World Monuments Fund. c. Book News Inc.

As suburban sprawl conquer the country, the vestiges of a lost way of life are falling under the wrecking ball. Photographer Eastman has captured these quirky buildings on film before they vanish, in this book that delights in the idiosyncrasies of America's vernacular styles.

This book tells the stories behind the many District of Columbia statues that honor participants in the Civil War. Organized geographically for easy use on walking or driving tours, the entries list the subject and title of each memorial along with its sculptor, medium, date, and location. 92 photos.

In Vanishing Points, Michael Sherwin locates and photographs significant sites of indigenous American presence, including sacred landforms, earthworks, documented archaeological sites and contested battlegrounds. The sites he chooses to visit are literal and metaphorical vanishing points. They are places in the landscape where two lines, or cultures, converge. They are also actual archaeological sites where the sparse evidence of a culture's once vibrant existence has all but disappeared. While visiting these sites, Sherwin reflects on the monuments modern culture will leave behind and what the archaeological evidence of our civilization will reveal about our time on Earth.