Verb Movement In Romance

"This book provides a detailed account of verb movement across more than twenty standard and non-standard Romance varieties. Norma Schifano examines the position of the verb with respect to a wide selection of hierarchically-ordered adverbs, as laid out in Cinque's (1999) seminal work. She uses extensive empirical data to demonstrate that, contrary to traditional assumptions, it is possible to identify at least four distinct macro-typologies in the Romance languages: these macro-typologies stem from a compensatory mechanism between syntax and morphology in licensing the Tense, Aspect, and Mood interpretation of the verb. The volume adopts a hybrid cartographic/minimalist approach, in which cartography provides the empirical tools of investigation, and minimalist theory provides the technical motivations for the movement phenomena that are observed. It provides a valuable tool for the examination of fundamental morphosyntactic properties from a cross-Romance perspective, and constitutes a useful point of departure for further investigations into the nature and triggers of verb movement cross-linguistically."--Dust jacket flap.

The Romance Languages document remarkable variations in subject word order in different constructions, and have various restrictions in their occurrence. No consensus has emerged on what the paramaters are for such variations. This volume does not attempt to create a consensus, but tries to represent and bring into dialogue the different sides of the debate.

The book provides a formal analysis of root and complement clauses in Old Romanian, focussing on the combination of Balkan syntactic patterns and Romance morphology. It presents a new perspective on the manifestation of Balkan Sprachbund properties in the language, and on the nature of parametric differences in relation to other Romance languages.

This monograph offers the first in-depth lexical and semantic analysis of motion verbs in their development from Latin to nine Romance languages — Spanish, French, Italian, Portuguese, Romanian, Catalan, Occitan, Sardinian, and Raeto-Romance — demonstrating that the patterns of innovation and continuity attested in the data can be accounted for in cognitive linguistic terms. At the same time, the study illustrates how the insights gained from Latin and Romance historical data have profound implications for the cognitive approaches to language — in particular, for Leonard Talmy’s motion-framing typology and George Lakoff and Mark Johnson’s conceptual metaphor theory. The book should appeal to scholars interested in historical Romance linguistics, cognitive linguistics, and lexical change.

This volume provides the most exhaustive and comprehensive treatment available of the Verb Second property, which has been a central topic in formal syntax for decades. While Verb Second has traditionally been considered a feature primarily of the Germanic languages, this book shows that it is much more widely attested cross-linguistically than previously thought, and explores the multiple empirical, theoretical, and experimental puzzles that remain in developing an account of the phenomenon. Uniquely, formal theoretical work appears alongside studies of psycholinguistics, language production, and language acquisition. The range of languages investigated is also broader than in previous work: while novel issues are explored through the lens of the more familiar Germanic data, chapters also cover Verb Second effects in languages such as Armenian, Dinka, Tohono O'odham, and in the Celtic, Romance, and Slavonic families. The analyses have wide-ranging consequences for our understanding of the language faculty, and will be of interest to researchers and students from advanced undergraduate level upwards in the fields of syntax, historical linguistics, and language acquisition.

This book provides the most comprehensive and detailed formal account to date of the evolution of French syntax. It makes use of the latest formal syntactic tools and combines careful textual analysis with a detailed synthesis of the research literature to provide a novel analysis of the major syntactic developments in the history of French. The empirical scope of the volume is exceptionally broad, and includes discussion of syntactic variation and change in Latin, Old, Middle, Renaissance, and Classical French, and standard and non-standard varieties of Modern French. Following an introduction to the general trends in grammatical change from Latin to French, Sam Wolfe explores a wide range of phenomena including the left periphery, subject positions and null subjects, verb movement, object placement, negation, and the makeup of the nominal expression. The book concludes with a comparative analysis of how French has come to develop the unique typological profile it has within Romance today. The volume will thus be an indispensable tool for researchers and students in French and comparative Romance linguistics, as well as for readers interested in grammatical theory and historical linguistics more broadly.

Morphosyntax of Verb Movement discusses the phenomenon of Dutch, present in many Germanic languages, that the finite verb is fronted in main clauses but not in embedded clauses. The theoretical framework adopted is the so-called Minimalist Program of Chomsky (1995), the latest developmental stage of generative grammar. Taking issue with previous analyses, the author argues that phrase structure in Dutch is uniformly head initial, and that the finite verb moves to different positions in subject initial main clauses and in inversion constructions. The book contains lucid and detailed discussion of many theoretical issues in connection with the Minimalist Program, such as the relation between syntax and morphology, the nature of syntactic licensing, and the structure of the functional domain. At the same time, it offers a survey of the properties of Dutch syntax, a discussion of previous analyses of Dutch syntax and a wealth of material from dialects of Dutch and other Germanic languages.