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The work of Roman Jakobson has long been recognized as central to debates in linguistics and literary theory. This book makes Jakobson's ideas, previously collected only in a monumental, seven-volume edition of his selected writings, readily available for the first time.

Metaphor and Iconicity attempts to clarify the interplay of metaphor and iconicity in the creation and interpretation of spoken and written texts from a cognitive perspective. There are various degrees in which metaphor and iconicity manifest themselves, ranging from sound symbolism and parallelism in poetic discourse to word order, inflectional forms, and other grammatical structures in ordinary discourse. The book makes unique contributions to the study of the relationship of form and meaning.

"Charles Dickens: The Uses of Time clarifies the antinomies that appear in Dickens's attitudes toward the past, present, and future. To do this, author James E. Marlow follows Dickens's personal and literary development through all his novels and many of his letters and journalistic pieces. For example, toward the past Dickens reveals diametrically opposing attitudes. A part of his own childhood was so painful a memory to him that he could not bring himself to tell his wife about it after twenty years of marriage. In his novels he developed a number of ways of dealing with the awful pasts, both personal and national. From denial to anger to acceptance, Dickens tried one method after another. As each failed to relieve his anguish, and even failed to rescue human feelings, he formulated another. This is what Marlow calls Dickens's "dialectic of the past."" "Yet Dickens was also nostalgic about much of the past. He emphasized its softening quality even while trying to disarm its dehumanizing quality. With his characters Dickens discovered the necessity of an engagement with the past that entails accepting the pain as well as the joy. This is its use. The past is abused when the pain or joy is disentangled from the whole and held up as meaning in itself. This act orphans the feelings, petrifying the soul." "What is true of the past is true of the present and future as well. Just as one chapter of the book is devoted to the abuse of the past and another to its uses, a further chapter shows the way Dickens worked through the terrors of the present, dominated by an ideology that the author calls "English cannibalism." Another chapter shows the threat of moral sclerosis through dealing with the future as merely "great expectations." These chapters are paired with chapters that show the joys of the present and future. With each time period there is a dialectical process: Dickens had to work through a stance, discover its deficiencies, and then move on to another stance that promised to provide more human gain, both social and personal, from the past, present, and future. Ultimately, the very existence of three dimensions of time is the solace of man, because while the past, for example, can be used for relief of the present, the present can modify and soften the past. All is fluid, and nothing is ever finished in the process between mind and human events." "In the last chapter Marlow established the kind of material world that Dickens's dialectic of time presupposed. It is a world with moral foundations, and Dickens, like many other Victorians, discovered a plausible, scientific explanation for such a world in Charles Babbage's Ninth Bridgewater Treatise, a book that seeks to harmonize scientific knowledge with moral imperatives. This satisfies Dickens's own project perfectly, for Dickens wished to demonstrate the possibilities of engagements with each dimension of time, within the requirements of social life, that do not annihilate the moral properties necessary for the soul to harmonize with God's universe itself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The primary intention of this work is to present a set of alternative approaches to musicality where the object of analysis is the 'process' of music-making rather than the 'product' or end result. It uses as its source the concept of musicality as a way of comprehending reality rather than as a static reflection of it, and Balinese music is the main cultural example.

The concept of the short term involves a complex network of quantitative, qualitative, and operational ideas. It is essential everywhere from the ontology of time, to the science of memory, to the preservation of art, to emotional life, to the practice of ethics. But what does the idea of the short term mean? What makes a temporal term short? What makes a time segment terminate? Is the short term a quantitative idea, or a qualitative or functional idea? When is it a good idea to understand events as short term events, and when is it a good idea to make decisions based on the short term? What does it mean for the nature of time if some of it can be short? Jay Lampert explores these questions in depth and makes use of the resources of short (as well as long) term processes in order to develop best temporal practices in ethical, aesthetic, epistemological, and metaphysical activities, both theoretical and practical. The methodology develops ideas based on the history of philosophy (from Plato to Hegel to Husserl to Deleuze), interdisciplinary studies (from cognitive science to poetics), and practical spheres where short term practices have been studied extensively (from short term psychotherapy to short term financial investments). Philosophy of the Short Term is the first book to deal systematically with the concept of the short term.

Toward an Urban Cultural Studies is a call for a new interdisciplinary area of research and teaching. Blending Urban Studies and Cultural Studies, this book grounds readers in the extensive theory of the prolific French philosopher Henri Lefebvre.

In this original work of psychoanalytic theory, John Muller explores the formative power of signs and their impact on the mind, the body and subjectivity, giving special attention to work of the French psychoanalyst Jacques Lacan and the American philosopher Charles Sanders Peirce. Muller explores how Lacan's way of understanding experience through three dimensions--the real, the imaginary and the symbolic--can be useful both for thinking about cultural phenomena and for understanding the complexities involved in treating psychotic patients, and develops Lacan's perspective gradually, presenting it as distinctive approaches to data from a variety of sources.