Vermilion Sands

A FUTURISTIC COVER - COMES WITH 3D GLASSES! Welcome to Vermilion Sands, the fully automated desert-resort ready to fulfil your most exotic whims. Home to the idle rich it now languishes in uneasy decay, populated only by forgotten movie queens, solitary impresarios and the remittance men of the artistic and literary world. Discover prima donna plants programmed to sing operatic arias, dial-a-poem computers and psychosensitive houses capable of murder. These quintessentially Ballardian short stories of dystopian modernity are Ballard’s ‘guess at what the future will actually be like’.

Ballard's genius for imagining exotic places appears again in Vermilion Sands where he creates a fantasy landscape of the future. These stories feature forgotten movie queens and guilt-ridden femmes fatales who exercise their every whim in a culture of unlimited technology.

A comprehensive account of the work of J.G. Ballard, one of the most important fiction writers of the past forty years. Traces the development of his career, and the significant contribution he has made to contemporary writing.

Innovative and interdisciplinary essays on the increasingly significant British writer J.G. Ballard (1930-2009), exploring the physical, cultural and intertextual landscapes in his key works, especially The Atrocity Exhibition, one of the most challenging works in contemporary fiction.

J. G. Ballard’s collected nonfiction from 1962 to 2007, mapping the cultural obsessions, experiences, and insights of one of the most original minds of his generation. J. G. Ballard was a colossal figure in English literature and an imaginative force of the twentieth century. Alongside seminal novels—from the notorious Crash (1973) to the semi-autobiographical Empire of the Sun (1984)—Ballard was a sought-after reviewer and commentator, publishing journalism, memoir, and cultural criticism in a variety of forms. The Selected Nonfiction of J. G. Ballard collects the most significant short nonfiction of Ballard’s fifty-year career, extending the range of the only previous collection of his nonfiction, A User’s Guide to the Millennium (1996), which selected essays and reviews published between 1962 and 1995. A decade on from Ballard’s death in 2009, a new generation of readers needs a new collection. In the period following A User’s Guide, Ballard’s writing addressed 9/11, British politics from New Labour onward, and what he termed “the rise of soft fascism”—a diagnosis that maintains its relevance amid a shift toward right populism in European and US politics. Beautifully edited by Ballard scholar and novelist Mark Blacklock, this volume includes Ballard’s editorials and manifestos; commentaries on his own work; commentaries on the work of others; reviews; and more. Above all, it makes the case for the currency of Ballard’s work at a contemporary juncture at which so many of his diagnoses concerning the media and politics have become apparent.

This book is the first comprehensive study of mainstream British dystopian fiction and the Cold War. Drawing on over 200 novels and collections of short stories, the monograph explores the ways in which dystopian texts charted the lived experiences of the period, offering an extended analysis of authors’ concerns about the geopolitical present and anxieties about the national future. Amongst the topics addressed are the processes of Cold War (autocracy, militarism, propaganda, intelligence, nuclear technologies), the decline of Britain’s standing in global politics and the reduced status of intellectual culture in Cold War Britain. Although the focus is on dystopianism in the work of mainstream authors, including George Orwell, Doris Lessing, J.G. Ballard, Angela Carter and Anthony Burgess, a number of science-fiction novels are also discussed, making the book relevant to a wide range of researchers and students of twentieth-century British literature.

Far from Earth, on a ship carrying the 13th and 14th generations of descendants from the original crew, life is short. You are born, learn the tasks needed to keep the ship running, help breed and train the next crew - and your death is ordered by the computer in charge. Gregson, chief of the psych-police, makes sure the computer's death-sentences are carried out quickly and painlessly. His duty is a sacred trust. He knows the intricacies of the system, how it works . . . and how it can be subverted. He is growing old. Rebellious. He also knows his name will soon come up in the computer for elimination. And he has no intention of carrying out his own death-sentence!

First published in 1970 and widely regarded as a prophetic masterpiece, this is a groundbreaking experimental novel by the acclaimed author of ‘Crash’ and ‘Super-Cannes’.