Verse

"Book and Verse is guide to the variety and extent of biblical literature in England, exclusive of drama and the Wycliffite Bible, that appeared between the twelfth and the fifteenth centuries. Entries provide detailed information on how much of what parts of the Bible appear in Middle English and where this biblical material can be found."--BOOK JACKET.

The Legend of Korra meets Nimona in VERSE Book 2: The Second Gate, where magic and mystery are on the move! FACE THE MAGIC THE BATTLE FOR THE FUTURE OF MAGIC HAS TAKEN ITS FIRST PRISONER. The YA fantasy series continues with a dangerous and dark turn, while magic is on the move and fears are faced alone. Held captive by the leaders of a dangerous new movement, Neitya is forced to face a darker side of her abilities that threaten to tear her away from Fife, her only true friend. The only way back to one another may be to follow their destinies down divergent paths and discover what it means to face their worst fears alone. Read the entire VERSE saga! Verse Book 1: The Broken Half Verse Book 2: The Second Gate Verse Book 3: The Song For fans and readers of Snapdragon (Kat Leyh); The Witch Boy, The Hidden Witch, The Midwinter Witch (Molly Knox Ostertang); Mooncakes (Suzanne Walker & Wendy Xu); The Prince and the Dressmaker (Jen Wang), The Legend of Korra, and the books of Tamora Pierce. “Verse's rich drawings and colours beautifully illustrate a complicated, engaging fantasy world filled with sympathetic characters. I can't wait to learn more about them as their journey continues!" - Faith Erin Hicks

The Life Verse experience helps readers see the broad themes of Scripture and overlay them on the themes of their own lives. From there, author David Edwards invites readers deeper into Scripture to find their personal life verse and to understand the richness of its context and the fullness of its application. Finally, readers learn how to use their life verse in sharing Christ with others. This compelling experience helps readers learn to see the Bible thematically, read it personally, and share Christ in a natural and biblical manner, while finding their true identity in God's Word. This book will help you Discern where you're at, Discover that life verse, Develop the life verse, go Deeper with the verse.

John is at once the most complex and the easiest to understand of all the Gospels. If we want a young seeker or new believer to read something that is both clear and filled with the gospel and good basic theology, we give them the Gospel of John. And if we want to study an incredibly deep theological masterpiece that stretches the brightest mind, we open the Gospel of John. It is the most evangelistic account of Jesus' life and ministry, and it also gives the mature Christian deep theological truths to chew on. In John Verse by Verse, respected New Testament scholar Grant R. Osborne invites the reader to become caught up in the dramatic masterpiece of the Fourth Gospel. He writes, "If I were teaching a course in college or seminary on creative writing, John's Gospel would be set alongside Shakespeare as models of brilliant characterization and plot." It is perhaps Osborne's favorite book of the Bible, and enthusiasm for it shines on every page. The Osborne New Testament Commentaries, by respected professor and author Grant R. Osborne, are for people seeking a straightforward explanation of the text in its context, avoiding either oversimplification or technical complexity. Osborne brings out the riches of the New Testament, making each book accessible for pastors and all who consider themselves students of Scripture.

Traces the lyricism and musicality in Pound's early verse through to his radical Modernist style. Robert Stark argues that Pound learned how to write poetry more or less as if it was a foreign tongue - or poetic 'jargon' - with a unique lexicon, grammar, and even morphology, and that his most innovative poetry is the result of his ambivalent orientation towards different European literary traditions.Stark contextualizes Pound's poetic craft by examining his relationship to the Mediaeval and Classical originators of the methods he employs and by considering the practice and criticism of his immediate Victorian and Romantic predecessors. He explores the influence of poets such as Francois Villon, Guido Cavalcanti, Robert Burns, Robert Browning, Algernon Charles Swinburne and Walt Whitman on Pound's lyrical style. For Stark, Pound's multi-vocalism arises out of his interest in dialect and the acoustic qualities of speech which leads to a 'modern' barbarous language marked by polysemy and heterogeneity.