Vestiges Of A Philosophy

Vestiges of a Philosophy: Matter, the Meta-Spiritual, and the Forgotten Bergson covers a fascinating yet little known moment in history. At the turn of the twentieth century, Henri Bergson and his sister, Mina Bergson (also known as Moina Mathers), were both living in Paris and working on seemingly very different but nonetheless complementary and even correlated approaches to questions about the nature of matter, spirit, and their interaction. He was a leading professor within the French academy, soon to become the most renowned philosopher in Europe. She was his estranged sister, already celebrated in her own right as a feminist and occultist performing on theatre stages around Paris while also leading one of the most important occult societies of that era, the Hermetic Order of the Golden Dawn. One was a respectable if controversial intellectual, the other was a notorious mystic-artist who, together with her husband and fellow-occultist Samuel MacGregor Mathers, have been described as the "neo-pagan power couple" of the Belle Époque. Neither Henri nor Mina left any record of their feelings and attitudes towards the work of the other, but their views on time, mysticism, spirit, and art converge on many fronts, even as they emerged from very different forms of cultural practice. In Vestiges of a Philosophy, John Ó Maoilearca examines this convergence of ideas and uses the Bergsons' strange correlation to tackle contemporary themes in new materialist philosophy, as well as the relationship between mysticism and philosophy.

"A highly original examination of the writings and practices of mystic and spiritualist Mina Bergson (1865-1925), in the light of her seemingly estranged brother, Henri Bergson's (1859-1941) ultra-realist ideas in the philosophies of time and of mind (the past really survives in memory). Her proposal that 'material science' was 'spiritualizing itself' just as 'occult science' was 'materializing itself' converges with her brother's attempt to overcome the duality of spirit and matter through a process metaphysics. Yet her approach comes from the tradition of Western Esotericism rather than Western Philosophy, a difference that will motivate an analysis of the ontology and methodology of the Bergson siblings. In doing so, it also engages with contemporary ideas in panpsychism, memory studies, the philosophy of time, as well as the relationship between spirit and matter within contemporary materialist thinking (Catherine Malabou, Karen Barad, and Jane Bennett). This study is then able to conceptualise for the first time the relations between a non-mechanistic view of matter as heterogenous, non-local, and creative, and Mina Bergson's mystical performances of a spiritualised materiality. In this process of cross-fertilisation, a number of new concepts emerge involving the meta-spiritual, hetero-continuity, the supernormal, and the hyperbolic while also helping to side-step the duality of an immaterial or paranormal spiritualism on the one side and a reductive materialism on the other"--

"A highly original examination of the writings and practices of mystic and spiritualist Mina Bergson (1865-1925), in the light of her seemingly estranged brother, Henri Bergson's (1859-1941) ultra-realist ideas in the philosophies of time and of mind (the past really survives in memory). Her proposal that 'material science' was 'spiritualizing itself' just as 'occult science' was 'materializing itself' converges with her brother's attempt to overcome the duality of spirit and matter through a process metaphysics. Yet her approach comes from the tradition of Western Esotericism rather than Western Philosophy, a difference that will motivate an analysis of the ontology and methodology of the Bergson siblings. In doing so, it also engages with contemporary ideas in panpsychism, memory studies, the philosophy of time, as well as the relationship between spirit and matter within contemporary materialist thinking (Catherine Malabou, Karen Barad, and Jane Bennett). This study is then able to conceptualise for the first time the relations between a non-mechanistic view of matter as heterogenous, non-local, and creative, and Mina Bergson's mystical performances of a spiritualised materiality. In this process of cross-fertilisation, a number of new concepts emerge involving the meta-spiritual, hetero-continuity, the supernormal, and the hyperbolic while also helping to side-step the duality of an immaterial or paranormal spiritualism on the one side and a reductive materialism on the other"--

This Is A New Release Of The Original 1858 Edition.

This interdisciplinary volume connects the philosophy of history to moral philosophy with a unique focus on time. Taking in a range of intellectual traditions, cultural, and geographical contexts, the volume provides a rich tapestry of approaches to time, morality, culture, and history. By extending the philosophical discussion on the ethical importance of temporality, the editors disentangle some of the disciplinary tensions between analytical and hermeneutic philosophy of history, cultural theory, meta-ethical theory, and normative ethics. The ethical and existential character of temporality reveals itself within a collection that resists the methodological underpinnings of any one philosophical school. The book's distinctive cross-cultural approach ensures a wide range of perspectives with contributions on life and death in Japanese philosophy, ethics and time in Maori philosophy, non-traditional temporalities and philosophical anthropology, as well as global approaches to ethics. These new directions of study highlight the importance of the ethical in the temporal, inviting further points of departure in this burgeoning field.

Fiction or philosophy, profound knowledge or shocking heresy? When Vestiges of the Natural History of Creation was published anonymously in 1844, it sparked one of the greatest sensations of the Victorian era. More than a hundred thousand readers were spellbound by its startling vision—an account of the world that extended from the formation of the solar system to the spiritual destiny of humanity. As gripping as a popular novel, Vestiges combined all the current scientific theories in fields ranging from astronomy and geology to psychology and economics. The book was banned, it was damned, it was hailed as the gospel for a new age. This is where our own public controversies about evolution began. In a pioneering cultural history, James A. Secord uses the story of Vestiges to create a panoramic portrait of life in the early industrial era from the perspective of its readers. We join apprentices in a factory town as they debate the consequences of an evolutionary ancestry. We listen as Prince Albert reads aloud to Queen Victoria from a book that preachers denounced as blasphemy vomited from the mouth of Satan. And we watch as Charles Darwin turns its pages in the flea-ridden British Museum library, fearful for the fate of his own unpublished theory of evolution. Using secret letters, Secord reveals how Vestiges was written and how the anonymity of its author was maintained for forty years. He also takes us behind the scenes to a bustling world of publishers, printers, and booksellers to show how the furor over the book reflected the emerging industrial economy of print. Beautifully written and based on painstaking research, Victorian Sensation offers a new approach to literary history, the history of reading, and the history of science. Profusely illustrated and full of fascinating stories, it is the most comprehensive account of the making and reception of a book (other than the Bible) ever attempted. Winner of the 2002 Pfizer Award from the History of Science Society

Excerpt from Vestiges of the Natural History of Creation: Its Argument Examined and Exposed These books are very easy to write, as will appear; as easy as a collection of ghost stories explained, or a catalogue of impostures discovered, or charities abused, culled out Of the last leaves of the Mendicity Society's Reports; leaving without mention the heaps Of dis tressing and deserving cases relieved, with which the rest of their pages are crowded and consecrated. The volume before us is the very romance of philo sophy - for in these times, when children give up fairy tales, and read and talk philosophy, philosophy also must have its romances, as well as war and love, with the due foundation on fact, and finishing of fancy; and all the chiselling and squaring and fitting of the cun ning workman, by which he fashions the rudest and most unlikely lumps, to form the beautiful and symms tricel structure which he has pre-determined upon. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.