Victorian Technology

An enlightening history of 19th-century technology, focusing on the connections between invention and cultural values. Victorian Technology: Invention, Innovation, and the Rise of the Machine captures the extraordinary surge of energy and invention that catapulted 19th-century England into the position of the world's first industrialized nation. It was an astonishing transformation, one that shaped—and was shaped by—the values of the Victorian era, and that laid the groundwork for the consumer-based society in which we currently live. Filled with vivid details and fascinating insights into the impact of the Industrial Revolution on peoples' lives, Victorian Technology locates the forerunners of the defining technologies of the our time in 19th-century England: the computer, the Internet, mass transit, and mass communication. Readers will encounter the innovative thinkers and entrepreneurs behind history-making breakthroughs in communications (the transatlantic cable, wireless communication), mass production (the integrated factory), transportation (railroads, gliders, automobiles), and more.

Any large-scale construction project is a complex of contingencies, pitting the volatility of nature against human ingenuity, and setting the discord of human nature against itself. In The Thames Embankment, Dale H. Porter explores the tangled history of a monumental venture in Victorian London, telling with wit and authority the stories of those involved in and affected by this rough-and-tumble process, from mudlarks and wharfingers to prime ministers and lords. The embankment of the Thames River is often considered the final element of the London Main Drainage, a great engineering project that carried the sewage of the crowded metropolis down the valley and reduced the toxic pollution of the river and surrounding neighborhoods. But the Embankment, whose construction took almost fifty years from concept to completion, achieved fame in its own right, as an immense, expensive, and successful event that reflected the cultural ecology of Victorian society. In this richly detailed and multifaceted study, Dale H. Porter reveals the intricate weave of values and practices---environmental, political, economic, technological, and aesthetic---that made possible the planning and building of these structures that altered and became a permanent part of the London riverscape. Above all, The Thames Embankment shows how innovations in technology, in environmental assessment, and in public policy formations not only lead to public works projects but are, in turn, stimulated and shaped by them.

This study examines the ways in which technological changes initiated during the Victorian period have led to the diminution of speech as a mode of critique. Much in the same ways that speech had been used to affirm intersubjectivity, print culture conditioned readers to accept uni-directional exchange of values and interests. It enabled the creation of a community of readers who would be responsive to the expansion of a industry and the emergence of a technical language and culture, a culture that precedes and predicts post-modern society. The purpose of this study is to employ Charlotte Brontë's Shirley (1849), Charles Dickens's Hard Times (1854), and George Eliot's Felix Holt (1866) to evidence how the growth of capitalist production and the development of new technologies of industry within the early- to mid-Victorian periods inspired the prioritization of the printed word over oratory and speech as a means for fulfilling the linguistic power exchanges found common in spoken discourse. Inventions such as Friedrich Gottlob Koenig and Andreas Friedrich Bauer's high-speed printing press enabled mass production and low-cost readership among the working class, who experienced literacy on multiple levels: to educate themselves, to experience leisure and diversion, to confirm their religious beliefs, and to improve their labor skills. Much in the same ways that speech had been used to affirm intersubjectivity, print culture conditioned readers to accept uni-directional exchange of values and interests that would create a community of readers who would be responsive to the expansion of a new technical society and would eventually perform the routines of mechanized labor. This book employs Victorian novelists such as Charlotte Brontë, Charles Dickens, and George Eliot to address representations of speech in fictional discourse. Critics like Nancy Armstrong and Garrett Stewart have considered these representations without addressing the ways in which print culture engendered and valued new forms of speech, forms which might re-engage critique of the human condition. More recent publications like The Crowd: British Literature and Public Politics, by John Plotz, do not respond to the ways in which individuals use the collective voice of crowd formations to redefine and resituate their subjective identities. This book serves to fill this gap in Victorian studies. Victorian novels are not, of course, pure representations of Victorian reality. However, many working-class Victorians engaged texts as authentic representations of society. How working-class readers then reconstructed their personal narratives in actuality suggests the affects of social assimilation upon subjective identity and advances the claim that Victorian novels did not provide solutions to the social and economic maladies they reported. Rather, they contextualized social and cultural problems without recognizing the dangers of how the decontextualized imagination of the reader locates placement within the same ontological and epistemological assumptions. Technologies of Power in the Victorian Period is an informative study that will appeal to members of academic groups such as the British Women's Writer's Association and the North American Victorian Association. Although the book bears relevance to scholars and students of Victorian studies, it will also serve as a point of reference for curious readers engaged in studies of the effects of industrial technologies on language acquisition and dissemination during the nineteenth century.

Structured around three broad sections (on ‘Ways of Being: Identity and Ideology’, ‘Ways of Understanding: Knowledge and Belief’, and ‘Ways of Communicating: Print and Other Cultures’), the volume is sub-divided into 9 sub-sections each with its own ‘lead’ essay: on subjectivity, politics, gender and sexuality, place and race, religion, science, material and mass culture, aesthetics and visual culture, and theatrical culture. The collection, like today’s Victorian studies, is thoroughly interdisciplinary and yet its substantial Introduction explores a concern which is evident both implicitly and explicitly in the volume’s essays: that is, the nature and status of ‘literary’ culture and the literary from the Victorian period to the present.

No detailed description available for "Victorians and the Machine".

A new edition of the first book by the bestselling author of A History of the World in 6 Glasses-the fascinating story of the telegraph, the world's first "Internet," which revolutionized the nineteenth century even more than the Internet has the twentieth and twenty first. The Victorian Internet tells the colorful story of the telegraph's creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it, from the eighteenth-century French scientist Jean-Antoine Nollet to Samuel F. B. Morse and Thomas Edison. The electric telegraph nullified distance and shrank the world quicker and further than ever before or since, and its story mirrors and predicts that of the Internet in numerous ways.

Part memoir, part micro-history, this is an exploration of the present through the lens of the past. We all know that the best way to study a foreign language is to go to a country where it's spoken, but can the same immersion method be applied to history? How do interactions with antique objects influence perceptions of the modern world? From Victorian beauty regimes to nineteenth-century bicycles, custard recipes to taxidermy experiments, oil lamps to an ice box, Sarah and Gabriel Chrisman decided to explore nineteenth-century culture and technologies from the inside out. Even the deepest aspects of their lives became affected, and the more immersed they became in the late Victorian era, the more aware they grew of its legacies permeating the twenty-first century. Most of us have dreamed of time travel, but what if that dream could come true? Certain universal constants remain steady for all people regardless of time or place. No matter where, when, or who we are, humans share similar passions and fears, joys and triumphs. In her first book, Victorian Secrets, Chrisman recalled the first year she spent wearing a Victorian corset 24/7. In This Victorian Life, Chrisman picks up where Secrets left off and documents her complete shift into living as though she were in the nineteenth century.